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For 30 years, Depeche Mode has pioneered electronic music with the use of synthesizers, influencing newer acts like Coldplay and The Killers. The band's latest record, Sounds of the Universe, combines past and future, tapping enduring themes such as lust and religion, while creating futuristic arrangements with drum machines.

The singer and songwriter's new double album, High Wide and Handsome: The Charlie Poole Project, is a tribute to the old-time country banjo player who died in 1931.

Sonic Youth's latest album, The Eternal, is among the band's finest, with a fuzzy, tightly orchestrated mix of psych-punk rock and noisy jams. The band showcased the album in a full concert, recorded live from Washington, D.C.'s 9:30 Club.

Beach House's sleepy "Saltwater" never feels weary or tiresome. Instead, it floats along in a wispy haze of skittering drumbeats that rise and fall like heartbeats. As Victoria Legrand sings, "Love you all the time / even though you're not mine," her voice sounds powerful and stripped bare.

Led by an acoustic guitar and a grand piano, Death Cab for Cutie plays a stripped-down session at The Current. Drawing from a decade's worth of material, the band pulls out an old favorite and plays two songs from its new album, Narrow Stairs.

Unabashedly cheerful, Bulat's "In the Night" is a perfect slab of shimmering girl-group pop, but it's no mere throwback gimmick. A young singer-songwriter from Toronto, Bulat invests the track with graceful effervescence and an innate understanding of momentum.

Last November, for the first time in his career, Morrison revisited his second album, Astral Weeks, in concert. The result, Astral Weeks: Live at the Hollywood Bowl, arrives this week, offering a fresh take on one of the key recordings in late '60s rock.

I'm Not Jim is a collaboration between Walter Salas-Humara of The Silos and award-winning novelist Jonathan Lethem. The duo Elegant Too rounds out this unlikely quartet, whose first record is a mix of giddy pop and mournful blues called You Are All My People.

Washburn almost left the U.S. for China, where she'd planned to spend the rest of her days practicing law. As luck would have it, though, her growing fascination with learning the banjo led her to an unlikely recording career. Washburn's new album is titled City of Refuge.

The rising artist's latest single, a collaboration with beabadoobee, whispers like a confession, but also soars.