Tom Moon

Tom Moon has been writing about pop, rock, jazz, blues, hip-hop and the music of the world since 1983.

He is the author of the New York Times bestseller 1000 Recordings To Hear Before You Die (Workman Publishing), and a contributor to other books including The Final Four of Everything.

A saxophonist whose professional credits include stints on cruise ships and several tours with the Maynard Ferguson orchestra, Moon served as music critic at the Philadelphia Inquirer from 1988 until 2004. His work has appeared in Rolling Stone, GQ, Blender, Spin, Vibe, Harp and other publications, and has won several awards, including two ASCAP-Deems Taylor Music Journalism awards. He has contributed to NPR's All Things Considered since 1996.

Updated at 10:42 a.m. ET

There are lots of firsts and superlatives in the career of Ginger Baker, the drummer and bandleader who died Sunday morning at age 80. His death was announced by his family on social media; they had said on Sept. 25 that he was "critically ill," without giving details.

The wild-eyed son of a South London bricklayer, Baker was the engine room of rock's first and still most revered power trio, Cream. He played a similarly key role in shaping the more finessed work of one of rock's first supergroups, Blind Faith.

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All right, it's Tool time. Today, progressive metal band Tool releases its first album in 13 years.

(SOUNDBITE OF SONG, "FEAR INOCULUM")

TOOL: (Singing) Immunity long overdue. Contagion, I exhale you.

Hidden inside the three minutes and eight seconds of "Holyfields," are the basic schematics for i,i, the deceptively ambitious fourth Bon Iver album.

The official history of rock and roll in the late 1960s is usually written festival-to-festival, Fillmore lineup to Fillmore lineup. Here are the reputation-making gigs, here are the moments when youngsters became rising stars.

In his vast catalog of music, Radiohead's Thom Yorke has trembled like a broken man on his knees. He has screamed in tormented six-part harmony; he has manic-whispered diaries worth of existential fear. Still, he just can't shake the techno-dread. Most recently, that dread has manifested in Yorke's third solo project, ANIMA, released on June 27.

From a casual distance, the music of João Gilberto sounds like it might belong to that ancient realm known as "easy listening."

Since releasing You're Dead! in 2014, Flying Lotus, the L.A. producer conceptual artist, rapper and label head, has collaborated with the likes of Kendrick Lamar, Thundercat, Herbie Hancock and more. On May 24, he finally dropped his own highly anticipated fifth album, Flamagra. Step right up and prepare to be astonished by the strange, blink-and-you-miss-them concatenations of sound beamed directly from the mind of FlyLo.

This past May, New Orleans Jazz & Heritage Festival celebrated its 50th anniversary, attracting an estimated 475,000 people to its annual celebration of Louisiana music and culture. To mark this milestone, Smithsonian Folkways has released its Jazz Fest: The New Orleans Jazz & Heritage Festival box set that includes rare live recordings and photographs of the momentous gathering.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify and Apple playlists at the bottom of the page.


Though it lasted only a few months in 1975 and 1976 and played mostly in tertiary-market venues, Bob Dylan's Rolling Thunder Revue occupies a mythic place in the history of rock tours.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify and Apple playlists at the bottom of the page.

Heather Woods Broderick needed a change. After more than seven years of living on the road, backing up artists like Sharon Van Etten, Broderick moved from Brooklyn to a spot on the Oregon coast, near where she'd spent summers as a child. Broderick's latest album, Invitation, out now, is a musical portrait of that upheaval.

Copyright 2019 NPR. To see more, visit https://www.npr.org.

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Sometimes a recording artist seems to disappear from the public eye. Often they will come back transformed with a whole different sound and outlook. And then there's Dido.

(SOUNDBITE OF SONG, "HURRICANES")

Just when it seems the shadow of The Beatles can't get any longer and everything in rock has been done before, along come Sean Lennon and Les Claypool, asking the musical question: What if, instead of ducking The Beatles, you embraced the band's tricks — the galumphing marches, the sun-dazed harmonies — and then made them a little weird?

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify and Apple Music playlists at the bottom of the page.


French composer Erik Satie, an under-recognized forefather of musical minimalism, once explained his creative process as follows: "I took to my room and let small things evolve slowly."

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The Best Reissues Of 2018

Dec 19, 2018

The vinyl resurgence took a giant step in 2018. Once regarded as a novelty niche market, it became a serious change agent in not just new releases, but the increasingly active realm of archival music.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify and Apple playlists at the bottom of the page.


When can a song be considered "finished"? When, if ever, can a song written by Bob Dylan be considered finished? And what to make of tracks that were greenlit for release and then discarded – after the auteur decided they somehow didn't quite capture the totality of what he was trying to express?

More than two years after Prince's death, his fans got their first album-length glimpse into the famed vault. Piano & a Microphone 1983 features nine songs Prince recorded solo on cassette in his home studio, spilling fascinating secrets about his approach to songwriting.

After the breakup album comes the bounce back. Last time we heard Dirty Projectors back in 2017, David Longstreth was getting over a relationship and knee-deep in dark laments. Now, he's all about shaking off despair.

The first hint of otherness comes from the voices.

They are five in all, each ragged and weary in his own way, each contributing to "Tears of Rage" on his own timetable, when stirred by some spirit. Sounding less like a polished choir than a wandering militia, they appear displaced, out of time. The voices have no discernable connection to the moment the record arrived in 1968. They might as well be selling elixirs from the back of a horse-drawn rig, moving at the slow, deliberate pace of backroads rural America in the days before [farm-to-table] artisan shallots.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

(SOUNDBITE OF SONG, "PROCESSION")

KADHJA BONET: (Singing) Oh, every morning brings a chance to renew, chance to renew. Oh...

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Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.


The first recorded collaboration between singer-songwriter Joseph Arthur and guitarist Peter Buck of R.E.M. fame isn't a concept album in the strictest sense. But many of its songs do revolve around a central theme: The messy metaphysical process of getting "woke."

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.


Kadhja Bonet's Childqueen opens with words that could have come from a lotus-positioned guru at a wellness retreat: "Every morning brings a chance to renew, a chance to renew." This she sings calmly, in carefully braided, elaborately evolving vocal harmony.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.


From the beginning of his career as a recording artist, Ry Cooder has treated the music of the past as a resource, turning to old (and very, very old) songs for guidance, mentorship, life lessons, spiritual advice.

When Johann Sebastian Bach compiled the first book of the Well-Tempered Clavier in 1722, he wrote that the 24 preludes and fugues were "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study."

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

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