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  • “Perhaps NYC’s most thoughtful and passionate student of jazz tradition—the most admirable sort of artist-scholar.”

    —TIME OUT NEW YORK

    Acclaimed jazz pianist Ethan Iverson brings his formidable trio to Zinc for a splendid evening of jazz piano.

    Pianist, composer, and writer Ethan Iverson was a founding member of The Bad Plus, a game-changing collective with Reid Anderson and David King. The New York Times called TBP “…Better than anyone at melding the sensibilities of post-60’s jazz and indie rock.” During his 17-year tenure TBP performed in venues as diverse as the Village Vanguard, Carnegie Hall, and Bonnaroo; collaborated with Joshua Redman, Bill Frisell, and the Mark Morris Dance Group; and created a faithful arrangement of Igor Stravinsky’s The Rite of Spring and a radical reinvention of Ornette Coleman’s Science Fiction.

    Iverson also has been in the critically-acclaimed Billy Hart quartet for well over a decade and occasionally performs with an elder statesman like Albert “Tootie” Heath or Ron Carter. For over 15 years Iverson’s website Do the Math has been a repository of musician-to-musician interviews and analysis, surely one reason Time Out New York selected Iverson as one of 25 essential New York jazz icons: “Perhaps NYC’s most thoughtful and passionate student of jazz tradition—the most admirable sort of artist-scholar.”

    Showtimes are at 7:00 PM and 8:30 pm. Tickets: $30 advance / $35 day of show. For more info, call (212) 477-9462 or visit http://zincjazzcom.
  • “Perhaps NYC’s most thoughtful and passionate student of jazz tradition—the most admirable sort of artist-scholar.”

    —TIME OUT NEW YORK

    Acclaimed jazz pianist Ethan Iverson brings his formidable trio to Zinc for a splendid evening of jazz piano.

    Pianist, composer, and writer Ethan Iverson was a founding member of The Bad Plus, a game-changing collective with Reid Anderson and David King. The New York Times called TBP “…Better than anyone at melding the sensibilities of post-60’s jazz and indie rock.” During his 17-year tenure TBP performed in venues as diverse as the Village Vanguard, Carnegie Hall, and Bonnaroo; collaborated with Joshua Redman, Bill Frisell, and the Mark Morris Dance Group; and created a faithful arrangement of Igor Stravinsky’s The Rite of Spring and a radical reinvention of Ornette Coleman’s Science Fiction.

    Iverson also has been in the critically-acclaimed Billy Hart quartet for well over a decade and occasionally performs with an elder statesman like Albert “Tootie” Heath or Ron Carter. For over 15 years Iverson’s website Do the Math has been a repository of musician-to-musician interviews and analysis, surely one reason Time Out New York selected Iverson as one of 25 essential New York jazz icons: “Perhaps NYC’s most thoughtful and passionate student of jazz tradition—the most admirable sort of artist-scholar.”

    Showtimes are at 7:00 PM and 8:30 pm. Tickets: $30 advance / $35 day of show. For more info, call (212) 477-9462 or visit http://zincjazzcom.
  • Grammy Award winning pianist, Bill Charlap has performed and recorded with many leading artists of our time, ranging from jazz masters Phil Woods and Wynton Marsalis to singers Tony Bennett and Barbra Streisand. The Bill Charlap Trio, with bassist Peter Washington and drummer Kenny Washington, marks its 23rd year together this season, and is recognized as one of the leading ensembles in jazz. Their nine albums together (the latest is 2017’s Uptown, Downtown) have earned two Grammy nominations and belong in a time capsule to show future generations the art of the piano trio in our time. One of the best piano trios ever… Charlap’s playing provides convincing proof that it is still possible to create fresh but pertinent treatments of well-known standard songs. (The Guardian) Modest and low-key off the bandstand, at the piano he is voluble and intense…the pianist moved through an erudite selection of jazz and American Songbook standards…with masterful technique and a stylistic range that encompassed rollicking stride piano, bebop virtuosity and harmonically opulent modernism. (The New York Times) The Bill Charlap Trio, with bassist Peter Washington and drummer Kenny Washington, marks its 23rd year together this season, and is recognized as one of the leading ensembles in jazz. The Trio earned Grammy nominations for 2017’s Uptown Downtown (Impulse!/Verve) and Somewhere: The Songs of Leonard Bernstein and The Bill Charlap Trio: Live at the Village Vanguard (both on the Blue Note label). Their 2016 album Notes from New York (Impulse!/Verve) earned a five-star review in Downbeat, which hailed it as “a master class in class.” The trio’s most recent recording features them supporting Tony Benne] & Diana Krall on the chart-topping, Grammy nominated Love is Here to Stay. The Bill Charlap Trio tours all over the world, and their New York engagements include regular appearances at Jazz at Lincoln Center and the Village Vanguard. Last summer, Mr. Charlap celebrated his 15th year as artistic director of the 92nd Street Y’s Jazz in July festival. He has also produced concerts for Jazz at Lincoln Center, New Jersey Performing Arts Center (NJPAC), the Chicago Symphony Center and the Hollywood Bowl. He is Director of Jazz Studies at William Paterson University in Wayne, New Jersey. Founded in 1973, the program is one of the longest-running and most respected jazz programs in the world. Born in New York City, Mr. Charlap began playing the piano at age three. His father was Broadway composer Moose Charlap, whose credits include Peter Pan, and his mother is singer Sandy Stewart, who toured with Benny Goodman, appeared on the Ed Sullivan and Perry Como shows, and earned a Grammy Award nomination for her recording of “My Coloring Book." Mr. Charlap’s collaboration with Tony Benne], The Silver Lining: The Songs of Jerome Kern, on the RPM/ Columbia label, won the 2016 Grammy Award for Best Traditional Pop Vocal Album. It features Mr. Charlap and Mr. Benne] together and in collaboration with The Bill Charlap Trio and in duo piano performances with his wife, renowned jazz pianist and composer Renee Rosnes. Mr. Charlap and Ms. Rosnes frequently collaborate in duo piano concerts. Their highly acclaimed album Double Portrait is on the Blue Note label. Mr. Charlap’s website is billcharlap.com. Peter Washington is one of the most in demand and recorded bassists in modern jazz, with a discography of over 400 recordings. Born in Los Angeles, Washington played classical bass as a teen and majored in English Literature at U.C. Berkeley, where he became interested in jazz. He was invited by Art Blakey to join the Jazz Messengers in New York. From there, Washington became part of two of jazz’s most celebrated trios: the Tommy Flanagan Trio, and for the past thirteen years, the Bill Charlap Trio. Washington’s freelance work roster is a “who’s who” of jazz, including Dizzy Gillespie, Clark Terry, Milt Jackson, Johnny Griffin, Bobby Hutcherson and the Carnegie Hall Jazz Band. In 2008, Washington became part of The Blue Note 7, a septet formed in honor of the 70th anniversary of Blue Note Records. The group recorded the album Mosaic and toured the U.S. in 2009. Kenny Washington was born in Brooklyn. In 1977, while still in his teens, he worked with Lee Konitz and his nonet. He has been a member of the Bill Charlap Trio for the past thirteen years and has performed and recorded with dozens of major artists, giving him a discography of hundreds of titles. Artists include Benny Carter, Be]y Carter, Johnny Griffin, Ron Carter, Clark Terry, Milt Jackson, Tommy Flanagan, Dizzy Gillespie, Arturo Sandoval and Benny Goodman. Washington is a noted jazz historian and radio personality; he has written liner notes and helped prepare re-releases by Art Blakey, Count Basie and others, and has also been a disc jockey on WBGO and Sirius satellite jazz radio. He currently serves on the faculties of Purchase College, State University of New York and The Juilliard School, teaching drums and jazz history. LOCATION: Flushing Town Hall Theater
  • Grammy Award winning pianist, Bill Charlap has performed and recorded with many leading artists of our time, ranging from jazz masters Phil Woods and Wynton Marsalis to singers Tony Bennett and Barbra Streisand. The Bill Charlap Trio, with bassist Peter Washington and drummer Kenny Washington, marks its 23rd year together this season, and is recognized as one of the leading ensembles in jazz. Their nine albums together (the latest is 2017’s Uptown, Downtown) have earned two Grammy nominations and belong in a time capsule to show future generations the art of the piano trio in our time. One of the best piano trios ever… Charlap’s playing provides convincing proof that it is still possible to create fresh but pertinent treatments of well-known standard songs. (The Guardian) Modest and low-key off the bandstand, at the piano he is voluble and intense…the pianist moved through an erudite selection of jazz and American Songbook standards…with masterful technique and a stylistic range that encompassed rollicking stride piano, bebop virtuosity and harmonically opulent modernism. (The New York Times) The Bill Charlap Trio, with bassist Peter Washington and drummer Kenny Washington, marks its 23rd year together this season, and is recognized as one of the leading ensembles in jazz. The Trio earned Grammy nominations for 2017’s Uptown Downtown (Impulse!/Verve) and Somewhere: The Songs of Leonard Bernstein and The Bill Charlap Trio: Live at the Village Vanguard (both on the Blue Note label). Their 2016 album Notes from New York (Impulse!/Verve) earned a five-star review in Downbeat, which hailed it as “a master class in class.” The trio’s most recent recording features them supporting Tony Benne] & Diana Krall on the chart-topping, Grammy nominated Love is Here to Stay. The Bill Charlap Trio tours all over the world, and their New York engagements include regular appearances at Jazz at Lincoln Center and the Village Vanguard. Last summer, Mr. Charlap celebrated his 15th year as artistic director of the 92nd Street Y’s Jazz in July festival. He has also produced concerts for Jazz at Lincoln Center, New Jersey Performing Arts Center (NJPAC), the Chicago Symphony Center and the Hollywood Bowl. He is Director of Jazz Studies at William Paterson University in Wayne, New Jersey. Founded in 1973, the program is one of the longest-running and most respected jazz programs in the world. Born in New York City, Mr. Charlap began playing the piano at age three. His father was Broadway composer Moose Charlap, whose credits include Peter Pan, and his mother is singer Sandy Stewart, who toured with Benny Goodman, appeared on the Ed Sullivan and Perry Como shows, and earned a Grammy Award nomination for her recording of “My Coloring Book." Mr. Charlap’s collaboration with Tony Benne], The Silver Lining: The Songs of Jerome Kern, on the RPM/ Columbia label, won the 2016 Grammy Award for Best Traditional Pop Vocal Album. It features Mr. Charlap and Mr. Benne] together and in collaboration with The Bill Charlap Trio and in duo piano performances with his wife, renowned jazz pianist and composer Renee Rosnes. Mr. Charlap and Ms. Rosnes frequently collaborate in duo piano concerts. Their highly acclaimed album Double Portrait is on the Blue Note label. Mr. Charlap’s website is billcharlap.com. Peter Washington is one of the most in demand and recorded bassists in modern jazz, with a discography of over 400 recordings. Born in Los Angeles, Washington played classical bass as a teen and majored in English Literature at U.C. Berkeley, where he became interested in jazz. He was invited by Art Blakey to join the Jazz Messengers in New York. From there, Washington became part of two of jazz’s most celebrated trios: the Tommy Flanagan Trio, and for the past thirteen years, the Bill Charlap Trio. Washington’s freelance work roster is a “who’s who” of jazz, including Dizzy Gillespie, Clark Terry, Milt Jackson, Johnny Griffin, Bobby Hutcherson and the Carnegie Hall Jazz Band. In 2008, Washington became part of The Blue Note 7, a septet formed in honor of the 70th anniversary of Blue Note Records. The group recorded the album Mosaic and toured the U.S. in 2009. Kenny Washington was born in Brooklyn. In 1977, while still in his teens, he worked with Lee Konitz and his nonet. He has been a member of the Bill Charlap Trio for the past thirteen years and has performed and recorded with dozens of major artists, giving him a discography of hundreds of titles. Artists include Benny Carter, Be]y Carter, Johnny Griffin, Ron Carter, Clark Terry, Milt Jackson, Tommy Flanagan, Dizzy Gillespie, Arturo Sandoval and Benny Goodman. Washington is a noted jazz historian and radio personality; he has written liner notes and helped prepare re-releases by Art Blakey, Count Basie and others, and has also been a disc jockey on WBGO and Sirius satellite jazz radio. He currently serves on the faculties of Purchase College, State University of New York and The Juilliard School, teaching drums and jazz history.
  • We are thrilled to present the Brooklyn debut of the Makanda Project, a 13-piece ensemble that has become an important part of the Boston jazz scene. Led by pianist, bandleader and arranger, John Kordalewski, the Makanda Project explores and celebrates the richness of the unrecorded music of multi-instrumentalist, composer and educator Dr. Makanda Ken McIntyre.

    Makanda, who lived and taught in New York, was known primarily for leading his own ensembles and had 12 recordings as a leader-- performing on alto saxophone, flute, bass clarinet, oboe and bassoon. But he was also a prolific composer. When Makanda died in 2001, his family found over 350 pieces that had not been recorded. John has written arrangements to over 60 of Makanda’s compositions. They are marked by a distinctive rhythmic and lyrical quality that will surprise and delight you. Makanda’s compositions cover a wide range, including "straight ahead" jazz pieces, gorgeous ballads, pieces based on complex rhythmic structures, calypsos, and "free jazz" pieces. Www.mkmjazz.com

    Personnel:
    Kurtis Rivers - alto saxophone
    Lee Odom - alto saxophone, flute, clarinet
    Sean Berry - tenor saxophone
    Temidayo Balogun - tenor saxophone
    Charlie Kohlhase - baritone saxophone
    Jerry Sabatini - trumpet
    Haneef Nelson - trumpet
    Alfred Patterson - trombone
    Richard Harper - trombone, piano
    Bill Lowe - bass trombone
    John Kordalewski - piano
    Wes Brown - bass
    Yoron Israel - drums



    For more information, please email us at onebreathrising@gmail.com.
  • “Silvano is a masterful pianist and composer, but make no mistake here, you are taking a journey into the soul of a courageous and deep human whose gift involves much more than his incredible facility on the piano.” —Downbeat

    Acclaimed Venezuelan jazz pianist Silvano Monasterios brings his trio to the Zinc Bar for a splendid evening of jazz piano. He’s supported by bassist Ricky Rodriguez and drummer Jimmy McBride.

    Pianist-composer Silvano Monasterios was born in Caracas, Venezuela. He spent his formative years of training at the Jose Angel Lamas Conservatory while he alternately encountered the great American jazz tradition in all its diversity. He promptly began his professional career at the age of 18, combining these influences by performing and recording with some of the most prominent Venezuelan artists of the time.

    In 1989, Silvano traveled to Miami, Florida, to participate in the Miami Jazz Festival, where he received a “Best Soloist Award.” By 1990, he had immigrated to the United States to make use of a scholarship from Miami-Dade College. More recognition followed with another “Outstanding Soloist Award” at the University of Colorado in 1991 and then a music scholarship from the University of Miami, from which he earned a Bachelor of Music degree in 1995. In 1998, Silvano was voted “New Artist of the Year” at the Hennessey Cognac Jazz Search in New York City, which led to a slot at the Playboy Jazz Festival where he engendered many new friends and fans. This year also marked the release of his first CD, “Roads Not Taken”, prompting more critical interest in the U.S. and Latin America.

    Showtimes are at 7:00 PM and 8:30 pm. Tickets: $25 advance / $30 day of show. For more info, call (212) 477-9462 or visit http://zincjazzcom.
  • “Silvano is a masterful pianist and composer, but make no mistake here, you are taking a journey into the soul of a courageous and deep human whose gift involves much more than his incredible facility on the piano.” —Downbeat

    Acclaimed Venezuelan jazz pianist Silvano Monasterios brings his trio to the Zinc Bar for a splendid evening of jazz piano. He’s supported by bassist Ricky Rodriguez and drummer Jimmy McBride.

    Pianist-composer Silvano Monasterios was born in Caracas, Venezuela. He spent his formative years of training at the Jose Angel Lamas Conservatory while he alternately encountered the great American jazz tradition in all its diversity. He promptly began his professional career at the age of 18, combining these influences by performing and recording with some of the most prominent Venezuelan artists of the time.

    In 1989, Silvano traveled to Miami, Florida, to participate in the Miami Jazz Festival, where he received a “Best Soloist Award.” By 1990, he had immigrated to the United States to make use of a scholarship from Miami-Dade College. More recognition followed with another “Outstanding Soloist Award” at the University of Colorado in 1991 and then a music scholarship from the University of Miami, from which he earned a Bachelor of Music degree in 1995. In 1998, Silvano was voted “New Artist of the Year” at the Hennessey Cognac Jazz Search in New York City, which led to a slot at the Playboy Jazz Festival where he engendered many new friends and fans. This year also marked the release of his first CD, “Roads Not Taken”, prompting more critical interest in the U.S. and Latin America.

    Showtimes are at 7:00 PM and 8:30 pm. Tickets: $25 advance / $30 day of show. For more info, call (212) 477-9462 or visit http://zincjazzcom.
  • Terence Blanchard isn’t your average jazz musician—the world-renowned trumpet player and festival alum is also a prolific Academy Award-nominated film composer and an exciting new voice in the opera world. For his latest album Absence, his electro-acoustic quintet E-Collective joins forces with violinist David Balakrishnan’s Turtle Island Quartet. Their Charlie Parker Jazz Festival performance will feature works from the Wayne Shorter tribute album, which features five compositions from the legendary saxophonist. They’re joined by the jazz bassist Buster Williams, who has played with a Who’s Who of jazz greats from Mary Lou Williams to Herbie Hancock, and is the subject of the JazzTimes Documentary Film of the Year, Bass to Infinity. Buster will play with his all-star quartet Something More. Vibraphonist Nikara Warren will perform her album Black Wall Street, which melds hip-hop, jazz, neo-soul, and Afro-Caribbean rhythms into an abstract sound-collage that “take pieces of black music and give it a platform to show black musical beauty.” Vuyo Sotashe, a South African jazz vocalist, is making his mark in the New York jazz scene.

    This engagement of Buster Williams & Something More is made possible through the ArtsCONNECT program of Mid Atlantic Arts with support from the National Endowment for the Arts. 
  • Saxophonist Bill Saxton and His Harlem All-Stars return to the Englewood Public Library on Thursday, July 14th at 7:30 p.m. on the library’s front lawn and plaza. This will be the 4th installment in the library’s 10th annual jazz concert series “Jazz Under the Stars.” The concert series is free and open to the public. No registration is needed, but library parking is very limited. In case of inclement weather, the concerts will be held at St. Paul’s Episcopal Church one block north at 113 Engle St.
    Bill Saxton has composed more than 80 musical compositions. Tunes such as Beneath the Surface, One for Booker and Priorities earned a three star rating and critical acclaim in Downbeat, BeBop, and Beyond magazines.
    Saxton has toured with the US State Department extensively in West Africa. He went on to play across Europe and into Japan and the Caribbean. Among his many honors and accolades, Saxton was honored by the White House during Black Music Month, the Harlem Jazz Museum has featured his life, and The Library of Music at New York’s Lincoln Center housed his induction as a Jazz Legend.
    Bill rejuvenated a historical jazz landmark when he opened “Bill’s Place” in 2006. Saxton has since devoted a considerable portion of his creative energies to managing and playing at the club, while continuing to appear on recordings as a sideman.
    The lineup for the rest of the jazz series is as follows:
    July 21-- Frank Noviello
    July 28--Camille Thurman & Darrell Green
    August 4—The Vince Ector Group
    August 11--Mark Gross
    August 18--Chris Beck
    August 25--Sharp Radway
    For further information, visit the Library’s website at www.englewoodlibrary.org. The Englewood Library is located at 31 Engle St., Englewood, N.J.
  • Acclaimed jazz pianist Ethan Iverson brings his formidable trio to Zinc for a splendid evening of jazz piano.

    Pianist, composer, and writer Ethan Iverson was a founding member of The Bad Plus, a game-changing collective with Reid Anderson and David King. The New York Times called TBP “…Better than anyone at melding the sensibilities of post-60’s jazz and indie rock.” During his 17-year tenure TBP performed in venues as diverse as the Village Vanguard, Carnegie Hall, and Bonnaroo; collaborated with Joshua Redman, Bill Frisell, and the Mark Morris Dance Group; and created a faithful arrangement of Igor Stravinsky’s The Rite of Spring and a radical reinvention of Ornette Coleman’s Science Fiction.

    Iverson also has been in the critically-acclaimed Billy Hart quartet for well over a decade and occasionally performs with an elder statesman like Albert “Tootie” Heath or Ron Carter. For over 15 years Iverson’s website Do the Math has been a repository of musician-to-musician interviews and analysis, surely one reason Time Out New York selected Iverson as one of 25 essential New York jazz icons: “Perhaps NYC’s most thoughtful and passionate student of jazz tradition—the most admirable sort of artist-scholar.”

    Showtimes are at 7:00 PM and 8:30 pm. Tickets: $30 advance / $35 day of show. For more info, call (212) 477-9462 or visit http://zincjazzcom.
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