Bill Frisell

Deneka Peniston

Take Five this week is packed with must-hear albums, just released or just ahead.

Monica Jane Frisell

Bill Frisell is no stranger to the solitary urge. Even in an ensemble setting, his graceful, inquisitive guitar playing can feel like the projection of an interior monologue. He’s a warm and generous collaborator but also a paragon of self-containment, complete unto himself.

Victor Diaz Lamish for FIJM

Especially at the finale of a great concert, an audience can become what I call The Beast. Insatiable.  Ravenous. Wanting more. And more. And more.

Artists often have an encore plotted, often playing the greatest of the greatest hits. But sometimes encores can become anti-climactic.

The essence of jazz is improvisation, it's often said. But there should also be a special clause for collaboration or communion — the magic that can happen when two or more are gathered to a creative end. Take Five celebrates that ideal this week, with results all over the stylistic map. Start with a fresh take on a tricky bebop head, and keep it moving.

Thomas Dorn

Vinicius Cantuária, the singer and guitarist from Brazil, has gone through many musical phases during his lifetime. He was a loud prog-rocker in his teens and early 20s, then a pop star in his 30s — writing songs for Caetano Veloso. These days, he's a Brooklynite who whispers the soft, sophisticated melodies of the genius composer Antonio Carlos Jobim.