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  • “Mr. Valera is often relentless and blistering at the keyboard, but a shape-shifting melodicism is embedded in everything he plays.” —The New York Times

    Acclaimed jazz pianist Manuel Valera brings his formidable trio to Zinc for a splendid evening of jazz piano on Tuesday, September 6. He’s supported by Hamish Smith on bass and Mark Whitfield Jr. on drums.

    Based in New York City, Grammy-nominated artist, pianist, and composer Manuel Valera was born and raised in Havana, Cuba. Since arriving in NYC, he has become well known in the NYC modern jazz scene, garnering national reviews and lending his talents as a pianist and composer to such notable artists as Arturo Sandoval, Paquito D’Rivera, Brian Lynch, Dafnis Prieto, Jeff “Tain” Watts, John Benitez, Samuel Torres, Joel Frahm, Yosvany Terry among many others.

    Valera is also the leader of his working band Manuel Valera and the New Cuban Express, a project deeply influenced by the experiments of Cuban artists from the 70s and 80s. While inspired by artists Irakere, Emiliano Salvador, and AfroCuba, this touring band creates a unique and distinctive style that mixes elements of Jazz, R&B, fusion, and funk with Cuban music styles. Expectativas (MAVO 2013) is the follow-up and seventh recording as a leader to his 2013 Grammy-nominated New Cuban Express (MAVO 2012) which was up for Best Latin Jazz Album of the Year.

    His critically acclaimed debut cd in 2004 Forma Nueva (MAVO) features John Patitucci, Horacio “El Negro” Hernandez Bill Stewart, and Seamus Blake. Historia (Fresh Sounds New Talent 2005), a jazz quartet with Antonio Sanchez, Seamus Blake, and Ben Street. His third release, Melancolia (MAVO 2006)—employs a string quartet incorporating world rhythms and classical concepts in the jazz idiom. Vientos (Anzic 2007), representing a new working quartet, features bassist James Genus, drummer Ernesto Simpson, saxophonist Joel Frahm, and a woodwind quartet. His fifth trio recording Currents (MaxJazz 2009) features Ernesto Simpson and James Genus.

    In addition, he has been awarded several grants for composition, most notably Chamber Music America’s New Jazz Works and the ASCAP Young Jazz Composer Award. Manuel has traveled the world performing in over 30 countries at some of the biggest international venues and festivals.

    Showtimes are at 7:00 PM and 8:30 pm. Tickets: $25 advance / $30 day of show. For more info, visit http://zincjazzcom.
  • “Mr. Valera is often relentless and blistering at the keyboard, but a shape-shifting melodicism is embedded in everything he plays.” —The New York Times

    Acclaimed jazz pianist Manuel Valera brings his formidable trio to Zinc for a splendid evening of jazz piano on Tuesday, September 6. He’s supported by Hamish Smith on bass and Mark Whitfield Jr. on drums.

    Based in New York City, Grammy-nominated artist, pianist, and composer Manuel Valera was born and raised in Havana, Cuba. Since arriving in NYC, he has become well known in the NYC modern jazz scene, garnering national reviews and lending his talents as a pianist and composer to such notable artists as Arturo Sandoval, Paquito D’Rivera, Brian Lynch, Dafnis Prieto, Jeff “Tain” Watts, John Benitez, Samuel Torres, Joel Frahm, Yosvany Terry among many others.

    Valera is also the leader of his working band Manuel Valera and the New Cuban Express, a project deeply influenced by the experiments of Cuban artists from the 70s and 80s. While inspired by artists Irakere, Emiliano Salvador, and AfroCuba, this touring band creates a unique and distinctive style that mixes elements of Jazz, R&B, fusion, and funk with Cuban music styles. Expectativas (MAVO 2013) is the follow-up and seventh recording as a leader to his 2013 Grammy-nominated New Cuban Express (MAVO 2012) which was up for Best Latin Jazz Album of the Year.

    His critically acclaimed debut cd in 2004 Forma Nueva (MAVO) features John Patitucci, Horacio “El Negro” Hernandez Bill Stewart, and Seamus Blake. Historia (Fresh Sounds New Talent 2005), a jazz quartet with Antonio Sanchez, Seamus Blake, and Ben Street. His third release, Melancolia (MAVO 2006)—employs a string quartet incorporating world rhythms and classical concepts in the jazz idiom. Vientos (Anzic 2007), representing a new working quartet, features bassist James Genus, drummer Ernesto Simpson, saxophonist Joel Frahm, and a woodwind quartet. His fifth trio recording Currents (MaxJazz 2009) features Ernesto Simpson and James Genus.

    In addition, he has been awarded several grants for composition, most notably Chamber Music America’s New Jazz Works and the ASCAP Young Jazz Composer Award. Manuel has traveled the world performing in over 30 countries at some of the biggest international venues and festivals.

    Showtimes are at 7:00 PM and 8:30 pm. Tickets: $25 advance / $30 day of show. For more info, visit http://zincjazzcom.
  • In this 3-part series, we take you inside the creation of Empire Central. From the unique songwriting process to the rehearsals, where the band performs songs for the first time without music sheets, to the recording process and final song selection, you’ll get an unforgettable look inside the creative process of one of the world’s most renowned jazz super groups.
  • With jazz clubs shuttered, festivals canceled, and new album releases postponed, it’s difficult to get a pulse on today’s music scene. However, one…
  • On this episode of AOS, Rock & Roll Hall of Famer Sheryl Crow talks about her love of jazz
  • More than two billion Christians around the world are marking what they feel is the most important week in human history. Holy week. It started with Palm…
  • Pianist, composer, and writer Ethan Iverson was a founding member of The Bad Plus, a game-changing collective with Reid Anderson and David King. The New York Times called TBP “Better than anyone at melding the sensibilities of post-60’s jazz and indie rock.” During his 17-year tenure, TBP performed in venues as diverse as the Village Vanguard, Carnegie Hall, and Bonnaroo; collaborated with Joshua Redman, Bill Frisell, and the Mark Morris Dance Group; and created a faithful arrangement of Igor Stravinsky’s The Rite of Spring and a radical reinvention of Ornette Coleman’s Science Fiction.
  • New York’s Longest Running Jazz Concert Series



    Highlights in Jazz Celebrates 50 Years with Gala Concert!

    Longest-running Jazz Concert Series Marks Golden Anniversary Feb. 23, 2023 8 PM

    Producer Jack Kleinsinger Presents All-Star Lineup at BMCC Tribeca Performing Arts Center

    NEA Jazz Master Sheila Jordan, guitarists Gene Bertoncini and Russell Malone, bassist Jay Leonhart and many more jazz greats to be on hand for historic concert

    Plus, a Surprise Special Guest

    Legendary impresario Kleinsinger wraps up a half century of Highlights in Jazz



    Highlights in Jazz returns to BMCC Tribeca Performing Arts Center for a festive 50th anniversary concert on Feb. 23, 2023 8 PM. Jack Kleinsinger, the founder and producer of the highly regarded landmark jazz series, has put together an exciting, generation-crossing all-star concert lineup to mark the occasion.

    Taking to the BMCC stage on Feb. 23 will be the NEA Jazz Master vocalist Sheila Jordan; guitarists Gene Bertoncini, Russell Malone and Roni Ben-Hur; bassists Jay Leonhart and Harvie S; drummer Danny Gottlieb; pianist Dylan Meek; and tenor saxophonist Steve Frieder. In keeping with the long-running HIJ tradition, keep an ear out for surprise special guests!

    This milestone event has been a long-time coming, due to delays linked to the covid-19 pandemic. “I was sure I’d celebrate this anniversary, though I wasn’t sure it would happen in 2023,” says producer Kleinsinger. “I was determined to do a 50th concert somehow. And here I am, at it again,” he notes with a laugh.

    The Highlights in Jazz series has been popular with audiences and musicians since its inception in the early 1970s, with many returning over the years for repeat performances. The 2023 event is no exception. “I must be there,” declared Sheila Jordan, as soon as she heard the golden anniversary concert was in the works. It will be a return HIJ appearance for the renowned NEA Jazz Master, who sang at the last HIJ concert, March 22, 2022. “Sheila lives by Sheila’s laws, she blows my mind,” declares fellow musician Art Baron. He should know: Not only did the two appear together at the 2022 HIJ concert, they have known each other since the 1980s, playing together with Roswell Rudd, George Gruntz, and others. The nonagenarian singer (Sheila was born Nov. 18, 1928) is bebop to the bone, citing Charlie Parker as her first great influence, but she is comfortable expressing herself in any musical setting. “You gotta stay that way, baby—it’s jazz, whatever the style, you take it in stride,” she points out.

    Sheila studied with Lennie Tristano in the early 1950s, and counts among her early recordings “The Outer View,” with the renowned jazz polymath George Russell. Check out her contributions to albums from Carla Bley, Steve Kuhn, Bob Moses, Lee Konitz, Jane Bunnett, the Royal Bopsters and more. A pioneer of vocal-bass duos, Sheila has often collaborated with Harvie S, who also appears on the 2023 Highlights in Jazz lineup.

    Jack Kleinsinger recalls that bassist Harvie S played at Highlights in Jazz events at the start of his long and distinguished career. Since those early days, the ever-in-demand Mr. S has toured as a U.S. Jazz Ambassador and appeared on countless recordings across a gamut of styles. Just a few examples of his bass clef expertise include releases with Joe Lovano, Pat Metheny, the Manhattan Transfer, Chico O’Farrill, Maria Schneider, James Moody, Chet Baker, Anat Cohen, Chick Corea, Tony Bennett, Kenny Barron and Yusef Lateef. And don’t overlook the fine work Mr. S has done as leader or co-leader: In 2022 alone, Harvie released Live at Mezzrow, a duo with Sheila Jordan (their 10th album); Wondering, with Roni Ben-Hur and Sylvia Cuenca; and You’ve Been Warned, with Roberta Piket and Billy Mintz.

    Drummer Danny Gottlieb is another player who cut his teeth performing at Kleinsinger-produced events in the 1970s. He was also instrumental in bringing the Highlights in Jazz archives to the University of North Florida (https://digitalcommons.unf.edu/kleinsinger/), comprising thousands of pieces of memorabilia and hundreds of hours of concert and interview recordings. Perhaps best known as the drummer with the original Pat Metheny Group, Danny has played on more than 300 albums, which landed numerous Grammys. Gil Evans, Bobby McFerrin, Wayne Shorter, Herbie Hancock, David Byrne, Sting, Clark Terry, Mike Stern and Dr. John are just a few of the icons with whom he’s shared stages and studios. Danny has also been recognized as an educator (University of North Florida) and author (The Evolution of Jazz Drumming).

    This year marks a break in Highlights in Jazz tradition, according to Jack Kleinsinger. “Since the start, we saluted a living jazz artist every year. I believe in doing it while they’re alive and it means something, that’s part of our tradition. Lionel Hampton was the first living legend we saluted and it became an annual tradition.” There won’t be a living legend concert this time around because of 2023’s abbreviated schedule. However, two previous living legend honorees are part of the 50th anniversary lineup: Both bassist Jay Leonhart and guitarist Russell Malone have been feted at past events saluting living legends of jazz.

    If there were an award for musician who has most frequently graced the Highlights in Jazz stage, Jay Leonhart would have no competition. Kleinsinger estimates that Jay has appeared in well over 30 HIJ events. “Jay is so flexible: He plays bass, he’s a singer, a song writer, he’s even written as tune about me,” the producer points out with a laugh. In that song, the versatile Mr. Leonhart anoints Kleinsinger as “half Mahatma Gandhi and half Jerry Springer.”

    Jay himself has been dubbed “the Fred Astaire of jazz” by the L.A. Times’ Don Heckman. The noted critic described Jay as “a craftsman so seamlessly smooth that casual observers often fail to grasp the immensity of his talent.” Jay has kept good musical company over the years, having performed with Duke Ellington, Peggy Lee, Mel Tormé, Jim Hall, Buddy Rich and Roy Eldridge, among other icons. The bassist is also recognized for his singing, composing, and witty lyrics. Though one of Jay’s best-known tunes is called “It’s Impossible to Sing and Play the Bass,” he does both with great skill, much to the delight of his audiences.

    Six-string master Russell Malone, another Highlights in Jazz mainstay and living legend honoree, credits Wes Montgomery and George Benson as early influences. However, he has such a distinctive style you’d never mistake him for anyone but himself. With more than a dozen albums as a leader, Russell has more than shown he knows his way around standards and originals. Critics have called him “the gifted torch-bearer” of jazz guitar, and cited him for as an exemplary player of “irrepressible charisma” and “underrated artistry.” Russell has enjoyed long associations with musicians as varied as Jimmy Smith, Harry Connick Jr., and Diana Krall, appearing on three of her Grammy-nominated albums. This versatile guitarist has frequently collaborated with pianist Benny Green, and shared stages and/or studios with Roy Hargrove, Dianne Reeves, Kenny Barron, Mulgrew Miller, Jack McDuff, Ron Carter, Sonny Rollins, and more than one Marsalis brother.

    Gene Bertoncini is “the first musician I ever brought onstage,” Kleinsinger recalls. “Bucky Pizzarelli was booked for the original Highlights in Jazz event in 1973. Bucky couldn’t make the first set—he was tied up taping the Tonight Show—so he sent Gene as a sub.” Gene and Jack clearly hit it off, as the guitarist has appeared at numerous Kleinsinger-produced events.

    Sometimes referred to as “the Segovia of jazz,” Gene’s concerts and recordings are regularly spotted on the top 10 lists of publications from the Washington Post to Jazziz magazine. The New Yorker magazine too has sung his praises. Versatile enough to play with the Tonight Show band and the Metropolitan Opera orchestra, Gene’s jazz credentials comprise collaborations with the likes of Benny Goodman, Buddy Rich, Wayne Shorter, Hubert Laws, Paul Desmond, Tony Bennett, Lena Horne, and Nancy Wilson.

    Rounding out HIJ’s 50th anniversary concert’s line up of guitarists is Roni Ben-Hur. Early on, he admired the styles of a variety of six-string mavens such as Wes Montgomery, Grant Green, Jim Hall and Kenny Burrell. Roni is known for his flair in playing both straight-ahead jazz as well as Brazilian music. Listeners have discovered that he’s equally comfortable performing with legends of both genres, such as his early mentor Barry Harris, Frank Wess, Duduka da Fonseca and Leny Andrade, and for his skill in interpreting the music of Baden Powell or Billy Strayhorn and a genre-crossing host of others.

    In keeping with the Highlights in Jazz tradition of cross-generational collaboration, the golden anniversary lineup includes pianist Dylan Meek and tenor saxophonist Steve Frieder. A New School graduate, Dylan is comfortable in any musical setting, from stride to hip-hop to jazz to funk to country. He has performed with the Duke Ellington Orchestra, Post Malone, David Amram, the Grant AME Gospel Choir, Victor Jones, Alex Blake and scores of others.

    Also a New School grad, Steve has made himself at home at a variety of venues, from Birdland to the Bern Jazz Festival to the 2021 World Series. Besides leading his own quintet, his credits include stints with Milo Z, Joe Lovano, Bria Skonberg, Jerome Jennings, Alvester Garnett, Billy Mintz and more.

    Kleinsinger is a hand-on producer and has conceptualized the February 23 concert in four parts, mixing and matching the artists, with veterans and relative newbies sharing the stage in multiple configurations. Keep an eye out for unadvertised special guests, another HIJ tradition. Kleinsinger has always made a practice of welcoming artists to sit in. He’s not anticipating any musicians unexpectedly showing up to participate. “There will be surprises for the audience, but not for me this time. It could happen but it’s not expected,” he says.

    “This may be the last concert I ever do,” muses producer Kleinsinger. “It’s bittersweet, because there have been so many losses to covid. I’m ready to pack it in. I’m doing one concert, I’m not ready to do a whole season, that’s a lot of work.” With that said, Jack goes on to talk about the possibility of producing future events, everywhere from jazz international festivals looking to honor the long-running HIJ series to local libraries, spreading the word about jazz. “I like putting together the all-star groups. I like doing the talking as MC,” he admits. “I’m a ham!”

    Whether the Highlights in Jazz 50th anniversary is Jack’s last hurrah or the start of a new chapter (perhaps standup comedy or a one-man show based on his life experiences?), count on Kleinsinger to continue supporting the music and the musicians so dear to him.

    All lineups are subject to change without notice.

    The Highlights in Jazz 50th Anniversary Gala takes place on Feb. 23, 2023 8 PM, at:

    BMCC TRIBECA Performing Arts Center
    Borough of Manhattan Community College
    199 Chambers Street, New York, NY 10007
    http://tribecapac.org
    By car take FDR Drive south to end, through underpass onto West Street,
    north to Chambers.
    By Subway take 1, 2, 3, 9, A, C, E, J or M train to Chambers or N, R to City Hall stop. Walk west on Chambers.
    Box Office 212-220-1460

    Ticket Prices
    $50.00
    $45.00 (student rate)

    Tickets can be purchased in advance at the box office and by mail order.

    You are now able to use your credit card at the Tribeca PAC Box Office located on 199 Chambers Street, or by calling (212) 220-1460 and now online at Tickets.Tribecapac.org
    Please send a check made payable to: Highlights In Jazz

    Please mail orders to:
    Highlights In Jazz


    7 Peter Cooper Road, Apt. 11E, New York, NY 10010
    (Please enclose a self-addressed, stamped envelope)
    http://www.highlightsinjazz.org


    Highlights in Jazz Media Contact
    Jim Eigo
    Jazz Promo Services
    272 State Route 94 South #1
    Warwick, NY 10990-3363
    Ph: 845-986-1677 / Fax: 845-986-1699
    Cell / text: 917-755-8960
    Skype: jazzpromo
    jim@jazzpromoservices.com
    www.jazzpromoservices.com
  • The Calvin Hill Group will be performing the initial concert in the Englewood Public Library's 10th annual Summer Jazz Concert Series - "Jazz Under the Stars". This acclaimed series will be take place every Thursday evening at 7:30 from June 23 through August 25 on the library's front plaza. The concert series is free and open to the public. No registration is needed, but library parking is very limited.
    In case of inclement weather, the concerts will be held at St. Paul’s Episcopal Church one block north at 113 Engle St.
    Bassist, Composer, Arranger, and Educator Calvin Hill was born in Bridgeport, Connecticut, and started the study of music at 10 years of age. Hill played trumpet, trombone, and saxophone in school bands, and switched to bass his last year of high school. Mr. Hill received a Bachelor of Arts in Music Education from Berklee College of Music. He has also received a Master of Special Education from Hunter College.
    Calvin's first musical experiences were on the Boston music scene, where he became the regular bassist in the area's nightclubs. This enabled him to perform with a wide variety of artists, everyone from Billy Eckstine, Mel Torme, Mose Allison to John Lee Hooker the Kirby Stone Four and Matt Monroe. While in Boston, Calvin met and played with Joanne Brackeen, whom he continues to play with today.
    Hill moved to New York in 1969. His first big gig was with the McCoy Tyner Quartet. Calvin recorded Sahara with the group. The record was voted Album of the Year by the critics at Downbeat magazine.
    Calvin has been a member of the groups of Pharaoh Sanders, Betty Carter, George Coleman, James Moody, Chet Baker, Junior Mance and Max Roach. Hill is still an active studio musician and also tours and works with various artists, including the Spirit of Life Ensemble, as well as his own Quartet or Quintet.
    Hill's own 2005 CD release I Can't Give You Anything But Love was a critical success and is available in the Englewood Library through the BCCLS system.
    For further information, visit the Library’s website at www.englewoodlibrary.org.
    The lineup for the rest of the jazz series is as follows:
    June 30-- The Darryl Yokley Band
    July 7--Richard Barrata: The 3 B’s +2
    July 14-- Bill Saxton
    July 21-- Frank Noviello
    July 28--Camille Thurman & Darrell Green
    August 4—The Vince Ector Group
    August 11--Mark Gross
    August 18--Chris Beck
    August 25--Sharp Radway

    For further information, visit the Library’s website at www.englewoodlibrary.org.The Englewood Library is located at 31 Engle St., Englewood, N.J.
  • Dave Liebman -soprano sax
    Adam Rudolph -percussion
    Tyshawn Sorey -drums

    With New Now, percussionist Adam Rudolph, soprano sax player Dave Liebman and drummer Tyshawn Sorey present powerful and innovative music recorded live at New York City’s iconic Jazz Gallery in the fall of 2021. Due out December 2, 2022 via Rudolph’s Meta Records, and Sorey’s Yeros7 record label, the CD marks the third in a series of trio recordings that Liebman and Rudolph have released.

    The genesis of this threesome coming together seemed to be a quite natural one. Liebman and Rudolph began playing duo in 2016 and Sorey and Rudolph began performing as a percussion duet in 2018. Sorey states “we seemed so in sync with each other, in part, perhaps, because we are both composers as well as percussionists.”

    When the opportunity arose to present a trio concept it seemed a natural step for these three artists of different generations to perform together. NEW NOW is the recorded document of that concert. Liebman, Sorey & Rudolph brought their unique and evolved rhythm and sonic languages to the fore, through inspired and spirited dialogue. The music flows as one complete piece with several movements or sections.

    This music exists on its own terms reflecting the wonderful alchemy of these artists as they spontaneously created dialogues, orchestrations and sonic moods. According to Liebman, “For a “maiden voyage” meeting, the three of us were committed to open our ears and hearts. The results were magical.”

    As Rudolph concurs, “You have to come to a creative situation like this with open ears, an open heart, and free-flowing imagination. The preparation is also years of practice, composing and performance so that we can be free to play anything we can imagine to play.”


    From the liner notes by Adam Rudolph:
    Even while receiving ancestral codes from the ancient aboriginal past and generating thought/feeling patterns which point to the multi-dimensional future unknown, this music resides completely in the present moment. The now is always new and sounds have their own reason for being. The music manifests the latency of the spiritual (wonderment) and takes on its meaning through the collective experience of all who played and witnessed it, as well as you, dear listener, who hear it now.

    Sets at 7.30pm + 9.30pm ET
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