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When the great guitarist takes a solo, it's a swerving, cathartic, edge-of-the-seat experience. When he doesn't, the bliss persists, but in highly concentrated doses.

Salvant explores the quaint art of jazz singing, but with her own aesthetic idiosyncrasies intact. Her toolbox contains anywhere from a rich, husky voice to one that tiptoes theatrically, girlishly.

Celebrating the 200th anniversary of the composer's birth, Morning Edition commentator Miles Hoffman takes the measure of Schumann, the man and his music.

The Richmond metal band's new album both expands and contracts the realms of extreme music; it's huge in scope and sound, with instrumental passages that take their time even as they destroy.

On the closing track from his new album, The Follower, shoegaze techno producer Axel Willner deviates from the romantic trance norm and lets his subconscious gaze wander.

On the guitarist's new album, Tyler's instrumentals stretch past the limits of most lyrics and approach a rare sense of mystery.

Kurt Wagner's ambition has taken a hard left on the Nashville group's new album, which ditches Lambchop's typical organic feel for something far more progressive.

Friendly fire from Sean Lennon; Fragile new folk by Bonnie Prince Billy; The return of folk icon Bert Jansch; Intense evangelical rock from Woven Hand and more.

This week, we're telling stories about teachers who made a difference. Guitarist Jason Vieaux remembers three teachers who changed his technique for the better. Tell us your own story.

Michael Daugherty's Metropolis Symphony, based on the story of Superman, received an impressive five Grammy nominations this year.