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  • As jazz becomes more cerebral and gnarly by day, trumpeter and singer Wayne Tucker chases a sound closer to the heart. This instinctive, emotive approach…
  • Right about now, in any other year, many of us would be gearing up for a trip to Newport, R.I.This year, of course, is different. The Newport Jazz…
  • Billy Martin of Medeski, Martin & Wood, arguably the most accomplished jam band on the planet, expands his universe in adventurous music-making. Tonight,…
  • In light of its two Academy Awards, for Best Animated Feature and Best Original Score, Soul warrants revisiting. Here's what we had to say.
  • Tony Woods Project Formed in the mid-90s, the Tony Woods Project has recorded four highly-acclaimed albums of original folk/jazz/rock/world-inspired compositions: High Seas (1997), Lowlands (2004) Wind Shadows (2009) and Hidden Fires (2017)Whilst happily shifting gear between jigs and reels, Balkan dances, atmospheric ballads and ambient electronics, Tony Woods jazz connections also play their part in his compositions, where Latin, African, funk and rock grooves come to the fore. The emphasis, both in the compositions and the improvisations, is always on lyrical melody. The highly distinctive sound of this long-standing band, comes courtesy of Rob Millett's glowing, Gary Burton-esque vibraphone, Mike Outram's superlative, angular chord work, Andy Hamill's rock-steady bass, Milo Fell's percussive prowess, as well as the leader's inimitable, virtuosic and expressive musical story-telling on saxophones, alto clarinet, wood flute and whistle. (the Guardian) (Jazzwise) (The Jazzmann) (Jazz Journal) ";Emotional and warmly personal music"; (the Guardian) "powerful and affecting music"; (Chris Parker) "Combines a jazz edge with the melodic zest of folk…delightful." (BBC Radio 3) "colourful, evocative music from one of the most distinctive groups on the UK Jazz scene." (The JazzMann) "Definitely jazz for the 21 st century" (Jazz Journal) "Woods is phenomenal" (BBC Music Magazine) "European sensibility and American grooves united." (JazzUK) Olly Sarkar Quartet Sarkar Is creating a sound that blends Jazz fluidity with the crisp unshakable sound worlds of hip-hop, garage and broken beat whilst maintaining a spontaneous approach to groove and musical shape. Sarkar has preformed at venues such as The Jazz Café, The Elgar room, XOYO, The Royal Festival Hall, The Queen Elizabeth Hall, Pizza Express Jazz Club, The 606, The Vortex, Band on the Wall and Cadogan Hall. He has recorded live radio sessions for BBC Radio 2 with Jamie Cullum, World music on BBC radio 3, BBC 6 music and pre-recorded sessions at Herts Jazz for BBC Jazz on 3. He has recorded live streams for Ronnie Scott's Jazz Club and the British Music Embassy's SXSW showcase. Sarkar has performed with some of the UK's finest musicians; Cherise Adams-Burnett, Nubya Garcia, Nerija, Seed Ensemble, Reuben James, Chelsea Carmichael, Camilla George, Ruben Fox, Mark Kavuma, Jumoké Fashiola, Tom Barford, Billy Marrows and Alex Hitchcock. Line Up Reiss Ellis Beckles - Alto Sax Tobie Carpenter - Guitar Jack Polley - Bass Olly Sarkar - Drums and Compositions Category: Live Music | Gig
  • Composers Concordance Presents

    The Kostabi Piano Series 

    'Great Pianists in a Salon Setting'

    Event #4:
    Michael Wolff Trio

    Michael Wolff - piano
    Gui Duvignau - bass
    Darrell Green - drums


    For Immediate Release - New York, NY - On January 29th at 7pm, Composers Concordance presents its ongoing 'Kostabi Piano Series'. Great pianists in a salon setting, performing on a beautiful Steinway D piano.

    The fourth event in the series features Michael Wolff Trio, performing Michael's original music, as well as compositions by his renowned colleagues.

    Michael is an award-winning, internationally acclaimed pianist, composer, bandleader, and now, author. In a long-running musical career, he has been the musical director for the great Grammy-winning jazz singer, Nancy Wilson and the award-winning The Arsenio Hall Show. He has also been a member of Impure Thoughts, Wolff & Clark Expedition, and a co-star with his sons on the series The Naked Brothers Band. He is a recipient of the BMI Music Award, the winner of the Gold Disc Award in Japan, and the recipient of the Hamptons International Film Festival’s award for best film score for the film, The Tic Code, starring Polly Draper, Carol Kane, Tony Shalhoub, Gregory Hines and Camryn Manheim. His life story is detailed in his memoir, On That Note. Wolff made his recording debut with Cal Tjader in the mid 70’s and has since gone on to play and record with some of the greatest jazz muscians in the world, including Grammy nominated Flora Purim and her husband Airto Moreira; jazz alto saxophonist Cannonball Adderly; Sonny Rollins, the great jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians in the world; and The Thad Jones/Mel Lewis Orchestra, among many others.

    Please join us for this limited seating event at the intimate Kostabi World in Chelsea. Previously featured on the 'Kostabi Piano Series' were pianists Urs Hager, Kritjian Randalu, and Adam Holzman.
    _________________________________________________________________________

    Listing Information

    Composers Concordance 
    The Kostabi Piano Series: Michael Wolff Trio
    Sunday, January 29th
    7pm ET
    Kostabi World
    225 W 22nd St, NYC

    TICKETS
    $30 in advance; $40 at the door
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    Composers: 
    Michael Wolff, Dave Soldier, Dan Cooper, Gene Pritsker, Mark Kostabi

    Performers:
    Michael Wolff Trio
    Michael Wolff - piano
    Guy Duvignau - bass
    Darrell Green - drums
    _________________________________________________________________________

    Staying in rotation for 39 years in NYC is a rare feat. In the case of a new music presenting organization, it requires not only diligence and cognizance of achievements of the past but also an ethic of keeping one's ear to the ground for emerging stylistic and technological developments, as well as talented new composers on the scene. Composers Concordance, founded in 1984 by Joseph Pehrson and Patrick Hardish, advised by Otto Luening, strives to present contemporary music in innovative ways, with an emphasis on thematic programming. Directors Gene Pritsker and Dan Cooper co-curate the programs and lead the CompCord Ensemble, Chamber Orchestra, String Orchestra, and Big Band. Associate Directors are Milica Paranosic, Peter Jarvis, Debra Kaye, and Seth Boustead. Composers Concordance has also created a Naxos-distributed record label: Composers Concordance Records, co-directed by Peter Jarvis. Composers Concordance's overriding vision is to promote contemporary music, composers, and new works as a rightful and respected part of society. Good music performed and recorded well, pushing the boundaries of sound and composition.

    "Composers Concordance..a veritable New York new music institution of concerts, album production and multiple ensembles under a sweeping, tenacious brand, thriving on the emulsion of contemporary classical, free improv, jazz and rock, overt humor and fearless political statements, all very much in evidence..The ensemble..was masterful throughout.”- John Pietaro, The New York City Jazz Record

    "An unwavering force in giving composers exposure through concert bookings and its own record label, the intrepid new-music organization Composers Concordance” - The Brooklyn Rail

    "The Composers Concordance folks are unpredictable and at times refreshingly irreverent in a reverent sort of way....ingenious fun" - Classical-Modern Music Review

    “Enterprising new music organization” - The New York Times

    Please follow NYC Covid-19 protocols & updates:
    https://coronavirus.health.ny.gov/home
    https://www1.nyc.gov/site/doh/covid/covid-19-main.page
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    2022-2023 SEASON SITE

  • On this month's edition of Newark Today, host Michael Hill is joined by Mayor Ras J. Baraka along with Director of Health and Community Wellness Dr. Mark…
  • Today marks the 50th anniversary of the Stonewall Inn uprising that many say was the beginning of the Gay Rights Movement in not only New York City but…
  • Born in Gainesville and raised in Miami, FL (1979), Grammy-Award nominated tenor saxophonist Marcus Strickland has been active on the New York jazz scene since the 1990s. He developed his chops alongside twin brother, drummer E.J. Strickland, with a uniquely rhythmic sensibility. Brought up by a father who worked as a lawyer and played the drums during his spare time, Marcus learned musical rudiments in the context of drumming, emerging as a uniquely interactive player. Early influences include Joe Henderson, Wayne Shorter, and Whit Sidener, who helped him hone harmonic knowledge in the context of the saxophone. As a teenager, Marcus transcribed the complex harmonies of Charlie Parker and John Coltrane, and learned the culture of playing the saxophone through Branford Marsalis. In 1997, Strickland received a scholarship to study at The New School for Social Research in New York City, earning a B.A. in jazz performance (2002). There, he took Jazz Orchestra Ensemble with Blue Note Records veteran Charles Tolliver and Blakey Ensemble with Coltrane band double bassist Reggie Workman. As a student, Marcus became friends with fellow student pianist Robert Glasper and vocalist Bilal, and a new generation of sound began to take shape. As fate would have it, Bilal introduced Marcus to Slum Village and J Dilla, launching an interest in beat making and new ideas about what it means to create music. Accompanying artists such as Roy Haynes (2002-2005), Jeff “Tain” Waits (2004-2013), and Chris Dave (2013-now), Marcus’ early career focused on mastering the jazz idiom—especially bebop—while reaching into the future. Having played with three drummers that marked time in terms of music development, Marcus’ own eclectic approach to sound advanced in relationship with the groove. Inspired by low-mid register beats, Marcus took up the bass clarinet. Meanwhile, Strickland placed third in the 2002 Thelonious Monk International Jazz Saxophone Competition, and launched his own music label, Strick Muzik, in 2006. Down Beat magazine’s Critics' Poll named him 'Rising Star on Tenor Saxophone' in 2010 and 'Rising Star on Soprano Saxophone' in 2008. He was also named the 2006 'Best New Artist' by JazzTimes magazine's Reader's Poll. He was signed to Blue Note Records in 2015, and in 2017, was invited to play with bassist Christian McBride’s New Jawn. Strickland has released ten solo recordings to date: People of the Sun (2018); Nihil Novi (2016); Triumph of the Heavy, Vol. 1 & 2 (2011); Idiosyncrasies (2009); Of Song (2009); Open Reel Deck (2007); Twi-Life (2006); Brotherhood (2002), and At Last (2001). Marcus’ band and concept project, Twi-Life, thrives at the intersection of jazz and Hip Hop, and here Strickland becomes beat maker, composer, as well as saxophonist. Playing with the meaning of ‘twilight’ emphasizing the dichotomy as well as connection between day and night, this project stresses the necessity to stretch out artistically, beyond the limits of category or genre. His 2020 music video On My Mind remix featuring Bilal and emcee Pharoahe Monch with street dancer Storyboard P, premiered with Afropunk and won Best Music Video at the Philadelphia Independent Film Festival and Best Body at the London Music Video Festival, among other accolades. Strickland has performed with McCoy Tyner, Tom Harrell, Nicholas Payton, Wynton Marsalis, Lincoln Center Jazz Orchestra, Carnegie Hall Big Band, Dave Douglas, Keyon Harrold, and Mos Def, among others. Marcus’ forthcoming independent album, The Universe’s Wildest Dream, urges for a raising of consciousness about the random and delicate miracle of life on Planet Earth. He spends his time between New York and Miami, where he serves as Associate Professor of Practice in the Department of Studio Music at the University of Miami Frost School of Music.
  • Bloomingdale School of Music presents The Piano Music of Ed Bland, a free online faculty concert, on Friday, February 18, 2022 at 7pm. In honor of Black History Month, faculty member Judith Olson will perform works by African American composer Ed Bland (1926-2013), with whom she worked for many years. The piano works on the program are part of a 5-volume set entitled "Urban Counterpoint:" art music, using the language of gospel, soul, blues, jazz, and various film scores. For over 20 years Bloomingdale has presented its faculty, as well as guest artists, in concerts including classical music, jazz, and world music. This FREE concert series has established itself a vital part of the musical life of the Upper West Side. For more information and to RSVP, visit bsmny.org/events. The concert will also be livestreamed; please RSVP here for access to the stream: https://www.bsmny.org/event/online-faculty-concert-the-piano-music-of-ed-bland// The program for the evening includes: URBAN COUNTERPOINT (1992 - 2002) Classical Soul No. 1 Zone Blue Heat Seeking Missile Up Escalators Cell Phone Blues Phunky Phrogs Rag Sunday School Classical Soul No. 3 Bloomingdale School of Music faculty member pianist Judith Olson is a graduate of The Juilliard School and made her New York debut with Alexander Schneider conducting Walter Piston's Concertino. She has since toured North, Central, and South America, Europe, the Middle East, and Korea as soloist and in collaboration with leading instrumentalists, including Kyung Wha Chung, Eugene Fodor, Miriam Fried, Joseph Fuchs, Daniel Heifetz, Jean-Jacques Kantorow, Nathan Milstein, and Tossy Spivakovsky. A versatile artist, she has performed Beethoven at Bard, Rachmaninoff at Newport, and has appeared as soloist on numerous new music series in New York, including Composers Collaborative and Composers Concordance. She is the dedicatee of works by Otto Luening, William Mayer, Ned Rorem and Olav Anton Thommessen, and she has recorded for Albany, Capstone, Newport Classics, MMO Laureate Series, and RCA. She has appeared at major halls including Avery Fisher Hall, Alice Tully Hall, and the Kennedy Center, and has participated in the festivals of Ankara, Bard, Bar Harbor, Capri, Caramoor, Chautauqua, Killington, and Newport. Her recent recording, Urban Counterpoint, featuring the solo piano music of African American jazz composer Ed Bland, was recently released by Cambria Records/Naxos.  An unusually versatile musician, Ed Bland (1926-2013) began his career as a clarinetist, before making his mark as a composer, arranger, producer and orchestrator. His concert music has been performed by Speculum Musicae, the American Brass Quintet, Baltimore Symphony, Detroit Symphony, and the Civic Orchestra of Chicago. Bland's command of jazz allowed him to make a living in the record industry as a composer, arranger, and producer of urban-generated forms of Black music, such as soul, rhythm and blues, jazz, rock and roll, urban blues, and funk. He has collaborated with Dizzy Gillespie, Lionel Hampton, Richie Havens, and Ray Charles, among many others. Bland is perhaps best known as producer of the 1959 film, "The Cry of Jazz," described by MOMA documentarian Willard Van Dyke as "the most prophetic film ever made," because it predicted the race riots of the '60s and '70s. Founded in 1964, Bloomingdale School of Music is dedicated to the belief that music changes lives and everyone should have access to high-quality music education regardless of economic status, race, religion, ability level, or gender. Bloomingdale is a music-driven community center where all are welcome to join and learn about music from top faculty. We are dedicated to our mission – to make music education accessible to all who want to learn – and remain focused on supporting this mission through our values. www.bsmny.org/
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