The Checkout

Butcher Brown — a group of five sophisticated musicians from Richmond, Va. — upholds a self-professed blue-collar approach to music. Stylistically speaking, that music falls somewhere on the spectrum between jazz, rock and funk.

The meteoric rise of James Francies is no surprise to anyone embedded in New York’s thriving jazz scene. 

Besides celebrating his auspicious debut, Flight, on Blue Note Records, this multi-pronged pianist keeps an ambitious touring schedule with guitarist Pat Metheny and others. On this edition of My Music, Francies — a Houston native at ease in many settings, from jazz to electronic music to hip-hop — tells his story. 

Mark de Clive-Lowe, the Los Angeles-based live-electronics pioneer, is half-New Zealander and half-Japanese. He has lately turned his focus to his Japanese heritage — on a new album and on this episode of The Checkout, from the Berklee College of Music.

Last fall, The Checkout presented Thiefs in concert at Nublu in the East Village. The French-American jazz ensemble with a hip-hop edge takes on some of the concerning issues of today — specifically the rise of racism in Western society. Watch the band perform four thought-provoking compositions, including two song premieres, which are coming to their forthcoming album.

It makes sense that Nellie McKay would find a close kinship with the late NEA Jazz Master Bob Dorough. Despite being separated by nearly 60 years in age, both artists found a niche for their quirky and original songs. The duo made one memorable recording together and also toured the world.

On this edition of The Checkout, Nellie McKay pays tribute to her favorite hipster sidekick, who passed away last April. 

There are many theories as to why jazz is cool again.

Perhaps we’re not giving enough credit to Brainfeeder, the genre-agnostic indie label founded by composer-producer Flying Lotus. Ten years have passed, and one thing is clear: the L.A. based company has been steadily boosting jazz’s prospects and giving the music a healthy makeover. Today we listen back to some of its early recordings, and shine a light on two of its rising stars, Brandon Coleman and Jameszoo.

Anniversaries can be a time for reflection, and taking stock of where we’ve been. So in celebration of WBGO's 40th anniversary, this episode of The Checkout dips into the archives, recalling the era when it was hosted and produced by its founder, Josh Jackson.

Alina Engibaryan is a contemplative singer, keyboardist and composer whose musical roots go back to her childhood in Russia.

Her grandfather, Nikolay Goncharov, was a master jazz drummer in an era when jazz was perceived as “the devil’s music.”

When Jason Lindner became embedded in New York’s jazz scene in the mid 1990s, he led an underground big band. These days, he's paving the way for a new breed of jazz synth artists, with the same renegade spirit.

On this episode of The Checkout, Lindner — the former keyboardist for David Bowie, trumpeter Avishai Cohen and so many others — speaks about his artistic growth, as expressed on The Buffering Cocoon, his third release with the band he calls Now Vs. Now. 

A few years ago, the Trinidadian jazz trumpeter Etienne Charles released A Creole Christmas, a brilliant musical meld of Christian hymns, Venezuelan parangs, and island calypsos. He brought that festive sound into our studio in 2016, leading a sharp and versatile band.

It’s been a decade since pianist Aaron Parks released his debut album, Invisible Cinema, which blurs the line between jazz and rock. After a prolonged absence from that sonic trajectory, he has issued an update with Little Big. He and his band came into our studio this week to perform live on The Checkout.

Amir ElSaffar, a Chicago-born jazz trumpeter and composer, incorporates Iraqi musical traditions in his 17-piece Rivers of Sound orchestra.

Has jazz ever sounded so varied and diverse?

In this Checkout podcast, Nate Chinen — WBGO’s director of editorial content, and the author of Playing Changes: Jazz for the New Century — reckons with the music’s current moment and how we got here.

Maurice “Mobetta” Brown ends his late-night residency at the Blue Note Jazz Club on Saturday, and performs on Winter’s Eve at Lincoln Square, New York’s largest holiday festival, on Monday.

Earlier this year guitarist Julian Lage released Modern Lore, the second album to feature his trio with Scott Colley on bass and Kenny Wollesen on drums. The group appears at the Music Hall of Williamsburg on Nov. 29.

Lage, a former child prodigy, recently brought the trio to WBGO to play some of the tunes from Modern Lore, and talk about the mentors who have shaped his experience in music: guitar maestro Jim Hall, whom he met at age 11 and later toured with; vibraphonist Gary Burton, who brought him on tour as a teenager; and composer and saxophonist John Zorn, who has been a more recent collaborative influence.

While the #MeToo and Black Lives Matter movements have shaped the debate in the United States, our neighbor, Canada, is going through its own cultural awakening and moment of reckoning. Rising stars like Jeremy Dutcher are giving its mistreated indigenous population a voice through music.

For years, Justin Brown has been a drummer in high demand, constantly on the road with the likes of Thundercat and Ambrose Akinmusire. At the same time, he’s been carefully writing his own compositions, and plotting his debut as a bandleader.

He released his debut album, NYEUSI, in June — and heralded its arrival with a show jointly presented by WBGO and Revive Music.

All too often, great jazz talent overseas goes underappreciated in the United States. The Checkout spotlights two such figures: guitarist Philip Catherine, a legendary guitarist who once collaborated with Chet Baker and Dexter Gordon; and pianist Fulco Ottervanger, an exciting up-and-comer now making waves. I spoke with both artists onstage at Jazz Middelheim, a summer festival in Antwerp, Belgium.

Mark de Clive-Lowe is a grand pianist and jazz technologist who fuses acoustic and electric sounds. Along with his keyboards and live electronics, his band on tour features Teodross Avery on saxophones, Corbin Jones on bass, and Gene Coye on drums.

Kamasi Washington’s Heaven and Earth Tour reached New York City on Tuesday, with a stop at Brooklyn’s Barclays Center opening for Florence and the Machine. Over the summer we spoke with the Herculean saxophonist about some of his most important early music influences — from Art Blakey to Busta Rhymes to Stravinksy — during an onstage conversation at Jazz Middelheim in Antwerp, Belgium.

You probably know Nile Rodgers for his trailblazing work in disco, and as producer behind some of the 20th century’s most enduring pop songs. Did you also know that Rodgers started out as a jazz musician? At this summer’s North Sea Jazz Festival in the Netherlands, author Ashley Kahn sat down with the formidable guitarist, composer, arranger and producer to discuss his jazz roots.

This past summer the Montreal Jazz Festival featured drummer Mark Guiliana in its Invitation series, presenting three different projects over three nights at the Church of the Gesù. 

Billy Martin of Medeski, Martin & Wood, arguably the most accomplished jam band on the planet, expands his universe in adventurous music-making. Tonight, the drummer joins the contemporary chamber ensemble Alarm Will Sound in their New York premiere of Omnisphere at Brooklyn Steel during Winter Jazzfest.

A heavy groove drummer who has never been shy in incorporating exotic sounds — from bamboo rain sticks to Tibetan bowls — Martin is now ready to make his mark in contemporary classical music.

As we continue to remember pianist and composer Randy Weston, who died on Sept. 1, we’re reminded of his devotion to the motherland, Africa. But how many people know about his ties to Central America — and in particular, his deep connection to Panama?

The Cuban mambo group Orquestra Akokán visited our studio at WBGO yesterday. In this Checkout podcast, you'll hear their full performance, and my conversation with two co-leaders from the band.

Before Adrian Younge was writing orchestral music with a hip-hop flair, he was a law professor by day and a DJ by night. During this period, he became obsessed with classic soul from 1968 to 1973 — music that he says resonated in ways this country had never seen before. Younge, a multi-instrumentalist from Los Angels, aspires toward a similar feeling on his new album, The Midnight Hour, with Ali Shaheed Muhammad from A Tribe Called Quest.