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  • Vaughan was, arguably, the foremost interpreter of Brazilian music in jazz history. Recorded three years before she died, Brazilian Romance is her equivalent of Johnny Cash's American Recordings — full of contemporary spirit, propelled by a timeless voice.
  • Willis is a swinging pianist, an artful composer and arranger, and the music director and producer for the boutique label Mapleshade Records. He's a master of a wide range of styles, and has played or recorded with almost every great jazz musician of the modern era.
  • It has been 30 years since Keith Jarrett released The Koln Concert, a recording of solo piano improvisations that has sold over 3 million copies — far more than most jazz records. It was a breakthrough for the 60-year-old pianist and composer, who studied classical music in his youth and got his start playing jazz with Art Blakey, Charles Lloyd and Miles Davis. After the success of Koln, Jarrett began doing regular solo concerts. But in the late 1990s, a battle with chronic fatigue syndrome forced him to rest at his home in rural New Jersey. Last September, the pianist performed at Carnegie Hall. The concert became a two-CD set. Tom Moon has a review.
  • Capturing seven of America's greatest jazz musicians at the height of their powers in Europe, the DVD collection Jazz Icons offers a fresh perspective on the likes of Duke Ellington, John Coltrane, Sarah Vaughan, Charles Mingus and Dave Brubeck.
  • Students from Juilliard's Dave Brubeck Ensemble performed with Ulysses Owens, Jr. in the WBGO Studios in celebration of Jazz Appreciation Month.
  • Jazz as sacred music within and beyond the boundaries of the organized African American church, featuring Pharoah Sanders, Sun Ra, Max Roach, Charles Mingus and others.
  • Astatke is a well-born Ethiopian who fell in love with jazz in the early '60s and has been making music ever since. His most impressive effort, critic Robert Christgau says, is his latest album Inspiration Information, which he created in collaboration with the British experimental funk musicians in The Heliocentrics.
  • Pianist and singer Barbara Carroll was host Marian McPartland's second guest during the first season of Piano Jazz. Thirty years later, Carroll makes a return appearance to reminisce with her friend about their experiences at the Hickory House and the Oak Room. Carroll gives a charming performance of "Very Early" and McPartland improvises a musical portrait of her guest.
  • The Fifth Annual Portland Jazz Festival celebrated "The Shape of Jazz to Come" with jazzart-rock trio The Bad Plus and the Spanish Harlem Orchestra, both playing to full houses at the historic, slightly psychedelic McMenamin's Crystal Ballroom in Portland, OR.
  • Reed is relatively new to the national jazz scene, but he's been singing for more than 50 years. After a life of addiction and incarceration, Reed has emerged triumphant, ready for his moment in the spotlight. With accompanist Gary Fisher, Reed performs "Sleeping Bee" and "Ask Me Now" before he and host Marian McPartland get together on Ellington's "All Too Soon."
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