
Nate Chinen
Nate Chinen has been writing about jazz for more than 20 years.
He spent a dozen of them working as a critic for The New York Times, and helmed a long-running column for JazzTimes.
He is author of Playing Changes: Jazz For the New Century, published in hardcover by Pantheon in 2018, and on paperback by Vintage in 2019. Hailed as one of the Best Books of the Year by NPR, GQ, Billboard, and JazzTimes, it's a chronicle of jazz in our time, and an argument for the music's continuing relevance. It has also been published internationally, in Italian and Spanish editions.
A thirteen-time winner of the Helen Dance–Robert Palmer Award for Excellence in Writing, presented by the Jazz Journalists Association, Chinen is also coauthor of Myself Among Others: A Life in Music, the 2003 autobiography of festival impresario and producer George Wein, which earned the JJA’s award for Best Book About Jazz.
Chinen was born in Honolulu, to a musical family: his parents were popular nightclub entertainers, and he grew up around the local Musicians Union. He went to college on the east coast and began writing about jazz in 1996, at the Philadelphia City Paper. His byline has also appeared in a range of national music publications, including DownBeat, Blender and Vibe. For several years he was the jazz critic for Weekend America, a radio program syndicated by American Public Media. And from 2003 to 2005 he covered jazz for the Village Voice.
His work appears in Best Music Writing 2011 (Da Capo); Pop When the World Falls Apart: Music in the Shadow of Doubt (Duke University Press, 2012), and Miles Davis: The Complete Illustrated History (Voyageur Press, 2012).
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The Art of the Story, from WBGO News, toasts vocalist Cassandra Wilson as she joins the ranks of NEA Jazz Masters.
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What better way to celebrate our latest class of NEA Jazz Masters — Billy Hart, Stanley Clarke, Cassandra Wilson, and Donald Harrison, Jr. — than with their music?
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On her new album, inspired by artist Cy Twombly, pianist Myra Melford convenes an all-star group with guitarist Mary Halvorson, cellist Tomeka Reid, saxophonist Ingrid Laubrock, and percussionist Susie Ibarra.
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Their Duke Ellington repertory concert was an early casualty of the coronavirus pandemic. Two years later, Marcus Roberts and the American Symphony Orchestra are finally presenting Duke's music, with some new lessons.
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Take Five spotlights a new album by Larry Goldings, Peter Bernstein and Bill Stewart, along with recent or forthcoming releases by pianist Gerald Clayton, saxophonists Mark Turner and Roxy Coss, and a band named GEORGE.
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Norah Jones' demo of "Spring Can Really Hang You Up the Most" helped land her a deal at Blue Note. It's now a single from Come Away With Me: 20th Anniversary Super Deluxe Edition, due out on April 29.
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Guitarist Mary Halvorson makes her debut on Nonesuch Records with a pair of dynamic chamber albums, 'Amaryllis' and 'Belladonna.'
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Exciting new collaborations abound in the latest edition of Take Five.
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Along with John Zorn's New Masada, The Concert for Ukraine will feature Philip Glass, Laurie Anderson, Sound Prints, Sofia Rei and the Julian Lage Trio.
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"Long Way From Home," which premieres at WBGO, is the opening track from Hekselman's Far Star, due out on Edition Records on May 13.