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This jazz standard has its roots in a song from the 'Three Penny Opera' with decidedly less mainstream pop appeal.

Unsigned and living in a van, Hoop took the Los Angeles area by storm with only a demo recording. Several years later, she has a fully fleshed-out major-label album, one that draws on sundry sounds and shape-shifting voices.

More than three decades after Pancho & Lefty, the country titans pair up again, this time for an album that puts eclecticism front and center.

It may be one of the leading names in jazz, but The Bad Plus probably wouldn't mind if you called it a weirdo instrumental rock band. Hear the decade-old trio's latest album, the all-original Never Stop, in its entirety until its release on Sept. 14.

The sassy agent of rock 'n' roll chaos turns in an uncharacteristically hushed and spare song that approaches the twisted path of passion and loss with a new, sober gravity.

The first single from the country singer's new album is a condemnation of one man's irresponsible habits — yet one that still retains compassion for him and the women who survive in his wake.

The Swedish singer's third album forms the final installment in a conceptual trilogy — and it's extraordinary as both a collection of songs and a tactical re-wiring of her genre's circuit board.

Highly emotional rock that reads as low-stakes at first, Lost in the Dream is evocative and pleasant if you let it float by in the background. But it's made with hooks that sink in deep.

The group, led by violinist David Balakrishnan, has earned rave reviews for their jazzy take on traditional chamber music. Their latest album, Have You Ever Been ... ?, features interpretations of Jimi Hendrix compositions and continues to push the boundaries of classical fusion.

It's one of the noisiest, most exciting shows we've done yet. This week on Alt.Latino, garage rock from Mexico, Spain and Puerto Rico and softer tunes from across Latin America.