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  • Of all the big names to emerge from the Twin Cities music scene in the '80s, Soul Asylum is among the few that have weathered the test of time. With a career spanning more than two decades, the group has had plenty of time to hone its hook-filled alternative rock.
  • The Nat King Cole Show debuted in 1956, making singer and jazz pianist Nat "King" Cole the first black man to host a nationally televised variety program. Cole reluctantly challenged segregation on television and in American society, but a year later the show ended.
  • The congressman, who chairs the House Energy and Commerce Committee, says his bill to help homeless veterans could become law
  • Rapper Doechii is an artist to watch in the next year, and "Crazy" lets us know she's coming in swinging.
  • Ukrainian President Volodymyr Zelenskyy called the visit a signal of bipartisan support from the U.S. Congress. The meeting took place as Ukraine said it had forced Russian troops away from Kharkiv.
  • Nearly 35 years after her self-titled debut album, Bonnie Raitt is still moaning the blues. Her latest album, Souls Alike, features her trademark slide guitar, which she says can produce "the saddest sound you've ever heard."
  • Lizzie Goodman from Blender magazine discusses new releases from Gnarls Barkley, The Raconteurs, The B-52's, and Madonna.
  • Countertenor David Daniels takes the brilliant title role in Julius Caesar, Handel's slightly offbeat take on Roman history, from Houston Grand Opera.
  • The young singer, part of a wave of British female pop stars finding success in the U.S., has been compared to Dusty Springfield and sparked rumors that her father is fellow Wales native Tom Jones. She talks about the tiny town where she grew up, and recording her first demos on a karaoke machine.
  • For 30 years, Depeche Mode has pioneered electronic music with the use of synthesizers, influencing newer acts like Coldplay and The Killers. The band's latest record, Sounds of the Universe, combines past and future, tapping enduring themes such as lust and religion, while creating futuristic arrangements with drum machines.
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