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  • Mark Guiliana’s trademark isn’t limited to one style, but rather accentuated across a broad spectrum of modern sounds, from Brad Mehldau to David Bowie.…
  • Mark Guiliana’s Beat Music grabs a lot of attention for its innovative use of synths and sampling, along with its next-level rhythmic designs. But…
  • Mark de Clive-Lowe is a grand pianist and jazz technologist who fuses acoustic and electric sounds. Along with his keyboards and live electronics, his…
  • On the March 18 edition of the WBGO Journal, we look at the legacy of former New Jersey State Senator Ron Rice, Jon Kalish reports on the battle against child marriage, and host Doug Doyle chats with Prudential Emerging Visionary Mark Leschinsky
  • This past summer the Montreal Jazz Festival featured drummer Mark Guiliana in its Invitation series, presenting three different projects over three nights…
  • Watch three improvising masters — Mark Dresser (double bass), Michael Dessen (trombone) and Myra Melford (piano) — perform a telematic concert on The Checkout Live.
  • On the June 21 WBGO Journal, trumpeter, composer, producer and educator Mark Morganelli talks about the 40th anniversary of his nonprofit Jazz Forum Arts
  • Sets at 7.30pm + 9.30pm ET

    Nasheet Waits -drums
    Hannah Marks -bass
    Miles Okazaki -guitar
  • The Presidio Theatre in San Francisco presents the world premiere of Emmy Award-winning jazz innovator, composer and performer Mark Izu's Songs for J-Town in one concert only. Songs for J-Town is a Japanese American Jazz concert dedicated to the artists' and communities' grandchildren's children and the ancestors who carry them. Mark Izu (Contrabass and Sho) with Mas Koga (Shakuhachi, Flutes and Saxophone), Jimi Nakagawa (Taiko and Traps), Jim Norton (Woodwinds), Caroline Cabading (Vocals), devorah major (Spoken Word), Sara Sithi-Amnuai (Trumpet and Sheung), Karl Evangelista (guitar) and Brenda Wong Aoki (Storyteller). Shinto Blessing by Rev. Mas Kawahatsu, digital collage by Andrea Wong, film by Tonilyn Sideco. Songs for J-Town is a concert featuring music from the history of San Francisco's Japantown, beginning with the story of the Sun Goddess by Brenda Wong Aoki and a blessing by Konko Priest Mas Kawahatsu to sanctify the space, exorcise the historical ghosts of anti-Japanese propaganda and begin healing from what the military did to Japanese Americans during the Incarceration and to the Japanese people in the 1940's during WWII. The concert centers on an instrumental jazz performance infused with Gagaku, a 1500-year-old ceremonial Japanese music honoring the Sun Goddess, that Izu studied for 26 years under his mentor Togi Suenobu. The concert also features songs that bring back the swing and big band tunes that were popular with Japanese American political prisoners in internment camps after they were forcibly removed from their homes in Japantown during the height of anti-Asian hysteria in the 1940s. There will be resistance songs that call back to the Japantown of the 1970s, the birthplace of Asian American Jazz, a genre which Mark Izu helped pioneer during the struggle by Black and Japanese residents to fight the forced evictions of tens of thousands of neighborhood residents during waves of demolition led by the San Francisco Redevelopment Agency.
  • Sets at 7 and 8:45pm. $15 music charge. Reservations recommended.
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