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In the second part of our story about WHER, the nation's first all-girl radio station, we hear how the station evolved from all-music to a more news and talk driven format, as the world changed around them.

A roundup of key developments and the latest in-depth coverage of Russia's invasion of Ukraine.

NPR's Scott Simon remarks on how parents have felt hard times compounding for the last several years between pandemic disruptions and inflation, and now fears over school shootings.

In his short but brilliant career, he pioneered a new standard of rapid-fire virtuosity on the electric bass and helped bridge the jazz and pop music of his day. Close collaborators offer a retrospective on Jaco Pastorius.

The musical group Soulfege is making a name for themselves with their eclectic mix of West African, reggae and hip-hop music. Members of the group recently visited NPR for an in-studio performance of some of their biggest hits. The band talks about their commitment to making music with a positive message.

In the pre-apocalyptic love song "The Temptation of Adam," Josh Ritter demonstrates his considerable gift for subtle, warmly evocative turns of phrase. As the song unfolds, he revels in the simplicity of the end times, acknowledging that romance is easier when it unfolds in isolation.

Singer Tierney Sutton burst onto the scene in 1999 with rave reviews for her first solo album, Introducing Tierney Sutton. Five albums later, critics and fans continue to marvel at her delicate, reflective vocal style. Hear an interview and performance on Piano Jazz.

Palacio, who died Jan. 19, was known as much for his music as for his impact on Belize and the promotion of its rich traditions and cultures. With Watina, he stripped down his music to connect more with the true sound of his home country. Hear an interview and performance.

Radiohead guitarist Jonny Greenwood has helped push the boundaries of rock music by integrating electronics and decidedly un-rock sounds. From the Wordless Music Series recorded by WNYC, Greenwood offers the U.S. premiere of his orchestral work, Popcorn Superhet Receiver.

When The Mars Volta purchased a ouija board in a Jerusalem curio shop and began to use it, the band had no idea how much it would affect its recording. Listening to The Bedlam in Goliath, the paranormal talk might not seem like such a publicity stunt.