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  • The modus operandi of Lindner's "Big Pump" is aural overload: With its odd-metered measures, the song functions as a throwback to bebop and shape-shifting jazz, but with hip-hop sophistication and the sensibilities of a jazz-rock band.
  • For trumpeter and composer Igmar Thomas, much in contemporary music has clearly evolved from the jazz of eras past. It's the insight behind his big band, which recently visited his alma mater.
  • In the '50s, Jamaican musicians combined Caribbean calypso and American jazz and R&B to create ska — the foundation of future developments like reggae. Now, jazz musicians are closing the circle of influence. For late summer, here are five songs inspired by the island's characteristic riddims.
  • Gala concert at Jazz at Lincoln Center on Apr. 17 to feature the Jazz at Lincoln Center Orchestra with Wynton Marsalis along with special guest artists including Rubén Blades, Kristin Chenoweth, Norm Lewis, Kurt Elling, Ekep Nkwelle, Robbie Lee and Bernadette Peters.
  • In honor of Women's History Month, here's photographer Jonathan Chimene's collection of female jazz artists performing in 2025
  • Sony Presents the Blue Note Jazz Festival will run from June 15 through Aug. 15, in the club and at SummerStage in Central Park.
  • Christian McBride of Jazz Night in America joins NPR's Audie Cornish with a few criteria for what turns a regular composition into a canonized classic.
  • Hear the jazz singer demonstrate her soulful technique in this 2008 episode hosted by Marian McPartland.
  • Jazz saxophonist James Carter. He has just released two new CDs Chasin' the Gypsy and Layin' in the Cut (Atlantic Records). The 31-year-old New York based musician was discovered at the age of 17 by Wynton Marsalis. He's played with Marsalis, the late Lester Bowie and Kathleen Battle. He has been praised by jazz musicians and critics alike; Richard Harrington of the Washington Post once wrote, "To hear saxophonist James Carter is to be blown away."
  • Jazz Historian WILL FREIDWALD. Hes the author of books like –Jazz Singing: Americas Greatest Voices from Bessie Smith to Bebop to Beyond—, –Sinatra! The Song is You: A Singers Art— and a contributor to Tony Bennetts autobiography –The Good Life.— Most recently, he wrote the liner notes for Mosaic Records release of –The Complete Columbia Mildred Bailey Sessions,— a comprehensive 10 disc set of the legendary singers recordings. He talks today about Baileys influence in American music.
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