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  • In this episode of The Third Story podcast. host Leo Sidran talks with guitarist brad allen williams about the relationship between suffering and art, connecting the threads of noise rock and bebop, specialization vs broad knowledge, the value of vulnerability in music.
  • Suzanne Vega is the latest guest on Leo Sidran's "The Third Story" podcast
  • Born in Gainesville and raised in Miami, FL (1979), Grammy-Award nominated tenor saxophonist Marcus Strickland has been active on the New York jazz scene since the 1990s. He developed his chops alongside twin brother, drummer E.J. Strickland, with a uniquely rhythmic sensibility. Brought up by a father who worked as a lawyer and played the drums during his spare time, Marcus learned musical rudiments in the context of drumming, emerging as a uniquely interactive player. Early influences include Joe Henderson, Wayne Shorter, and Whit Sidener, who helped him hone harmonic knowledge in the context of the saxophone. As a teenager, Marcus transcribed the complex harmonies of Charlie Parker and John Coltrane, and learned the culture of playing the saxophone through Branford Marsalis. In 1997, Strickland received a scholarship to study at The New School for Social Research in New York City, earning a B.A. in jazz performance (2002). There, he took Jazz Orchestra Ensemble with Blue Note Records veteran Charles Tolliver and Blakey Ensemble with Coltrane band double bassist Reggie Workman. As a student, Marcus became friends with fellow student pianist Robert Glasper and vocalist Bilal, and a new generation of sound began to take shape. As fate would have it, Bilal introduced Marcus to Slum Village and J Dilla, launching an interest in beat making and new ideas about what it means to create music. Accompanying artists such as Roy Haynes (2002-2005), Jeff “Tain” Waits (2004-2013), and Chris Dave (2013-now), Marcus’ early career focused on mastering the jazz idiom—especially bebop—while reaching into the future. Having played with three drummers that marked time in terms of music development, Marcus’ own eclectic approach to sound advanced in relationship with the groove. Inspired by low-mid register beats, Marcus took up the bass clarinet. Meanwhile, Strickland placed third in the 2002 Thelonious Monk International Jazz Saxophone Competition, and launched his own music label, Strick Muzik, in 2006. Down Beat magazine’s Critics' Poll named him 'Rising Star on Tenor Saxophone' in 2010 and 'Rising Star on Soprano Saxophone' in 2008. He was also named the 2006 'Best New Artist' by JazzTimes magazine's Reader's Poll. He was signed to Blue Note Records in 2015, and in 2017, was invited to play with bassist Christian McBride’s New Jawn. Strickland has released ten solo recordings to date: People of the Sun (2018); Nihil Novi (2016); Triumph of the Heavy, Vol. 1 & 2 (2011); Idiosyncrasies (2009); Of Song (2009); Open Reel Deck (2007); Twi-Life (2006); Brotherhood (2002), and At Last (2001). Marcus’ band and concept project, Twi-Life, thrives at the intersection of jazz and Hip Hop, and here Strickland becomes beat maker, composer, as well as saxophonist. Playing with the meaning of ‘twilight’ emphasizing the dichotomy as well as connection between day and night, this project stresses the necessity to stretch out artistically, beyond the limits of category or genre. His 2020 music video On My Mind remix featuring Bilal and emcee Pharoahe Monch with street dancer Storyboard P, premiered with Afropunk and won Best Music Video at the Philadelphia Independent Film Festival and Best Body at the London Music Video Festival, among other accolades. Strickland has performed with McCoy Tyner, Tom Harrell, Nicholas Payton, Wynton Marsalis, Lincoln Center Jazz Orchestra, Carnegie Hall Big Band, Dave Douglas, Keyon Harrold, and Mos Def, among others. Marcus’ forthcoming independent album, The Universe’s Wildest Dream, urges for a raising of consciousness about the random and delicate miracle of life on Planet Earth. He spends his time between New York and Miami, where he serves as Associate Professor of Practice in the Department of Studio Music at the University of Miami Frost School of Music.
  • Bloomingdale School of Music presents The Piano Music of Ed Bland, a free online faculty concert, on Friday, February 18, 2022 at 7pm. In honor of Black History Month, faculty member Judith Olson will perform works by African American composer Ed Bland (1926-2013), with whom she worked for many years. The piano works on the program are part of a 5-volume set entitled "Urban Counterpoint:" art music, using the language of gospel, soul, blues, jazz, and various film scores. For over 20 years Bloomingdale has presented its faculty, as well as guest artists, in concerts including classical music, jazz, and world music. This FREE concert series has established itself a vital part of the musical life of the Upper West Side. For more information and to RSVP, visit bsmny.org/events. The concert will also be livestreamed; please RSVP here for access to the stream: https://www.bsmny.org/event/online-faculty-concert-the-piano-music-of-ed-bland// The program for the evening includes: URBAN COUNTERPOINT (1992 - 2002) Classical Soul No. 1 Zone Blue Heat Seeking Missile Up Escalators Cell Phone Blues Phunky Phrogs Rag Sunday School Classical Soul No. 3 Bloomingdale School of Music faculty member pianist Judith Olson is a graduate of The Juilliard School and made her New York debut with Alexander Schneider conducting Walter Piston's Concertino. She has since toured North, Central, and South America, Europe, the Middle East, and Korea as soloist and in collaboration with leading instrumentalists, including Kyung Wha Chung, Eugene Fodor, Miriam Fried, Joseph Fuchs, Daniel Heifetz, Jean-Jacques Kantorow, Nathan Milstein, and Tossy Spivakovsky. A versatile artist, she has performed Beethoven at Bard, Rachmaninoff at Newport, and has appeared as soloist on numerous new music series in New York, including Composers Collaborative and Composers Concordance. She is the dedicatee of works by Otto Luening, William Mayer, Ned Rorem and Olav Anton Thommessen, and she has recorded for Albany, Capstone, Newport Classics, MMO Laureate Series, and RCA. She has appeared at major halls including Avery Fisher Hall, Alice Tully Hall, and the Kennedy Center, and has participated in the festivals of Ankara, Bard, Bar Harbor, Capri, Caramoor, Chautauqua, Killington, and Newport. Her recent recording, Urban Counterpoint, featuring the solo piano music of African American jazz composer Ed Bland, was recently released by Cambria Records/Naxos.  An unusually versatile musician, Ed Bland (1926-2013) began his career as a clarinetist, before making his mark as a composer, arranger, producer and orchestrator. His concert music has been performed by Speculum Musicae, the American Brass Quintet, Baltimore Symphony, Detroit Symphony, and the Civic Orchestra of Chicago. Bland's command of jazz allowed him to make a living in the record industry as a composer, arranger, and producer of urban-generated forms of Black music, such as soul, rhythm and blues, jazz, rock and roll, urban blues, and funk. He has collaborated with Dizzy Gillespie, Lionel Hampton, Richie Havens, and Ray Charles, among many others. Bland is perhaps best known as producer of the 1959 film, "The Cry of Jazz," described by MOMA documentarian Willard Van Dyke as "the most prophetic film ever made," because it predicted the race riots of the '60s and '70s. Founded in 1964, Bloomingdale School of Music is dedicated to the belief that music changes lives and everyone should have access to high-quality music education regardless of economic status, race, religion, ability level, or gender. Bloomingdale is a music-driven community center where all are welcome to join and learn about music from top faculty. We are dedicated to our mission – to make music education accessible to all who want to learn – and remain focused on supporting this mission through our values. www.bsmny.org/
  • Our first show of 2021! We discuss everything from the city’s ongoing COVID-19 response to vaccine distribution to the newly inaugurated Biden-Harris…
  • The city of Newark recently celebrated the opening of the Shani Baraka Women’s resource center for women in crisis, to provide emergency services for…
  • Stage and screen stars Suzzanne Douglas and John Bolger return to George Street Playhouse in New Brunswick, NJ for the award-winning play American Son,…
  • The campaign to close one of New Jersey’s most infamous juvenile detention centers was marked with a rally earlier this week, outside the gateway to a…
  • We spoke recently about the healing power of music; what attracted him to music as a boy; his creative and professional development; and the moment in 1996 when MMW discovered their jam band audience.
  • Saxophonist and educator George Garzone may not be well known outside of Boston, but if you ask any woodwind player at the Berklee College of Music, he’s…
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