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Holiday Dance Party with Eight to the Bar! Live Band and Dinner! Holiday Dance Party at Madison Beach Hotel featuring Eight to the Bar Swing Band. Perfect for small companies, couples and anyone that wants a holiday night out! Live Band , Dancing, Dinner Stations, Dessert! We've done all the work for you - booked the band, selected the date, created the menu. All you have to do is invite your friends to come out and celebrate the holiday season. Tickets: $103.06 INCLUSIVE per person | EventBrite ticketing fees additional. includes 20% administrative fee and CT Sales tax of 7.35%. EventBrite fees are added when you complete your ticket purchase. Menu includes passed hors d'oeuvres upon arrival, dinner stations and dessert. Cash Bar Seating Arrangements: When completing registration, please identify those in your your group so that we may seat your full party together. If you are purchasing tickets separately, please let us know who you would like to sit with. Seating will be arranged in tables of 8 and 10. Parking: Complimentary Valet Parking Attire: Festive Holiday Attire, Jackets 21+ Event MENU Reception Reception Display Artisan Cheese Display Fresh Fruit Garnish, Breads, Crackers Passed Hors d'oeuvres Mini Grilled Cheese with Tomato Bisque Shooter Mini Crab Cakes with Remoulade Sauce Beef Wellington with Bearnaise Sauce Edamame Pot Stickers with Sweet Soy Sauce Dinner Stations Boneless Baked Ham, whole grain honey aioli (Carving Station) Pan Seared Chicken Breast with Lemon Thyme Sauce Roasted Acorn Squash with Ratatouille, Israeli Cous Cous Spring Mixed Greens, Roasted Pecans, Dried Cranberries, Gorgonzola Warm Rolls and Butter Green Beans Almondine Mashed Potatoes Penne a la Vodka Dessert and Coffee All desserts hand-crafted by our in house pastry chef, Sylvain Pett Yule Log Spiked Egg Nog Trifle Assorted Holiday Mini Cupcakes *Menu subject to change based on supply chain and available inventory. COVID Aware: For this gathering, we are requesting that all attendees attest to being fully vaccinated. We are following all current state, local and CDC guidelines. Masks are currently not required for those that are fully vaccinated.

The Calvin Hill Group will be performing the initial concert in the Englewood Public Library's 10th annual Summer Jazz Concert Series - "Jazz Under the Stars". This acclaimed series will be take place every Thursday evening at 7:30 from June 23 through August 25 on the library's front plaza. The concert series is free and open to the public. No registration is needed, but library parking is very limited.
In case of inclement weather, the concerts will be held at St. Paul’s Episcopal Church one block north at 113 Engle St.
Bassist, Composer, Arranger, and Educator Calvin Hill was born in Bridgeport, Connecticut, and started the study of music at 10 years of age. Hill played trumpet, trombone, and saxophone in school bands, and switched to bass his last year of high school. Mr. Hill received a Bachelor of Arts in Music Education from Berklee College of Music. He has also received a Master of Special Education from Hunter College.
Calvin's first musical experiences were on the Boston music scene, where he became the regular bassist in the area's nightclubs. This enabled him to perform with a wide variety of artists, everyone from Billy Eckstine, Mel Torme, Mose Allison to John Lee Hooker the Kirby Stone Four and Matt Monroe. While in Boston, Calvin met and played with Joanne Brackeen, whom he continues to play with today.
Hill moved to New York in 1969. His first big gig was with the McCoy Tyner Quartet. Calvin recorded Sahara with the group. The record was voted Album of the Year by the critics at Downbeat magazine.
Calvin has been a member of the groups of Pharaoh Sanders, Betty Carter, George Coleman, James Moody, Chet Baker, Junior Mance and Max Roach. Hill is still an active studio musician and also tours and works with various artists, including the Spirit of Life Ensemble, as well as his own Quartet or Quintet.
Hill's own 2005 CD release I Can't Give You Anything But Love was a critical success and is available in the Englewood Library through the BCCLS system.
For further information, visit the Library’s website at www.englewoodlibrary.org.
The lineup for the rest of the jazz series is as follows:
June 30-- The Darryl Yokley Band
July 7--Richard Barrata: The 3 B’s +2
July 14-- Bill Saxton
July 21-- Frank Noviello
July 28--Camille Thurman & Darrell Green
August 4—The Vince Ector Group
August 11--Mark Gross
August 18--Chris Beck
August 25--Sharp Radway

For further information, visit the Library’s website at www.englewoodlibrary.org.The Englewood Library is located at 31 Engle St., Englewood, N.J.

Karen Borca - bassoon / William Parker - tuba / Hilliard Greene - bass / Jackson Krall - drums To continue safely serving our community of artists and audience members, Arts for Art is filming and releasing new performances on Tuesdays and Thursdays in January, February, and March. A pay-what-you-can donation is required to view each video. All donations will go towards AFA’s Artists & Friends Campaign. About Karen Borca: Karen Borca was one of the first musicians to make a mark pioneering the bassoon as a front line instrument in Avant-Garde Jazz and Free Jazz. Borca studied music at the University of Wisconsin with John Barrows and Arthur Weisberg, graduating in 1971. While at the University of Wisconsin, she met Cecil Taylor, who taught at the university during the 1970/1971 academic year. Borca studied with Taylor, played in his big bands, ensembles, and the Cecil Taylor Unit, and was his assistant while he worked in the Black Music Program at Antioch College in Yellow Springs, Ohio. She was an assistant to Taylor's longtime collaborator, saxophonist Jimmy Lyons, while he was artist-in-residence at Bennington College in Bennington, Vermont in 1974. Borca married Mr Lyons and played with his ensemble until he died in 1986. She has performed with her own bands in the U.S and Europe, including The Berlin Jazz Festival, The Vision Festival,Jazz Happening in Finland, The Taktlos Festival in Switzerland, The Vision Festival in NYC,The Newport Festival Salute to Women in Jazz and many other clubs, Concerts and venues. She was a featured artist in the international women’s orchestra of soloists and composers, Canaille, which performed at the Calouste Gulbenkian Art Foundation in Lisbon, Portugal. She is recorded with her band, CecilTaylor, Jimmy Lyons, Bill Dixon, William Parker, Paul Murphy and others. She was an Artist-in-Residence at the Jyderup Accordeontrat in Denmark in Oct of 2016. More recently on Oct.5, 2019 she performed her compositions/improvisations with her band, the Karen Borca Quartet at Jazz at Atlas in Newburgh, N.Y.. Also on Oct. 24th & 26th 2019, Karen Borca arranged and orchestrated the music of Cecil Taylor for the Karen Borca Big Band. She rehearsed the group and conducted a performance of Mr Taylor’s music with that group for the conference Unit Structures-The Art of Cecil Taylor in New York City. On December 1st, 2020 Borca’s group, including William Parker, Hilliard Greene and Newman Taylor Baker, played a live stream video with Arts for Art celebrating the birthday of Jimmy Lyons. Karen played with Willian Parker and NewmanTaylor Baker at a Riverside Park sculpture on Sept. 12,2021, presented by the Jazz Foundation of America. And, on Oct. 24, 2021, she performed with Hill Greene and Jackson Krall at St Mark’s Church , and later that day at the Catalytic Sound Festival with Fred Lomberg-Holm and Michael Wimberly, at the Fridman Gallary NYC.

Join award-winning pianist and composer Charu Suri, who became the first Indian jazz artist to premiere an evening of work at Carnegie Hall, in an evening of her music that draws from her native Indian rhythms and ragas (modal scales), in an enthralling, energetic and soulful musical experience unlike anything you’ve heard, with glorious Sufi singing on top of it all.

Praised by GRAMMY winners and a winner of several awards for her work, Suri’s ensemble pulls you deep into the heart and soul of the East while pushing the boundaries of a jazz trio. Lyrics or ghazals sung by Falsa, and percussion by Jesse Gerbasi.

Pianist and composer Charu Suri treads fearlessly between genres, pulling global influences that range from the mood-anchoring Indian ragas, Sufi music, to the trio. Her ground-breaking albums, The Book of Ragas, and its sequel, The Book of Ragas vol. 2 have often elicited the response, "I've never heard this type of sound before."

One of the few female composers from India to perform work at Carnegie Hall, Charu has lived in four continents, and writes music that reflect her journey as both a traveler and her training as a classical music piano prodigy. She has been playing the piano since the age of five, and performing since the age of nine, and one of her best memories is winning an international piano competition at the age of 15.

What started purely as an experiment with her "Book of Ragas" has turned into a niche that she is now increasingly becoming known for.

In her latest "Book of Ragas vol. 2," which was highlighted by Jazz at Lincoln Center as an August new release, Suri uses her native Carnatic and Hindustani ragas (modal scales) as the basis for lyrical and energetic piano improvisations, layered by Sufi singing. All About Jazz has praised her for creating a new sound, and her raga compositions have garnered her an Hollywood Music in Media nomination, an International Singer Songwriters Association gold record, and Global Music Awards as well as praise from fellow GRAMMY voting members.

But she is no stranger to the art of the Songbook too (attribute this to her listening to numerous records of Bill Evans and Billie Holiday as a kid). "The New American Songbook" has garnered many awards, including a "Band Single of the Year" crystal trophy for her song, Bluesy, awarded by the International Singer-Songwriters Association (ISSA) in 2021.

Charu has performed at Lincoln Center and other prestigious concert halls around the world, including St. Croix in the U.S. Virgin Islands. She often performs with her band, and sometimes as a soloist.

In January, Jazz Power Initiative (JPI) welcomes Cocomama in performance, with Jennifer Vincent, bass, Mayra Casales, percussion, Nicki Denner, piano, Ariacne Trujillo, voice, Reut Regev, trombone and Rafael Monteagudo, drums, and hosted by Jazz Power Initiative’s Managing and Artistic Director Eli Yamin. Presented at The National Jazz Museum in Harlem, our INTERGENERATIONAL JAZZ POWER JAM series continues live on Sunday, January 16, 2022. Due to COVID-19 restrictions, audience attendance at the museum is very limited; for more information, please contact us at: info@jazzpower.org. Our January Intergenerational Jazz premieres online for virtual audiences on Sunday, January 16, 2022 at 2pm. Sign up to tune in through Facebook and YouTube at: jazzpower.org/powerjam. A virtual United Nations of women, members of Cocomama hail from around the globe gathering their influences from far and wide. Latin jazz, salsa, soul, Afro-Cuban and R&B, Afro-Cuban are among the items on the menu whenever they hit the stage creating a sound that is all at once fierce and beautiful! Celebrating their new album “Woman’s World,” the music strives to uplift and empower as evidenced by the lyrics of their song “Quiero” which states, “Follow your heart; find your passion, open your mind for destiny is in your hands.” “I am super excited to be able to bring Cocomama, a band that I co-lead with pianist Nicki Denner and percussionist Mayra Casales, to the Jazz Museum through Jazz Power Initiative!!! Although Cocomama orients itself around Cuban and other South American & Caribbean influences, Nicki and Mayra and I all have roots firmly planted in jazz. We are honored to be able to present a performance that will heavily emphasize our jazzier side.” Jennifer Vincent, bassist and co-leader, Cocomama. INTERGENERATIONAL JAZZ POWER JAM is presented by The National Jazz Museum in Harlem and produced by Jazz Power Initiative, a Northern Manhattan community arts non-profit organization for jazz music education and performance. We thank all of our supporters: The New York State Council for the Arts; The New York City Department of Cultural Affairs; the New York City Council; The Miranda Family Fund, and our individual donors. The National Jazz Museum in Harlem is a museum dedicated to preservation and celebration of the jazz history of Harlem, Manhattan, New York City. Their vision is to make jazz accessible to everyone on the planet. They are a living, evolving museum for the people, center for jazz and a place in Harlem where visitors gather to enjoy history and music, and where artists come to play, rehearse, create or drop-in, even when no one else is there, just to be in the space that so many others have passed through.

NEW MONTHLY LIVE EVENT 'GRASS ROOTS' CONTINUES! Thu Mar 03 (7pm-12am/Free Entry) - New 1st Thurs monthly Live jazz night GRASS ROOTS brings more audio heat to the lounge, featuring TJOE and NTBM (NOT TO BE MISSED) Live. GRASS ROOTS serving as a platform for promising artists to 'polish their chops and play their own choons'. These fresh and fully inclusive sessions are a must attend for patrons and participants alike, Free Entry on the 1st Thursday of each month at The CLF Art Lounge and Roof Garden. www.clfartlounge.com/upcoming-shows Catch the future stars of the live jazz, soul and funk scene, right here, right now! Hosted and curated by eclectic veteran DJ Mr Boogie/Soulsa, this is one show that you definitely don't want to miss! TJOE and NTBM (Not To Be Missed) Live - Band On stage around 830/9pm NTBM (Not-To-Be-Missed) are an original jazz collective led by Tjoe Man Cheung, a Hong Kong native guitarist and composer, and formed by international emerging artists. The group aspires to compose original jazz tunes and perform globally. From Asia to Europe, NTBM brings groovy urban jazz music that creates by string instrument, brass instrument and percussion presented by dynamic line-ups. Tjoe and Not To Be Missed are: Tjoe Man Cheung on guitar/leader, Marco Marotta on tenor saxophone, Grifton Forbes-Amos on trumpet, Ben Crane on bass guitar and James Morgan on drums. About Grass Roots Grass Roots is a monthly live music affair which began life at The Vortex Jazz Club in March 2019 before briefly relocating to Notting Hill Arts Club in August 2021, now a resident monthly event at The CLF Art lounge Grass Roots runs: 1st Thu each month Doors + Food: From 5pm Live show + DJ: 7pm - 12am (In The Lounge) Entry: Free (however we recommend you book a table to guarantee your space) Book: www.clfartlounge.com/book Walk-Ins Welcome! See you deep inside or up on the roof X URLs: Facebook: https://go.evvnt.com/1017788-2?pid=4480 Instagram: https://go.evvnt.com/1017788-3?pid=4480 Twitter: https://go.evvnt.com/1017788-4?pid=4480 Facebook: https://go.evvnt.com/1017788-5?pid=4480 Website: https://go.evvnt.com/1017788-6?pid=4480 Artists: Tjoe and NTBM (Not To Be Missed), Mr.Boogie/Soulsa

Indoors this Memorial Day weekend? Experience a virtual camp-themed weekend like no other at Camp Yampire! We're combining Zoom and Topia.io from May 29th-31st to celebrate art in all its beautiful forms at Camp Yampire: Life Imitating Art! Learn, move, play, create, and listen to live music with campers from around the world, hosted by Yam, Pie, and amazing guest camp counselors who have donated their time and talent to bring some free creativity and inspiration to your weekend. All "Zoomed" out in 2021? No worries, come join us in our virtual art gallery space on Topia - happening simultaneously with our sessions on Zoom - and chat, view art, and relax with fellow campers nearby thanks to spatial audio and video! After exploring on Topia, pop back to zoom anytime to catch an art-themed session from our excellent community of talented and knowledgeable guest camp counselors at Camp Yampire: Life Imitating Art! Camp Yampire is open to all ages but was created for adults and has many elements of traditional summer camp - activities range from painting, baking, video games, workouts, and language classes, to easy crafts, live music, happy hours and self-care sessions, trivia nights, scavenger hunts, glow dance parties, e-smores, and more! Self-isolation and social distancing are still very much a thing for 2021, and we've got your back. Treat Camp Yampire like a festival, with multiple workshops and sessions going on in Zoom breakout rooms at the same time - visit any or all, and stay as long as you'd like. We will have party games all weekend, as well as a studio shared space to work on your art in the company of fellow campers. Your camp counselors, Yam & Pie, are online from 4PM-12AM EDT on Saturday, 4PM-10PM EDT on Sunday, and 4PM-8PM EDT on Monday, with a new activity to immerse yourself in every half-hour. This Memorial Day weekend, there are 80 free, fun, and family-friendly things to do on Zoom & Topia! Our main events for Camp Yampire: Life Imitating Art: - 24 Hour Filmmaking Challenge - BIPOC Poetry Salon - Surrealist Art Gallery Opening - S.T.A.G.E. Interactive Board Game - Paint & Glow Dance Parties - Arthaus Yampire - Camper Art Showcase - Virtual Museum Tours - Art-themed Indoor Scavenger Hunt - Rainbow Watercolor Happy Hour - Dance Lessons with a Professional Choreographer - Art-themed Trivia - A Day in the Life of a Playwright - Campfire Storytelling: Collaborative Stories - Broadway Murder Mystery - Postcards You'll Never Send w/Yam - Blacklight Body Painting AND so much more! See the schedule, camper supplies list, and register for free at CampYampire.com/lifeimitatingart

A formidable and consummately lyrical guitarist” – Time Out, New York “A limber and inventive guitarist, Ben-Hur keeps the modernist flame alive and pure, with a low flame burning in every note — Gary Giddins, The Village Voice An esteemed, redoubtably swinging guitarist on the New York City jazz scene for the past 35 years, Roni Ben-Hur has been immersed in the music of Charlie Parker, Dizzy Gillespie, Bud Powell and Thelonious Monk since arriving in the Big Apple from Israel in 1985. A protege of bebop piano legend, educator and 1989 NEA Jazz Master Barry Harris, Ben-Hur earned his reputation on the strength of such superb recordings as 1995’s Backyard (with the Barry Harris Trio), 1998’s Sofia’s Butterfly and 2001’s Anna’s Dance (which reunited him with his mentor Harris). A dedicated educator, he is also founding director of the jazz program at the Lucy Moses School at the Kaufman Center in Manhattan, which he established in 1994. Through his ambitious out- reach programs — his RBH Jazz Camps, which take place in Vermont during the summer and in the South of France in the spring and fall, and his popular online workshops and masterclasses — Roni has continued to pass on invaluable lessons to a new generation of aspiring jazz musicians. A multi-directional player, Ben-Hur first hinted at an affinity for Brazilian music on his 2005 album Signature, which included faithful renditions of Jobim’s “Luiza” and Heitor Villa- Lobos’ “Choro No. 1.” That fondness for the alluring rhythms and melodies of Brazil was also evident on 2007’s Keepin’ It Open, which balanced Monk and Elmo Hope tunes with bossa novas by Dori Caymmi and Djalma Ferreira, and on 2009’s Fortuna, which alternated between Great American Songbook numbers by Harold Arlen, Cole Porter and Irving Berlin and bossa novas by Jobim. Roni followed his Brazilian muse on 2011’s Mojave, a quartet date co-led by Trio da Paz bassist Nilson Matta, and 2015’s Alegria De Viver, a collection of intimate duets with legendary Brazilian singer Leny Andrade, once described as “the Sarah Vaughan of bossa nova.” His longstanding fascination with Brazilian music comes to full fruition on his 2020 album, Samba Do Arraial, Recorded in Sao Paolo. In his latest recording, Stories, released March 5, 2021 via Dot Time Records, the renown guitarist and composer, collaborated with some of the finest musicians on the international jazz circuit, sharing a fascinating collection of Stories from his genre-busting 40-year multicultural musical journey. Joining Ben-Hur is the legendary George Cables on piano, esteemed trumpeter Ingrid Jensen, the steadfast rhythm section with bassist Harvie S and drummer Victor Lewis, and special guest vocalists Magos Herrera and Tamuz Nissim. “A deep musician, a storyteller, Ben-Hur works with a warm, glowing sound and has an alluring way of combining engaging notes with supple rhythm.” Zan Stewart, The Star-Ledger Harvie S, bass and Tim Horner, drums Source:: http://www.ronibenhur.com

Join us as we kick off our annual Artists & Friends Fundraising Campaign with inspiring performances, featuring many of the groundbreaking Artists in our community.

Sets:
​Opening Big Band
Dan Kurfirst - drums / Daro Behroozi - reeds / Rodney Chapman - tenor / Dave Sewelson - baritone / Mike McGinnis - reeds / Claire deBrunner - bassoon / Daniel Carter - reeds, trumpet / Dick Griffin - trombone / On Ka Davis, Che Chen - guitar / Ken Filiano - bass / Lesley Mok - drums Andrea Wolper, Lisa Sokolov - vocals

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Luke Stewart - bass / Heru Shabaka-Ra - trumpet / Daniel Carter - reeds, trumpet / Tcheser Holmes - drums

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Poets: Patricia Spears Jones / Zigi Lowenberg

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Ava Mendoza - guitar / Rob Brown - alto sax / Jason Kao Hwang - violin William Parker - bass / Tcheser Holmes - drums

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Aakash Mittal - sax / gabby fluke-mogul - violin / Leo Chang voice, percussion Ken Filiano - bass / Dan Kurfirst - drums

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Cooper-Moore Solo

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Ahmed Abdullah - trumpet / Monique Ngozi Nri - voice / Sam Newsome - soprano sax / Daniel Carter - reeds, trumpet / William Parker - bass Francisco Mora Catlett - drums / Davalois Fearon - dance

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James Brandon Lewis - tenor sax / Eri Yamamoto - piano / Brandon Lopez - bass / Michael TA Thompson - drums

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Poets: Raymond Nat Turner / Yuko Otomo

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Avram Fefer - alto sax / Dick Griffin - trombone / Dave Sewelson - baritone sax Luke Stewart - bass / Michael Wimberly - drums / Lesley Mok - drums

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Voices: Lisa Sokolov, Andrea Wolper, Ellen Christi, Kyoko Kitamura Patricia Nicholson - text / Eri Yamamoto - piano / Michael TA Thompson - drums

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Mara Rosenbloom - piano / Karen Borca - bassoon / Mike McGinnis - reeds Leo Chang - voice, percussion / Whit Dickey - drums

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William Parker Finale
Rob Brown - alto sax / Dave Sewelson - baritone sax Aakash Mittal - reeds /James Brandon Lewis - tenor sax / Daniel Carter - reeds, trumpet / Dick Griffin - trombone / Aquiles Navarro - trumpet / Jason Hwang, gabby fluke-mogul - violin / Lisa Sokolov, Andrea Wolper, Ellen Christi, Kyoko Kitamura - voices / Eri Yamamoto - piano / Brandon Lopez, Ken Filiano - bass Michael Wimberly, Juan Pablo Carletti - drums - Dance: Davalois Fearon, Patricia Nicholson and others…

The 92nd Street Y, New York (92NY), one of New York's leading cultural venues, presents Eric Owens, bass-baritone, and singers from the Curtis Opera Theatre, on October 25, 2022 at 7:30pm ET at the Kaufmann Concert Hall. The concert will also be available for viewing online for 72 hours from time of broadcast. Tickets for both the in-person and livestream options start at $25 and are available at 92ny.org/event/eric-owens-and-curtis-opera-theatre-singers.

When Metropolitan Opera regular Eric Owens isn't performing on the stages of international opera houses, he's teaching and advising the next generation of vocal artists at Philadelphia's Curtis Institute of Music – the school that launched him 25 years ago. Owens joins for Brahms' Neue Liebeslieder Waltzer (New Love Songs) as well songs of Brahms, Schubert, Lerner & Loewe, and other operatic repertoire, including performances with Sarah Fleiss, Lucy Baker, and Joseph Tancredi, from Curtis Opera Theatre — proven springboard for careers on the stage of La Scala, Covent Garden, The Met and more. Hear them here first, alongside Owens and pianists Miloš Repický and Ting Ting Wong.

Program:
Brahms, Liebe und Frühling I, Op. 3, No. 2
Brahms, Liebe und Frühling II, Op. 3, No. 3
Brahms, Meine Liebe ist grün, Op. 63, No. 5
Brahms, Von ewiger Liebe, Op. 43, No. 1
Schubert, Der Tanz, D. 826
Schubert, Licht und Liebe, D. 352
Brahms, Neue Liebeslieder, Op. 65
Bernstein, "What a Movie" from Trouble in Tahiti
Britten, "Tell Me the Truth About Love" from Cabaret Songs
Rodgers/Hammerstein, "If I Loved You" from Carousel
Lerner/Loewe, "If Ever Would I Leave You" from Camelot
Bizet, "Au fond du temple saint" from Les pêcheurs de perles
R. Strauss, "Mir ist die Ehre widerfahren" from Der Rosenkavalier
Verdi, Quartet: "Un dì, se ben rammentami...Bella figlia dell'amore" from Rigoletto

Sarah Fleiss, soprano
Lucy Baker, mezzo-soprano
Joseph Tancredi, tenor
Eric Owens, bass-baritone
Miloš Repický, piano
Ting Ting Wong, piano