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  • It’s been a year since the terror attacks in Jersey City that left five people, including the shooters, killed at a kosher grocery. And a detective was…
  • In deep gratitude for their extraordinary, life-saving dedication in the fight against COVID-19, Opera Saratoga is pleased to offer healthcare professionals and front-line workers in hospitals and public health settings complimentary tickets to the final dress rehearsal of the Tony Award winning musical, MAN OF LA MANCHA, on Wednesday, July 7th at 8:00pm. Complimentary dress rehearsal tickets must be reserved by Tuesday, July 6th at Noon, and are available on a first-come, first-served basis. Health care and front-line workers will be asked to confirm their organizational affiliation at the time of their ticket request, which may be made online at www.operasaratoga.org/man-of-la-mancha-dress-rehearsal "The team at Saratoga Hospital has made it possible for us to return to the stage this summer by partnering with us to provide regular testing to all of our artists and production personnel," explains Opera Saratoga's Artistic and General Director, Lawrence Edelson. "As we prepare to take the stage again for the first time since the onset of the pandemic, we wanted to show our appreciation to all of the health care workers who have sacrificed so much to ensure our safety over the past 18 months, and who have helped facilitate our return to the stage. It is our deepest pleasure to be able to invite health care heroes from across the region to join us for the final dress rehearsal of Man of La Mancha – a musical that celebrates optimism and looks forward to what is possible in the face of life's greatest challenges. I am deeply grateful to our season sponsors, Adirondack Trust and Stewart's Shops / The Dake Family Foundation, for making this open dress rehearsal for health care and front-line workers possible." Opera Saratoga returns to the stage for its 60th Anniversary with a season of performances inspired by the iconic novel Don Quixote by Miguel de Cervantes. At the center of the festival is a new production of MAN OF LA MANCHA, the Tony Award winning musical, featuring Broadway and Opera star Zachary James in the role of Cervantes / Don Quixote; and Opera Saratoga favorite, Kelly Glyptis, returning to Saratoga Springs as Aldonza. The production, directed and choreographed by Opera Saratoga's Artistic and General Director Lawrence Edelson, will feature projection and lighting design by Barry Steele, costumes by Glenn Avery Breed, and will be conducted by Laura Bergquist - who most recently led the musical Allegiance on Broadway. The beloved musical, with a book by Dale Wasserman, music by Mitch Leigh, and lyrics by Joe Darion, was inspired by Miguel de Cervantes' 17th Century masterpiece Don Quixote. A universal tale of love, hope, and adventure, Man of La Mancha celebrates the perseverance of one man who refuses to relinquish his ideals, and who is determined to see life not as it is, but as it ought to be. The celebrated score includes "The Impossible Dream," "I, Don Quixote," "Dulcinea," "I Really Like Him," "Little Bird," and "To Each His Dulcinea." Three performances are scheduled on the SPAC Amphitheater Stage on July 8th, 9th, and 10th at 8pm. Tickets to these performances are on sale through the SPAC box office at www.spac.org. In a more classical vein, Opera Saratoga will also present DON QUICHOTTE AT CAMACHO'S WEDDING, a one-act comic serenata by Georg Philipp Telemann with a libretto by Daniel Schiebeler, taken from an episode from Part Two of Cervantes' celebrated novel, in which the Knight and his squire Sancho Panza encounter some rather strange wedding celebrations as they roam the world in search of adventure. The al fresco production will be staged by Rebecca Miller Kratzer and will be conducted by Michelle Rofrano in and around the Columbia Pavilion in Saratoga Spa State Park, with the backdrop of the forest creating a natural set for this pastoral adventure. The performances will feature Festival Artists from Opera Saratoga's Young Artist Program – the second oldest professional training program for emerging professional singers in the country. Ten performances are scheduled between July 14th and July 18th, with performances at 11am, 1pm, 6pm, and 8pm. In addition, Festival Artists will be featured in A KNIGHT AT THE OPERA, a one-night-only gala concert featuring scenes from operas - both famous and forgotten - that embrace the world of chivalry and knighthood, including music by Verdi, Wagner, Rossini, Gluck, Haydn, and Purcell. This special program is scheduled for Saturday July 17th at 7pm in "The Jousting Tent" at The Lodge of Saratoga Casino Hotel. Complete details about Opera Saratoga's 60th Anniversary Season may be found at www.operasaratoga.org  ABOUT OPERA SARATOGA Opera Saratoga, formerly known as Lake George Opera, began with a production of Die Fledermaus at the Diamond Point Theatre on July 5, 1962, playing to an audience of 230. The Company now calls Saratoga Springs home and performs for more than 25,000 people annually. Opera Saratoga celebrates its 60th Anniversary this season. The company serves the communities of Saratoga Springs, the Lower Adirondack and New York State Capital areas by providing access to world-class opera through the production of an annual Summer Festival, as well as year-round activities including extensive educational programs, mentorship of emerging operatic artists, and unique opportunities for the public to experience opera in both our home theater and non-traditional venues that leverage and embrace the unique cultural, historic, and natural resources of the area. To date, the company has performed 104 different fully staged works by 65 different composers, including 42 works by American composers and 14 premiere productions. In 2014, the Board of Directors appointed Lawrence Edelson Opera Saratoga's Artistic and General Director. Edelson's leadership has marked a new chapter in the company's history, with increased emphasis on community partnerships throughout the year, diversification of the company's repertoire, and a reaffirmed commitment to both the presentation of American opera and the mentorship of emerging artists. For more information, visit www.operasaratoga.org.
  • The Checkout documents jazz's first NFT drop, and poses some pressing questions about cryptocurrency in the arts space — with Greg Spero, Miguel Atwood-Ferguson, Oran Etkin and others.
  • On this episode of The Art of the Story, WBGO's Leo Sidran previews NYC Winter Jazzfest 2025
  • On this episode of The Third Story, host Leo Sidran has conversations with Aaron Parks and Marta Sanchez
  • This January, New York City Opera (under the direction of Michael Capasso, General Director) will produce its latest world premiere of a new American opera, Ricky Ian Gordon's THE GARDEN OF THE FINZI-CONTINIS, a co-production with the National Yiddish Theatre Folksbiene (Zalmen Mlotek, Artistic Director, Dominick Balletta, Executive Director). With a libretto by Michael Korie, based on Giorgio Bassani's 1962 novel, THE GARDEN OF THE FINZI-CONTINIS will be conducted by James Lowe, directed and choreographed by Richard Stafford, and will open on Wednesday, January 19 at Edmond J. Safra Hall in the Museum of Jewish Heritage – A Living Memorial to the Holocaust. THE GARDEN OF THE FINZI-CONTINIS is set on the eve of World War II and tells the story of an aristocratic Italian-Jewish family, the Finzi-Continis, who believe they will be immune to the changes happening around them. As they make a gracious haven for themselves in their garden, walling out the unpleasantness of the world outside, Italy forms its alliance with Germany and begins to enforce anti-Semitic racial laws. But the Finzi-Continis discover too late that no one is immune, no one is untouchable.  "THE GARDEN OF THE FINZI-CONTINIS not only continues New York City Opera's mission to produce new and important works by American composers, it will also continue NYCO's tradition of showcasing outstanding talent," said Mr. Capasso, adding "I am very excited about our cast which includes many young and emerging artists in leading roles alongside established NYCO stalwarts." "We are proud to co-produce the world premiere of THE GARDEN OF THE FINZI-CONTINIS," by said Mr. Mlotek. "This important new work illuminates an important part of Italian Jewish history, and sadly, its themes of discrimination and antisemitism still resonate in our world today." Rachel Blaustein, Brian James Myer, Mary Phillips, Stephen Powell and Victor Starsky will head the cast of THE GARDEN OF THE FINZI-CONTINIS, which will feature production design by John Farrell, costume design by Ildiko Debreczeni, and lighting design by Susan Roth. Tickets for this limited engagement, which will play eight performances only through Sunday, January 30, are available at NYTF.org or by calling the box office at 855-449-4658. For additional information call 212-655-7653.  This January, composer RICKY IAN GORDON will see two of his works have their world premieres in New York. In addition to THE GARDEN OF FINZI-CONTINIS, Gordon's INTIMATE APPAREL, with a libretto by Lynn Nottage, based on her acclaimed play, will premiere at Lincoln Center Theater. Gordon's other works include the operas The Grapes of Wrath, Ellen West, The House Without a Christmas Tree, 27, Morning Star, A Coffin In Egypt , Rappahannock County, Green Sneakers, The Tibetan Book of The Dead, and Orpheus and Euridice. For theater, he has composed the music for the musicals Sycamore Trees, My Life with Albertine, and Dream True. His honors include an Obie, the Helen Hayes Award, the AT&T Award, Gilman and Gonzalez-Falla Music Theater Foundation Award), and the Richard Rodgers Award. Upcoming productions include the musical Private Confessions with playwright Richard Nelson.   Librettist-lyricist MICHAEL KORIE's librettos include: The Grapes of Wrath, Harvey Milk; Hopper's Wife; Where's Dick; Kabbalah (music by Stewart Wallace); and the upcoming SuperMax (music also by Stewart Wallace). He wrote the lyrics to Scott Frankel's music for the musicals Grey Gardens (Outer Critics Circle Award for Outstanding Musical; Tony, Drama Desk, Grammy nominations; London Offie Award for Best Musical), War Paint (Drama Desk Award nomination), Far from Heaven, Happiness, and Doll (Ravinia Festival). He was also co-lyricist with Amy Powers Doctor Zhivago (music by Lucy Simon on Broadway, London and internationally).. He is the winner of a Marc Blitzstein Award, the Edward Kleban Prize, the Jonathan Larson Award, and the ASCAP Richard Rodgers Award. He serves on the Dramatists Guild Council where he is a mentor for their DGF Fellows Program, and teaches theater at Yale and Columbia. Upcoming projects include the lyrics for the new musical Flying Over Sunset, with a book by James Lapine and music by Tom Kitt, scheduled to open at Lincoln Center Theater in December. Maestro JAMES LOWE, a Grammy-nominated music director and conductor, has appeared at Lyric Opera of Chicago, San Francisco Opera, Washington National Opera and Houston Grand Opera, where he recently led La bohéme and Sweeney Todd.  He made his European debut conducting Candide at the Théâtre du Capitole in Toulouse and Opéra National de Bordeaux. He arranged, orchestrated and conducted Songbird, a new adaptation of Offenbach's La Périchole in the style of 1920's New Orleans jazz for the Glimmerglass Festival. On Broadway, Mr. Lowe was the music director and conductor of the recent revivals of Les Misérables and Anything Goes. His U.S. national tour credits include the Cameron Mackintosh/National Theatre production of My Fair Lady (music director and conductor) of, The Light in the Piazza (conductor) and The Phantom of the Opera music (music supervisor) Mr. Lowe has appeared in concert with Sir Elton John, conducting his own orchestrations and choral arrangements of Elton's classic songs, as well as with singer-songwriter Randy Newman and the legendary Booker T. Jones. His arrangements have been performed by Joyce DiDonato (Lincoln Center and Wigmore Hall), Isabel Leonard, Ailyn Pérez and Nadine Sierra (Metropolitan Opera's "Three Divas at Versailles" concert), as well as at the Glimmerglass Festival and Utah Opera. RICHARD STAFFORD directed and choreographed NYCO's productions of Los Elementos, the double bill of Rameau's Pigmalion and Donizetti's Pigmalione, and choreographed NYCO's world premiere productions of Dear Erich, Stonewall. On Broadway, he was the choreographer for My Life, associate choreographer for Aspects of Love, and dance supervisor for Cats. Off-Broadway, he choreographed A Tree Grows in Brooklyn at St. Clements and directed and choreographed Castle Walk for the New York Music Festival. Internationally he directed and choreographed The Full Monty and Joseph and the Amazing Technicolor Dreamcoat in Mexico City, Cats in Copenhagen, São Paulo, and Rio de Janeiro; and choreographed productions of Jesus Christ Superstar in Mexico City, Evita in Sydney; and Cats in Buenos Aires. He has also choreographed national tours of Cats, My Fair Lady and Joseph and the Amazing Technicolor Dreamcoat. His awards include a Barrymore Award for outstanding choreography for La Cage aux Folles at Philadelphia's Walnut Street Theatre. Soprano RACHEL BLAUSTEIN (who will perform the role of Micòl Finzi-Contini) will make her NYCO debut after performing this fall for the first time with Tulsa Opera as Lauretta in Gianni Schicchi. Her Chicago Opera Theater credits include roles in Taking Up Serpents, La Hija de Rappaccini, and their upcoming production of Carmen.  Baritone BRIAN JAMES MYER (Alberto Finzi-Contini) created leading roles in two NYCO 2019 premieres: as young Erich in Ted Rosenthal's jazz opera Dear Erich and as the schoolteacher Carlos in Iain Bell and Mark Campbell's Stonewall. He has created other roles in new works for Florida Grand Opera, American Lyric Theatre, Opera San Jose, and Opera Las Vegas. Mezzo-soprano MARY PHILLIPS (Mamma) is closely associated with the music of Wagner having won acclaim singing many mezzo roles in the Ring cycle with Seattle Opera, Canadian Opera, and at the MET, where she has also performed in works by Giuseppe Verdi, Richard Strauss, Anton Dvorak and Philip Glass. Baritone STEPHEN POWELL (Papà) is familiar to New York opera audience from his numerous appearances at both NYCO (in countless productions including The Magic Flute, Madama Butterfly, Der Rosenkavalier, La Traviata) and the MET (Carmen, Turandot, Boris Godunov), as well as nationally with San Francisco Opera, Lyric Opera of Chicago, San Diego Opera and Glimmerglass Opera. Tenor VICTOR STARSKY (Giorgio) has appeared in the NYCO productions of La fanciulla del West and La Bohème and was a participant in the 2019 Merola Opera Program and a 2020 San Francisco Opera Adler Fellow. His other credits include performances with Opera Modesto, Opera Tampa, Long Island Opera, and made his Carnegie Hall debut as the tenor soloist in Haydn's Lord Nelson Mass.   ABOUT NEW YORK CITY OPERA Since its founding in 1943 by Mayor Fiorello La Guardia as "The People's Opera," New York City Opera (NYCO) has been a critical part of the city's cultural life. During its history, New York City Opera launched the careers of dozens of major artists and presented engaging productions of both mainstream and unusual operas alongside commissions and regional premieres. The result was a uniquely American opera company of international stature. For more than seven decades, New York City Opera has maintained a distinct identity, adhering to its unique mission: affordable ticket prices, a devotion to American works, English-language performances, the promotion of up-and-coming American singers, and seasons of accessible, vibrant and compelling productions intended to introduce new audiences to the art form. Stars who launched their careers at New York City Opera include Plácido Domingo, Catherine Malfitano, Sherrill Milnes, Samuel Ramey, Beverly Sills, Tatiana Troyanos, Carol Vaness, and Shirley Verrett, among dozens of other great artists. New York City Opera has a long history of inclusion and diversity. It was the first major opera company to feature African-American singers in leading roles (Todd Duncan as Tonio in Pagliacci, 1945; Camilla Williams in the title role in Madama Butterfly, 1946); the first to produce a new work by an African-American composer (William Grant Still, Troubled Island, 1949); and the first to have an African-American conductor lead its orchestra (Everett Lee, 1955). A revitalized City Opera re-opened in January 2016 with Tosca, the opera that originally launched the company in 1944. Outstanding productions during the four years since then include: the world premieres of Iain Bell and Mark Campbell's Stonewall, which NYCO commissioned and developed, legendary director Harold Prince's new production of Bernstein's Candide; Puccini's beloved La Fanciulla del West; and the New York premiere of Daniel Catán's Florencia en el Amazonas — the first in its Ópera en Español series. Subsequent Ópera en Español productions include the New York premiere of the world's first mariachi opera, José "Pepe" Martinez's Cruzar la Cara de la Luna, Literes's Los Elementos, and Piazzolla's María de Buenos Aires. In addition to the world premiere of Stonewall, the productions in NYCO's Pride Initiative, which produces an LGBTQ-themed work each June during Pride Month, include the New York premiere of Péter Eötvös's Angels in America and the American premiere of Charles Wuorinen's Brokeback Mountain. New York City Opera has presented such talents as Anna Caterina Antonacci and Aprile Millo in concert, as well as its own 75th Anniversary Concert in Bryant Park, one in a series of the many concerts and staged productions that it presents each year as part of the Park's summer performance series. City Opera's acclaimed summer series in Bryant Park brings free performances to thousands of New Yorkers and visitors every year. New York City Opera continues its legacy with main stage performances at Jazz at Lincoln Center's Rose Theater and with revitalized outreach and education programs at venues throughout the city, designed to welcome and inspire a new generation of opera audiences. City Opera's acclaimed summer series in Bryant Park brings free performances to thousands of New Yorkers and visitors every year. New York City Opera:  www.nycopera.com Instagram: @nycopera  facebook.com/NewYorkCityOpera Twitter: @nycityopera ABOUT THE NATIONAL YIDDISH THEATRE FOLKSBIENE Now celebrating its 107th season, Tony Award-nominated and Drama Desk Award-winning National Yiddish Theatre Folksbiene (NYTF) is the longest consecutively producing theatre in the U.S. and the world's oldest continuously operating Yiddish theatre company. NYTF, which presented the award-winning Fiddler on the Roof in Yiddish, directed by Joel Grey, to sold out audiences before it moved to Off-Broadway uptown, is in residence at the Museum of Jewish Heritage – A Living Memorial to the Holocaust. Under the leadership of Artistic Director Zalmen Mlotek and Executive Director Dominick Balletta, NYTF is dedicated to creating a living legacy through the arts, connecting generations and bridging communities. NYTF aims to bring history to life by reviving and restoring lost and forgotten work, commissioning new work, and adapting pre-existing work for the 21st Century. Serving a diverse audience comprised of performing arts patrons, cultural enthusiasts, Yiddish-language aficionados, and the general public, the company presents plays, musicals, concerts, lectures, interactive educational workshops, and community-building activities in English and Yiddish, with English and Russian supertitles accompanying performances. NYTF provides access to a century-old cultural legacy and inspires the imaginations of the next generation to contribute to this valuable body of work. Learn more at www.nytf.org. ABOUT THE MUSEUM OF JEWISH HERITAGE – A LIVING MEMORIAL TO THE HOLOCAUST The Museum of Jewish Heritage – A Living Memorial to the Holocaust is New York's contribution to the global responsibility to never forget. The Museum is committed to the crucial mission of educating diverse visitors about Jewish life before, during, and after the Holocaust. The third largest Holocaust museum in the world and the second largest in North America, the Museum of Jewish Heritage anchors the southernmost tip of Manhattan, completing the cultural and educational landscape it shares with the Statue of Liberty and Ellis Island. The Museum of Jewish Heritage maintains a collection of more than 40,000 artifacts, photographs, documentary films, and survivor testimonies and contains classrooms, a 375-seat theater (Edmond J. Safra Hall), special exhibition galleries, a resource center for educators, and a memorial art installation, Garden of Stones, designed by internationally acclaimed sculptor Andy Goldsworthy. The Museum is the home of National Yiddish Theatre Folksbiene. The Museum receives general operating support from the New York City Department of Cultural Affairs and New York State Council on the Arts. For more information, visit mjhnyc.org.
  • Works & Process, the performing arts series at the Guggenheim, is proud to present the world premiere of Third Bird, with a libretto and direction by Isaac Mizrahi, music by composer Nico Muhly (played by Ensemble Signal and conducted by Brad Lubman), choreography by John Heginbotham, and lighting by Brandon Stirling Baker. Performances are on Friday, June 3, 2022 at 6pm and 7:30pm; Saturday, June 4, 2022 at 2:30pm and 4pm; and on Sunday, June 5 at 2:30pm and 4pm. Each 30-minute performance will take place in the Frank Lloyd Wright-designedPeter B. Lewis Theater at the Solomon R. Guggenheim Museum. Recommended for Ages 5 and older. Full vaccination required for all. CAST Isaac Mizrahi, Narrator Marjorie Folkman, Duck Christine Flores, Bird Ramona Kelley, Zookeeper Lindsey Jones, Cat Daniel Pettrow, Ostrich Derrick Arthur, Ornithologist Norton Owen, Grandfather Gus Solomons Jr, Moon Since 2007, Works & Process has produced sold-out performances of Sergei Prokofiev's charming children's classic Peter & the Wolf directed and narrated by Isaac Mizrahi. After over one hundred performances, Mizrahi was inspired to create an homage to this iconic work, and during the pandemic Works & Process commissioned Third Bird. Highlighting a cast of eight, including a flying bluebird, a swimming duck, and a running ostrich, Third Bird celebrates each individual's unique strengths. Throughout the pandemic, Works & Process continued to provide opportunities for artists and pioneered the bubble residency making it possible for artists to safely gather and create. The spring 2022 season will feature the official world premieres of works created by New York artists – many representing historically marginalized performing arts cultures – and incubated during the peak of the pandemic inside 2020-21 Works & Process bubble residencies. Third Bird was developed in an April 2021 Works & Process bubble residency at the Catskill Mountain Foundation and a November 2021 Works & Process LaunchPAD "Process as Destination" residency at The Church, Sag Harbor. Alongside premieres of commissions, Works & Process will present performance excerpts and artist discussions about new works prior to their premieres at leading organizations including BAAD!, Federal Hall, Glimmerglass Festival, The Metropolitan Opera, and New York City Ballet. WORKS & PROCESS TICKETS  $35, $15 partial view. Pay-what-you-wish tickets are available for purchase online only at worksandprocess.org. Health and Safety Information Every audience member must be fully vaccinated and will be required to show proof in person of vaccination authorized by the FDA or WHO against COVID-19 before entering the theater. Proof of vaccination may include a CDC Vaccination Card (or photo), NYC COVID Safe app, New York State Excelsior Pass, NYC Vaccination Record, or an official immunization record from outside New York City or the United States. Full vaccination is defined as being two weeks or more after receipt of the second dose in a two-dose series, or two weeks or more after receipt of one dose of a single-dose vaccine. Visitors over the age of 18 will also be asked to show a photo ID. At this time, children under the age of 5, for whom there is currently no available vaccination, will not be permitted to attend this performance regardless of the vaccination status of their guardian. Bring your three-ply face mask, N-95, or equivalent to keep yourself and one another safe. All individuals will be required to wear a face mask at all times. There is no coat check; please do not bring bags. Do not attend if in the ten days leading up to the performance, you have tested positive or experienced COVID-19 symptoms or come into close or proximate contact with a confirmed or suspected COVID-19 case. If you are unable to attend due to COVID-19 exposure, please contact boxoffice@guggenheim.org in advance of the performance. An inherent risk of exposure to COVID-19 exists in any public environment where people are present. Those visiting the museum do so at their own risk of exposure. Commissioned by Works & Process, Third Bird was developed in a Works & Process bubble residency at Catskill Mountain Foundation in spring 2021, made possible through the generous support of The Andrew W. Mellon Foundation and Doris Duke Charitable Foundation. Subsequent development of Third Bird took place through Works & Process LaunchPAD "Process as Destination" residency at The Church, Sag Harbor. Music commissioning supported by the Ellis L. Phillips Foundation. Works & Process has received support from the U.S. Small Business Administration Shuttered Venue Operators Grant and Paycheck Protection Program and NYC Employee Retention Grant Program. Isaac Mizrahi Isaac Mizrahi has worked extensively in the entertainment industry as a performer, host, writer, designer and producer for over 30 years. He has an annual residency at Café Carlyle in New York City and has performed at various venues across the country such as Joe's Pub, The Regency Ballroom and several City Winery locations nationwide. The New York Times noted, "he qualifies as a founding father of a genre that fuses performance art, music and stand-up comedy." He is the subject and co-creator of Unzipped, a documentary following the making of his Fall 1994 collection which received an award at the Sundance Film Festival. He hosted his own television talk show The Isaac Mizrahi Show for seven years, has written three books, and has made countless appearances in movies and on television. He served as a judge on Project Runway: All-Stars for the series' entire seven-season run. Mizrahi has directed productions of A Little Night Music and The Magic Flute for the Opera Theatre of St. Louis. Mizrahi has his own production company, Isaac Mizrahi Entertainment, under which he has several projects in development in television, theatre and literature. His New York Times Bestselling memoir, I.M., was published in February 2019. helloisaac.com Nico Muhly Nico Muhly, born in 1981, is an American composer who writes orchestral music, works for the stage, music for film, chamber music and sacred music. He's received commissions from The Metropolitan Opera: Two Boys (2011), and Marnie (2018); Carnegie Hall, the Los Angeles Philharmonic, The Australian Chamber Orchestra, the New York Philharmonic, the Tallis Scholars, and King's College, Cambridge, among others. He is a collaborative partner at the San Francisco Symphony and has been featured at the Barbican and the Philharmonie de Paris as composer, performer, and curator. An avid collaborator, he has worked with choreographers Benjamin Millepied at the Paris Opéra Ballet, Bobbi Jene Smith at the Juilliard School, Justin Peck and Kyle Abraham at New York City Ballet; artists Sufjan Stevens, The National, Teitur, Anohni, James Blake and Paul Simon. His work for screen includes scores for The Reader (2008) and Kill Your Darlings (2013), the BBC adaptation of Howards End (2017) and Pachinko (2022). Recordings of his works have been released by Decca and Nonesuch, and he is part of the artist-run record label Bedroom Community, which released his first two albums, Speaks Volumes (2006) and Mothertongue (2008). nicomuhly.com John Heginbotham John Heginbotham is a Brooklyn-based choreographer, performer, and teacher. Mr. Heginbotham graduated from The Juilliard School in 1993 with a BFA in Dance, and was awarded the Martha Hill Prize for Sustained Achievement in Dance. From 1998 – 2012, John was a member of the internationally renowned Mark Morris Dance Group (MMDG). Mr. Heginbotham is active as a freelance choreographer, working frequently in the worlds of ballet, opera, and theater. In 2011, he founded a contemporary dance company committed to supporting, producing, and sustaining his choreographic work. In 2015, Mr. Heginbotham choreographed Daniel Fish's TONY Award-winning production of Rodgers and Hammerstein's Oklahoma! (Bard Summerscape, St. Ann's Warehouse, 2019 Broadway Revival, National Tour, London's Young Vic). In Spring 2020, as NYC went into lockdown, John and Dance Heginbotham shifted focus from preparing in-person performances to the creation of dance and theater works specifically for video, including the ongoing 24 Caprices project. Dance Heginbotham celebrated its 10th Anniversary in January 2022 with an in-studio performance at the historic Martha Graham Studio Theater. Following Third Bird, Dance Heginbotham will share a new work set to Holst's The Planets with the Greater Bridgeport Symphony in July, will return to Jacob's Pillow Dance Festival in August, and collaborate with The Knights in August at La Jolla Music Society's Summerfest 2022. Mr. Heginbotham is currently a Research Fellow at the National Center for Choreography at The University of Akron (NCCAkron). As a teacher, he offers dance master classes in the United States and abroad. He has taught at institutions including Princeton University, Barnard College, George Mason University, Laban Centre in London, School of Visual Arts, University of California, Berkeley, University of Illinois at Urbana-Champaign, and the University of Washington. Mr. Heginbotham is on faculty at Dartmouth College and is the Director of the Dartmouth Dance Ensemble, and is a founding teacher of Dance for PD®, an ongoing collaboration between the Mark Morris Dance Group and the Brooklyn Parkinson Group. danceheginbotham.org Ensemble Signal and Brad Lubman Ensemble Signal is a NY-based ensemble dedicated to offering the broadest possible audience access to a diverse range of contemporary works through performance, commissioning, recording, and education. Since its debut in 2008, Signal has performed over 350 concerts, premiered numerous works, and co-produced ten recordings. Signal was founded by Co-Artistic/Executive Director Lauren Radnofsky and Co-Artistic Director/Conductor Brad Lubman. Described by the New York Times as "one of the most vital groups of its kind" and "A new-music ensemble that by this point practically guarantees quality performances," Signal regularly performs with Lubman and features a supergroup of independent artists from the modern music scene. Lubman, one of the foremost conductors of modern music and a leading figure in the field for over two decades, is a frequent guest with the world's most distinguished orchestras and new music ensembles. signalensemble.org Brandon Stirling Baker Brandon Stirling Baker is an award-winning lighting designer working internationally in the areas of dance, opera and theatre. Baker has worked with a diverse group of directors, choreographers, composers and visual artists including Justin Peck, Savion Glover, Shepard Fairey, Sufjan Stevens, Jamar Roberts, William Forsythe, Anthony Roth Costanzo, Bryce Dessner, Daniel Buren, Eva LeWitt, George Condo, Pam Tanowitz, Alonzo King, Damian Woetzel, Karl Jensen, Marcel Dzama, Stephen Powers, Michelle Dorrance, and Benjamin Millepied. His lighting can be seen internationally in the repertories of New York City Ballet, American Ballet Theatre, San Francisco Ballet, Dutch National Ballet, Hong Kong Ballet, Finnish National Ballet, Berlin Staatsballet, Miami City Ballet, Joffrey Ballet, Pacific Northwest Ballet, Boston Ballet, Alvin Ailey American Dance Theater, Houston Ballet, Semperoper Dresden, Opera Philadelphia, Pennsylvania Ballet, Cincinnati Ballet, Paul Taylor's American Modern Dance, Los Angeles Dance Project and many others. Since 2010, Baker has been a frequent collaborator with Tony Award winning choreographer Justin Peck. Baker's lighting has been presented nationally and internationally by major venues including Lincoln Center, Kennedy Center, Walt Disney Concert Hall, Hollywood Bowl, Brooklyn Academy of Music, Theatre du Chatelet (Paris), Sadlers Wells (London), Hong Kong Cultural Center, Maison de La Danse (Lyon), Teatro Carlo Felice (Genoa) and the Guggenheim Bilbao (Spain). Other international credits include premieres in Italy, France, Germany, Spain, Netherlands, South America, Cuba, Jamaica, United Kingdom and Canada. In 2019, the Solomon R. Guggenheim Museum Works & Process series commissioned Mr.Baker with a program "The Choreography of Light" dedicated to his work as a lighting designer for ballet. Mr.Baker received the prestigious Knight of Illumination Award (KOI-USA) in 2019, Lotos Foundation Prize in 2016, and Center for Ballet and the Arts at NYU Residency in 2018. Mr.Baker was appointed Lighting Director and Lighting Designer of Boston Ballet in 2018. stirlingbaker.com Works & Process at the Guggenheim  Described by The New York Times as "forward thinking" and "an exceptional opportunity to understand something of the creative process," since 1984 Works & Process has welcomed New Yorkers to see, hear, and meet the most acclaimed performers and creators of the performing arts. Led by Producer Caroline Cronson and Executive Director Duke Dang, Works & Process nurtures and champions new works, shapes representation, amplifies underrepresented voices and performing arts cultures, and offers audiences unprecedented access to generations of leading creators and performers. Artist-driven programs blending performance highlights with insightful discussions are, when permitted, followed by receptions in the rotunda, producing an opportunity for collective learning and community building while also helping to cultivate a more inclusive, fair, and representative world. Approximately fifty performances take place annually in the Guggenheim's Frank Lloyd Wright–designed, 273-seat Peter B. Lewis Theater. Annually, Works & Process produces a program at the Guggenheim Museum Bilbao in Spain as well. In 2017 Works & Process established a residency program inviting artists to create newly commissioned performances made in and for the iconic Guggenheim rotunda. In 2020 Works & Process Artists (WPA) Virtual Commissions was created to financially support 84 new works and over 280 artists and nurture their creative process during the pandemic. To forge a path for artists to safely gather, create, and perform during the pandemic from summer 2020 through spring 2021, Works & Process pioneered and produced 250 bubble residencies supporting 247 artists, made possible through the generous support of The Andrew W. Mellon Foundation and the Doris Duke Charitable Foundation. On March 20, 2021, after over a year of shuttered indoor performances and with special guidance from New York State's Department of Health, Works & Process was the first cultural organization to reopen live, indoor ticketed performances in the rotunda of the Solomon R. Guggenheim Museum. worksandprocess.org
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