Take Five

Take Five has several premieres this week, from artists smartly pushing forward.

John Coltrane’s momentous affiliation with Miles Davis was drawing to a close in March of 1960, when he agreed (with some reluctance) to embark on a three-week European tour.

The music made on that tour has circulated in various forms over the years, some of them informal and illicit. A few years ago the British label Acrobat released a boxed set called All of You: The Last Tour 1960. Columbia/Legacy is about to issue a collection of similar heft, titled The Final Tour: The Bootleg Series, Vol. 6.

François Moutin & Kavita Shah, "You Go to My Head"

If you keep up with the modern-jazz mainstream in New York, you probably know François Moutin as a bassist who combines quicksilver agility with growling combustion. You may not yet be familiar with Kavita Shah, a singer grounded in the fundamentals but also brimming with fresh ideas.

August Greene, “Black Kennedy”

Black excellence is a welcome and pressing topic of conversation at the moment, as Black Panther wraps up a record-breaking box office weekend and its soundtrack, spearheaded by Kendrick Lamar, debuts at Number 1. For Common, another rapper with a strong moral compass, the subject also provides a natural through-line on “Black Kennedy,” the luminous new track from August Greene.

Christian Sands, “J Street”

Last year, pianist Christian Sands released an album aptly titled Reach. Among other things, it was a demonstration of that very idea, showcasing Sands’ flexibilities of intention and style. Now there’s a new EP on the horizon that seems likely to expand the canvas still farther, judging by this track, an exclusive premiere.

Kris Davis and Craig Taborn, "Love in Outer Space"

Take Five presents a roundup of five new holiday tunes, with a throwback bonus.

Julian Lage Trio, “Atlantic Limited”

Not too long ago, Julian Lage formed a first-rate trio with bassist Scott Colley and drummer Kenny Wollesen, casting it loosely in the image of a similar unit led by his chief guitar hero, Jim Hall. The band released its debut album, Arclight, last year, coming in for some just acclaim. Now there’s a follow-up on the horizon: Modern Lore, which Mack Avenue will release on Feb. 2.

Holiday shopping, or a personal splurge? Here are five good reasons to spend your money.

Marquis Hill, “Coming Out Of The Universe”

Ron Miles, “I Am A Man”

There is always some big sky in the music of cornetist Ron Miles. That’s true as ever on his stunning new album, I Am A Man, due out on the Yellowbird label this Friday. You’ll also encounter a firm resolve, and a calm undercurrent of protest, in this album, which Miles named with the civil rights slogan in mind. He was thinking in part about “Condition Report,” a related piece by the contemporary artist Glenn Ligon, whose annotative scrawl is reprinted as a poem in the CD booklet.

Dizzy Gillespie, “Long Long Summer”

I listened to hours and hours of Dizzy Gillespie over the weekend — not an unprecedented act, though it carried a little more purpose than usual. That’s because Gillespie, the immortal trumpeter, composer-bandleader and bebop progenitor, had his centenary on Saturday.

Take Five: new music by guitarist Pat Martino, pianist Marta Sánchez, trumpeters Dave Douglas and Christian Scott aTunde Adjuah, and drummer Tomas Fujiwara.

Take Five celebrates Monk at 100 with new tracks by Johnny O'Neal, Wadada Leo Smith, Barry Altschul and The 3Dom Factor, John McNeil & Mike Fahie, and Sam Newsome with Jean-Michel Pilc.

Christian McBride doesn’t need a big band to make a big impression, as he’s shown us countless times — on the bass, on the bandstand and in the booth. But when he finally did assemble a big band of his own, he saw  results: The Good Feeling, on Mack Avenue, won the 2011 Grammy for Best Large Jazz Ensemble Album.

David Virelles, “Fitití Ñongo”

Mystery is a great abiding constant in the music of the Cuban pianist David Virelles. Gnosis, his new album on ECM, literalizes that idea: its title alludes to spiritual knowledge of the sort that belongs to the ancients.

Fred Hersch, “Eronel”

Introspection has never been a hurdle for Fred Hersch, but the pianist is reaching new depths in that area lately. His glowing and revelatory memoir, Good Things Happen Slowly, publishes this week. And his gorgeous companion album, a solo effort bearing the perfect title {open book}, is just out on Palmetto.

Gary Peacock Trio, “Rumblin’”

Bassist Gary Peacock has been a model of inuitive equipoise since the 1960s, when he was working in trios led by pianists Clare Fischer, Bill Evans and Paul Bley. Over the last few years — since the dissolution of a marquee unit with Keith Jarrett and Jack DeJohnette — Peacock has led a fine piano trio of his own, which releases its second album, Tangents, Friday on ECM.