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A theatrical, 10-minute track that respects the roots of one of heavy metal's most glorious bands, but also looks forward with wonder.

Thou has never been about convention. The Baton Rouge metal band bathes in foul pleasures on Heathen, making sense of its sprawling doom, drone and punk roots to rally desperate revolutionaries.

For 40-plus years, Eno has been a sonic abettor and collaborator beyond his own solo career. Here, he teams up with former Underworld member and vocalist Karl Hyde.

The Swedish singer's third album forms the final installment in a conceptual trilogy — and it's extraordinary as both a collection of songs and a tactical re-wiring of her genre's circuit board.

Where the band's last album used prickly electronics and cavernous arrangements to hold humanity at arm's length, Deep In The Iris turns those elements into lulling hymns to cleansing and redemption.

After decades of performing with the greatest singers — from Maria Callas to Luciano Pavarotti — Scotto's enthusiasm for music is undiminished in an informal session of listening and conversation.

Florida's Maxwell Frost is the first member of Generation Z to win a primary for the U.S. House. He won the Democratic primary in Florida's 10th District, according to The Associated Press.

Gone Girl is Reznor and Ross' third soundtrack collaboration under the direction of David Fincher. As with their past work together, the music suits the story that inspired it perfectly.

The Colombian-Canadian singer rearranges tracks from her new album and performs them with the assuredness of a true reina harnessing her vulnerability on stage.

The long-running metal band returns with its 10th album — and continues to find new ways to sound heavy. "At the Well" develops like a drawn-out outlaw-country song over the course of 10 minutes, navigating pain and salvation through Steve Von Till and Scott Kelly's words.