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Fats Waller sang, emceed, told jokes, wrote hits, and played mean piano. Decades later, a fellow jazz pianist tries to capture his life-of-the-party spirit with drastically new versions of his tunes.

On her first studio album since 2008, the 74-year-old firebrand's voice remains relevant, full of spit and vinegar and fun.

What happens when a veteran L.A. soul and jazz instrumentalist discovers the music of Ethiopia? The answer: a world of influence and possibility.

Rock critic Ken Tucker says that Beyonce's new album, titled 4, is something of a risk – it's not merely a collection of new songs, but a personal reassessment of the kind of pop star she wants to be.

Elvis Presley is constantly being discovered by new generations, and by older fans in new stages of life. Critic Milo Miles talks about the surprise rewards he found while listening to the new reissue Elvis Is Back! — and during his first visit to Graceland in Memphis.

Long Lost Suitcase is not just Jones' story, but also the story of America's musical roots spreading to reach the whole planet, generation by generation.

Many jazz standards are themselves about making lists. Here are five of them, including Louis Armstrong's take on "Let's Do It," Johnny Hartman's version of "These Foolish Things" and a classic reading of Jobim's "Waters of March."

Broadway musicals of the 1960s were surprisingly good at explaining complicated economic matters. Before tourists took over the Great White Way, the "tired businessman" was the target audience. These four songs are particularly illustrative of the kind of vaudeville mixed with corporate-speak that the businessman favored.

Hear the fruits of a record-canvassing mission co-piloted by Madlib.

Three Israeli sisters celebrate — and utterly transform — a trove of Arab-language folk songs that they inherited as Yemenite Jews, by tweaking them with electronic touches.