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  • As part of WBGO's "Voices of Wellness" series, WBGO's Jon Kalish reports on mandolinist Barry Mitterhoff's battle with Parkinson's Disease
  • A few years ago, the Trinidadian jazz trumpeter Etienne Charles released A Creole Christmas, a brilliant musical meld of Christian hymns, Venezuelan…
  • Vermont Jazz Center 2022 Spring Educational Semester Vermont Jazz Center continues to offer an exciting array of in-person and online classes and has a wide selection of ensembles for all interested musicians. On February 13th, 2022 the VJC will launch its Winter-Spring educational programs. This season’s offerings are a hybrid of in-person and online opportunities that make good use of the Jazz Center’s remarkable summer faculty who can Zoom in from afar, as well as local instructors.  For those able to commute to Brattleboro, VJC is once again hosting onsite ensembles and Jam Sessions at their Cotton Mill venue. The Jazz Center has outlined Covid protocols that are above and beyond those required by the state of Vermont and the CDC. All attendees will be vaccinated, wear masks when not playing an instrument, and follow responsible distancing.  https://vtjazz.org/2021-safety-protocols-for-in-person-activities/ The following ensembles will hold in-person sessions: Guitar Ensembles, levels 1 and 2, Latin Jazz Ensemble, Youth Jazz Ensemble, portions of the Soubrette Jazz Choir, Blue Note Ensemble (levels 1 and 2), and Samba Percussion Ensemble.  Online offerings include: Singing the Standards with Jay Clayton, Interpreting Jazz Ballads on Guitar with Freddie Bryant, Jazz and Spirituality with Claire Arenius, and Zoom Tunes with Malik McLaurine, Franz Robert and Ben Barnett. Anna Patton’s Soubrette Jazz Choir will begin with a 5 week online course starting on Feb. 8th and move to an in-person format on March 15th if conditions permit (see below for more information). In-person Jam Sessions are now ongoing and the VJC welcomes musicians of all ages and abilities to attend. Join a class at the Vermont Jazz Center. The Winter-Spring semester will run for 10 weeks, from February 13th until the beginning of May. The program will culminate in a concert where all in-person ensembles will perform. The fee for most classes is $250 with the exception of Latin Jazz, and Blue Note I ($200), Samba and Youth Jazz ($100) and Zoom Tunes ($15 per session). No one will be turned away due to lack of funds. To register, please contact Ginger Morawski at gingervjc@gmail.com. For questions about class content contact Eugene Uman eugene@vtjazz.org. www.vtjazz.org 802 258 9088 Vermont Jazz Center 72 Cotton Mill Hill #222 Brattleboro VT 05301 VJC Educational Offerings, Winter/Spring 2022: Sunday        Guitar Ensemble         Draa Hobbs        1:30 – 3:00 at VJC Sunday        Guitar Ensemble         Draa Hobbs        3:30 – 5:00 at VJC Sunday Zoom Tunes Malik Mclaurine, Franz Robert, Ben Barnett. 7- 8:30 pm (one Sunday per month) Monday    Rhythm Lab            Brian Shankar Adler    10:30 – 12:00 online    Monday    Blue Note Ens. I (beginners)    Claire Arenius        3:00 – 4:30 at VJC Monday     Blue Note Ens. II        Claire Arenius        4:45 – 6:15 at VJC Tuesday    Youth Jazz Ensemble    Eugene and Mike McKinney    3:45 – 5:00 at VJC Tuesday    Soubrette Jazz Choir        Anna Patton    5:30 – 7:15 online, starts Feb. 8 Tuesday    Soubrette Jazz Choir        Anna Patton    5:30 – 7:15 in-person, starts March 15 Wednesday    Latin Jazz            Julian and Eugene    4:15 – 5:45 at VJC Wednesday    Jam Session (public)        Robby Roiter/Eugene    8:00 PM – 10:00 at VJC Thursday    Singing the Standards        Jay Clayton        5:30 to 7:00 online Thursday     Interp. Jazz Ballads on Guitar    Freddie Bryant         6:00 – 7:30 online Thursday    Jazz and Spirituality        Claire Arenius        8:00 – 9:00 online
  • Grace Chorale of Brooklyn (Jason Asbury, Music Director), in collaboration with Vertical Player Repertory (Judith Barnes, Artistic Director), presents the in-person premiere of The Constitution, a Secular Oratorio by Benjamin Yarmolinsky, a musical performance of our nation's foundational document, accompanied by a chamber orchestra on Saturday, May 14, 2022 at 7pm and Sunday, May 15, 2022 at 3pm at St. Ann & The Holy Trinity Church, 157 Montague Street, Brooklyn Heights, NYC. Tickets are $15 for students and seniors, $25 general admission, with the option for a special $45 ticket donation to celebrate Grace Chorale of Brooklyn's 45th Anniversary, and can be purchased at eventbrite.com/e/the-constitution-a-secular-oratorio-tickets-319185090197. View an excerpt: https://youtu.be/82b-EEFijSg

    Aside from the Declaration of Independence, no text epitomizes American ideals as much as the Constitution. Acknowledging the Constitution's embodiment of 18th century values and language, the composer Ben Yarmolinsky has chosen a corresponding 18th century musical style, the Handelian oratorio, as the model for his setting of The Constitution. The work comprises choruses, arias, and recitatives, similar to The Messiah, but with a recognizably American sound that combines jazz rhythms, blues, folk, gospel, as well as Handelian flourishes to give voice to the Constitution's words in a clear, vigorous, and highly singable style. People might leave the performances humming an amendment or two!

    About Benjamin Yarmolinsky
    Benjamin Yarmolinsky has lived and worked in New York since 1982. He has composed hundreds of works, including operas, chamber music, choral music, musical theater works, orchestral music, film scores, and songs. He is also a classical guitarist and singer and has performed extensively in those capacities. His most recent works include The Constitution: a secular oratorio; Pentagrams, a chamber work for flute, guitar and piano; The Trial of Anna, an opera based on the 2015 trial of Dr. Anna Stubblefield; The Yarmolinsky Variations, a 50-minute video; and Americana, a program of American folk song arrangements for solo guitar. Before graduating from Harvard University in 1977, Yarmolinsky spent two years in Paris, studying with the legendary Nadia Boulanger. From 1978 through 1982, he lived in Morocco where he taught music at the American School of Tangier, immersed himself in the local music, and was friendly with composer Paul Bowles. On returning to New York, he studied at the City University of New York where he earned his Ph.D. in music composition. In 1989, he was one of the founders of Friends & Enemies of New Music. He currently holds a position of Professor of Music at the City University of New York's Bronx Community College campus.

    About Vertical Player Repertory
    Vertical Player Repertory creates ensemble-driven opera theatre in extraordinary venues, bringing theatrical integrity and an unconventional spirit to an eclectic mix of repertoire, in settings that have ranged from a factory courtyard on the Gowanus Canal to the last active shipping port in Brooklyn. A pioneer of the indie opera movement, VPR's unique vision and adventurous use of place invite both performer and audience to re-imagine the great possibilities of opera.

    About Grace Chorale of Brooklyn
    Grace Chorale of Brooklyn (GCB) is a 90-member community chorus with a number of significant missions: presenting great choral music to the communities of Brooklyn, providing amateur singers the opportunity to study and perform works drawn from choral music's rich tradition, and commissioning new music from up-and-coming composers. GCB is celebrating its 45th anniversary this year, and, under the leadership of Music Director Jason Asbury, our membership, musical partnerships, and range of repertory continue to grow in socially relevant programing, and meaningful collaboration with other musicians, choruses and composers, both local and national. For more information, please go to www.gracechorale.org.
  • WBGO legendary announcer, Grammy Award-winning producer, author and Blues Foundation Hall of Famer Bob Porter was a guest on SportsJam with Doug Doyle in 2008
  • WBGO's Doug Doyle chats with Viviana Benitez, the producer and co-curator of the 2023 BRIC JAZZFEST
  • On this episode of The Art of the Story, keyboardist Julius Rodriguez chats with WBGO's Jim Crimaldi at the 2024 Newport Jazz Festival
  • With Duologue, their new album on Mack Avenue, pianist Alfredo Rodriguez and percussionist and vocalist Pedrito Martinez prove Thelonious Monk's postulate…
  • A bundle of discarded wood on a New York City sidewalk, and a piece of advice from a close friend, inspired the artist Cooper-Moore to become an inventor…
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