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  • A trio of amazing young musicians, from ages nine to 18, give jaw-dropping performances that will bolster your faith in the future of great music making.
  • From the 455 global health and development stories we posted on our blog in 2017, here are the top 10, ranked by pageviews.
  • The lady Gamecocks earned their first national title with a 67-55 win over Mississippi State. It's also a first for former player, Coach Dawn Staley, who had made several Final Fours in her prime.
  • Charles Donohoe, the leader of a North Carolina Proud Boys chapter, has pleaded guilty to conspiracy and agreed to cooperate with the federal investigation into the Jan. 6 attack on the US Capitol.
  • A K-pop blockbuster lands atop this week's Billboard albums chart, but it's not the one you might be expecting.
  • Works & Process, the performing arts series at the Guggenheim, is proud to present the world premiere of Third Bird, with a libretto and direction by Isaac Mizrahi, music by composer Nico Muhly (played by Ensemble Signal and conducted by Brad Lubman), choreography by John Heginbotham, and lighting by Brandon Stirling Baker. Performances are on Friday, June 3, 2022 at 6pm and 7:30pm; Saturday, June 4, 2022 at 2:30pm and 4pm; and on Sunday, June 5 at 2:30pm and 4pm. Each 30-minute performance will take place in the Frank Lloyd Wright-designedPeter B. Lewis Theater at the Solomon R. Guggenheim Museum. Recommended for Ages 5 and older. Full vaccination required for all. CAST Isaac Mizrahi, Narrator Marjorie Folkman, Duck Christine Flores, Bird Ramona Kelley, Zookeeper Lindsey Jones, Cat Daniel Pettrow, Ostrich Derrick Arthur, Ornithologist Norton Owen, Grandfather Gus Solomons Jr, Moon Since 2007, Works & Process has produced sold-out performances of Sergei Prokofiev's charming children's classic Peter & the Wolf directed and narrated by Isaac Mizrahi. After over one hundred performances, Mizrahi was inspired to create an homage to this iconic work, and during the pandemic Works & Process commissioned Third Bird. Highlighting a cast of eight, including a flying bluebird, a swimming duck, and a running ostrich, Third Bird celebrates each individual's unique strengths. Throughout the pandemic, Works & Process continued to provide opportunities for artists and pioneered the bubble residency making it possible for artists to safely gather and create. The spring 2022 season will feature the official world premieres of works created by New York artists – many representing historically marginalized performing arts cultures – and incubated during the peak of the pandemic inside 2020-21 Works & Process bubble residencies. Third Bird was developed in an April 2021 Works & Process bubble residency at the Catskill Mountain Foundation and a November 2021 Works & Process LaunchPAD "Process as Destination" residency at The Church, Sag Harbor. Alongside premieres of commissions, Works & Process will present performance excerpts and artist discussions about new works prior to their premieres at leading organizations including BAAD!, Federal Hall, Glimmerglass Festival, The Metropolitan Opera, and New York City Ballet. WORKS & PROCESS TICKETS  $35, $15 partial view. Pay-what-you-wish tickets are available for purchase online only at worksandprocess.org. Health and Safety Information Every audience member must be fully vaccinated and will be required to show proof in person of vaccination authorized by the FDA or WHO against COVID-19 before entering the theater. Proof of vaccination may include a CDC Vaccination Card (or photo), NYC COVID Safe app, New York State Excelsior Pass, NYC Vaccination Record, or an official immunization record from outside New York City or the United States. Full vaccination is defined as being two weeks or more after receipt of the second dose in a two-dose series, or two weeks or more after receipt of one dose of a single-dose vaccine. Visitors over the age of 18 will also be asked to show a photo ID. At this time, children under the age of 5, for whom there is currently no available vaccination, will not be permitted to attend this performance regardless of the vaccination status of their guardian. Bring your three-ply face mask, N-95, or equivalent to keep yourself and one another safe. All individuals will be required to wear a face mask at all times. There is no coat check; please do not bring bags. Do not attend if in the ten days leading up to the performance, you have tested positive or experienced COVID-19 symptoms or come into close or proximate contact with a confirmed or suspected COVID-19 case. If you are unable to attend due to COVID-19 exposure, please contact boxoffice@guggenheim.org in advance of the performance. An inherent risk of exposure to COVID-19 exists in any public environment where people are present. Those visiting the museum do so at their own risk of exposure. Commissioned by Works & Process, Third Bird was developed in a Works & Process bubble residency at Catskill Mountain Foundation in spring 2021, made possible through the generous support of The Andrew W. Mellon Foundation and Doris Duke Charitable Foundation. Subsequent development of Third Bird took place through Works & Process LaunchPAD "Process as Destination" residency at The Church, Sag Harbor. Music commissioning supported by the Ellis L. Phillips Foundation. Works & Process has received support from the U.S. Small Business Administration Shuttered Venue Operators Grant and Paycheck Protection Program and NYC Employee Retention Grant Program. Isaac Mizrahi Isaac Mizrahi has worked extensively in the entertainment industry as a performer, host, writer, designer and producer for over 30 years. He has an annual residency at Café Carlyle in New York City and has performed at various venues across the country such as Joe's Pub, The Regency Ballroom and several City Winery locations nationwide. The New York Times noted, "he qualifies as a founding father of a genre that fuses performance art, music and stand-up comedy." He is the subject and co-creator of Unzipped, a documentary following the making of his Fall 1994 collection which received an award at the Sundance Film Festival. He hosted his own television talk show The Isaac Mizrahi Show for seven years, has written three books, and has made countless appearances in movies and on television. He served as a judge on Project Runway: All-Stars for the series' entire seven-season run. Mizrahi has directed productions of A Little Night Music and The Magic Flute for the Opera Theatre of St. Louis. Mizrahi has his own production company, Isaac Mizrahi Entertainment, under which he has several projects in development in television, theatre and literature. His New York Times Bestselling memoir, I.M., was published in February 2019. helloisaac.com Nico Muhly Nico Muhly, born in 1981, is an American composer who writes orchestral music, works for the stage, music for film, chamber music and sacred music. He's received commissions from The Metropolitan Opera: Two Boys (2011), and Marnie (2018); Carnegie Hall, the Los Angeles Philharmonic, The Australian Chamber Orchestra, the New York Philharmonic, the Tallis Scholars, and King's College, Cambridge, among others. He is a collaborative partner at the San Francisco Symphony and has been featured at the Barbican and the Philharmonie de Paris as composer, performer, and curator. An avid collaborator, he has worked with choreographers Benjamin Millepied at the Paris Opéra Ballet, Bobbi Jene Smith at the Juilliard School, Justin Peck and Kyle Abraham at New York City Ballet; artists Sufjan Stevens, The National, Teitur, Anohni, James Blake and Paul Simon. His work for screen includes scores for The Reader (2008) and Kill Your Darlings (2013), the BBC adaptation of Howards End (2017) and Pachinko (2022). Recordings of his works have been released by Decca and Nonesuch, and he is part of the artist-run record label Bedroom Community, which released his first two albums, Speaks Volumes (2006) and Mothertongue (2008). nicomuhly.com John Heginbotham John Heginbotham is a Brooklyn-based choreographer, performer, and teacher. Mr. Heginbotham graduated from The Juilliard School in 1993 with a BFA in Dance, and was awarded the Martha Hill Prize for Sustained Achievement in Dance. From 1998 – 2012, John was a member of the internationally renowned Mark Morris Dance Group (MMDG). Mr. Heginbotham is active as a freelance choreographer, working frequently in the worlds of ballet, opera, and theater. In 2011, he founded a contemporary dance company committed to supporting, producing, and sustaining his choreographic work. In 2015, Mr. Heginbotham choreographed Daniel Fish's TONY Award-winning production of Rodgers and Hammerstein's Oklahoma! (Bard Summerscape, St. Ann's Warehouse, 2019 Broadway Revival, National Tour, London's Young Vic). In Spring 2020, as NYC went into lockdown, John and Dance Heginbotham shifted focus from preparing in-person performances to the creation of dance and theater works specifically for video, including the ongoing 24 Caprices project. Dance Heginbotham celebrated its 10th Anniversary in January 2022 with an in-studio performance at the historic Martha Graham Studio Theater. Following Third Bird, Dance Heginbotham will share a new work set to Holst's The Planets with the Greater Bridgeport Symphony in July, will return to Jacob's Pillow Dance Festival in August, and collaborate with The Knights in August at La Jolla Music Society's Summerfest 2022. Mr. Heginbotham is currently a Research Fellow at the National Center for Choreography at The University of Akron (NCCAkron). As a teacher, he offers dance master classes in the United States and abroad. He has taught at institutions including Princeton University, Barnard College, George Mason University, Laban Centre in London, School of Visual Arts, University of California, Berkeley, University of Illinois at Urbana-Champaign, and the University of Washington. Mr. Heginbotham is on faculty at Dartmouth College and is the Director of the Dartmouth Dance Ensemble, and is a founding teacher of Dance for PD®, an ongoing collaboration between the Mark Morris Dance Group and the Brooklyn Parkinson Group. danceheginbotham.org Ensemble Signal and Brad Lubman Ensemble Signal is a NY-based ensemble dedicated to offering the broadest possible audience access to a diverse range of contemporary works through performance, commissioning, recording, and education. Since its debut in 2008, Signal has performed over 350 concerts, premiered numerous works, and co-produced ten recordings. Signal was founded by Co-Artistic/Executive Director Lauren Radnofsky and Co-Artistic Director/Conductor Brad Lubman. Described by the New York Times as "one of the most vital groups of its kind" and "A new-music ensemble that by this point practically guarantees quality performances," Signal regularly performs with Lubman and features a supergroup of independent artists from the modern music scene. Lubman, one of the foremost conductors of modern music and a leading figure in the field for over two decades, is a frequent guest with the world's most distinguished orchestras and new music ensembles. signalensemble.org Brandon Stirling Baker Brandon Stirling Baker is an award-winning lighting designer working internationally in the areas of dance, opera and theatre. Baker has worked with a diverse group of directors, choreographers, composers and visual artists including Justin Peck, Savion Glover, Shepard Fairey, Sufjan Stevens, Jamar Roberts, William Forsythe, Anthony Roth Costanzo, Bryce Dessner, Daniel Buren, Eva LeWitt, George Condo, Pam Tanowitz, Alonzo King, Damian Woetzel, Karl Jensen, Marcel Dzama, Stephen Powers, Michelle Dorrance, and Benjamin Millepied. His lighting can be seen internationally in the repertories of New York City Ballet, American Ballet Theatre, San Francisco Ballet, Dutch National Ballet, Hong Kong Ballet, Finnish National Ballet, Berlin Staatsballet, Miami City Ballet, Joffrey Ballet, Pacific Northwest Ballet, Boston Ballet, Alvin Ailey American Dance Theater, Houston Ballet, Semperoper Dresden, Opera Philadelphia, Pennsylvania Ballet, Cincinnati Ballet, Paul Taylor's American Modern Dance, Los Angeles Dance Project and many others. Since 2010, Baker has been a frequent collaborator with Tony Award winning choreographer Justin Peck. Baker's lighting has been presented nationally and internationally by major venues including Lincoln Center, Kennedy Center, Walt Disney Concert Hall, Hollywood Bowl, Brooklyn Academy of Music, Theatre du Chatelet (Paris), Sadlers Wells (London), Hong Kong Cultural Center, Maison de La Danse (Lyon), Teatro Carlo Felice (Genoa) and the Guggenheim Bilbao (Spain). Other international credits include premieres in Italy, France, Germany, Spain, Netherlands, South America, Cuba, Jamaica, United Kingdom and Canada. In 2019, the Solomon R. Guggenheim Museum Works & Process series commissioned Mr.Baker with a program "The Choreography of Light" dedicated to his work as a lighting designer for ballet. Mr.Baker received the prestigious Knight of Illumination Award (KOI-USA) in 2019, Lotos Foundation Prize in 2016, and Center for Ballet and the Arts at NYU Residency in 2018. Mr.Baker was appointed Lighting Director and Lighting Designer of Boston Ballet in 2018. stirlingbaker.com Works & Process at the Guggenheim  Described by The New York Times as "forward thinking" and "an exceptional opportunity to understand something of the creative process," since 1984 Works & Process has welcomed New Yorkers to see, hear, and meet the most acclaimed performers and creators of the performing arts. Led by Producer Caroline Cronson and Executive Director Duke Dang, Works & Process nurtures and champions new works, shapes representation, amplifies underrepresented voices and performing arts cultures, and offers audiences unprecedented access to generations of leading creators and performers. Artist-driven programs blending performance highlights with insightful discussions are, when permitted, followed by receptions in the rotunda, producing an opportunity for collective learning and community building while also helping to cultivate a more inclusive, fair, and representative world. Approximately fifty performances take place annually in the Guggenheim's Frank Lloyd Wright–designed, 273-seat Peter B. Lewis Theater. Annually, Works & Process produces a program at the Guggenheim Museum Bilbao in Spain as well. In 2017 Works & Process established a residency program inviting artists to create newly commissioned performances made in and for the iconic Guggenheim rotunda. In 2020 Works & Process Artists (WPA) Virtual Commissions was created to financially support 84 new works and over 280 artists and nurture their creative process during the pandemic. To forge a path for artists to safely gather, create, and perform during the pandemic from summer 2020 through spring 2021, Works & Process pioneered and produced 250 bubble residencies supporting 247 artists, made possible through the generous support of The Andrew W. Mellon Foundation and the Doris Duke Charitable Foundation. On March 20, 2021, after over a year of shuttered indoor performances and with special guidance from New York State's Department of Health, Works & Process was the first cultural organization to reopen live, indoor ticketed performances in the rotunda of the Solomon R. Guggenheim Museum. worksandprocess.org
  • In two separate hearings on Wednesday, Democrats want Americans who haven't read Mueller's findings to see and hear them instead. Republicans want to take the former special counsel down a peg.
  • Ambrose Akinmusire Saturday, January 22, 2022, 8 pm Vermont Jazz Center 72 Cotton Mill Hill #222 Brattleboro VT 05301 This concert will have ONLY a limited in-person audience.  There will NO livestream component. Akinmusire is a multiyear winner of Downbeat’s critics’ choice awards for Trumpeter of the Year (including 2021) and Jazz Artist of the Year. A visionary artist with six albums as a leader, he is a first call sideman found on recordings with Joni Mitchell, Brad Mehldau, Kendrick Lamar and many others. Ambrose Akinmusire is a truth-teller whose music is an expression of his personal journey as a Black man. Although he loves playing jazz standards, he has chosen to compose original music that draws attention to the realities of racism. It’s important to me to talk about the injustices that Black people experience, and the fear that I have walking around the United States and really a lot of places in the world. And that is why I called this last album a blues album – it’s trying to express beauty and pain at the same time, trying to express what is to me the most defining part: resilience. And that’s what all my records are trying to express.” Akinmusire’s sound on the trumpet is unlike anyone else’s. He masterfully bends notes up and down to make the air coming out of his horn sound like the melismas of a human voice. Along with the timbre of the voice, Akinmusire explores sonic possibilities such as unique forms, atypical instrumentation, extended techniques and varied textures. Akinmusire’s most recent album, his fifth for Blue Note Records, On the Tender Spot of Every Calloused Moment, has been nominated as Best Jazz Instrumental Album for the 2021 Grammy Awards. The list of his accolades include Thelonious Monk International Jazz Trumpet Competition Winner, Carmine Caruso International Trumpet Solo Competition Winner; Downbeat Critics Poll: Jazz Artist of the Year, Best Trumpet (numerous times); Jazz Times Critic’s Poll: Trumpeter of the Year (3 times), Artist of the Year, Record of the Year; New York Times Best Jazz Album of the year (2011), Jazz Journalist Association Trumpeter of the Year and others too numerous to mention. His discography includes 6 albums as a leader and sideman work with Kendrick Lamar, Joni Mitchell, Joel Ross, Brad Mehldau, the Blue Note All-Stars, Mary Halvorson, Jen Shyu, Somi, Marcus Miller, Dayna Stephens, Trilok Gurtu, Gerald Clayton, the Yellow Jackets, Jack DeJohnette, Archie Shepp, David Binney, Terri Lyne Carrington, Roy Hargrove, Mimi Jones, Esperanza Spalding, Linda May Han Oh, Tom Harrell and many others. Akinmusire is one of the most acclaimed jazz artists of his generation, a trumpeter of deep expressive resources and a composer of kaleidoscopic vision. —NPR Ambrose Akinmusire - trumpet Micah Thomas - piano Linda Oh - bass Tim Angulo - drums Sponsored by a Friend of the Vermont Jazz Center educational programs. $20-40 sliding scale Reservations online & by phone Proof of Covid-19 vaccination and photo ID required. www.vtjazz.org gingervjc@gmail.com 802 258 9088 https://vtjazz.org/upcoming-events/concerts/ https://vtjazz.org/upcoming-events/sliding-scale-ticket-policy/ https://vtjazz.org/2021-safety-protocols-for-in-person-activities/
  • New Camerata Opera (NCO) presents a series of free, educational, and interactive children's opera videos on YouTube adapted from their opera, Party at the Opera. The collection of six videos is an immersive, musical, and theatrical experience for children ages 18 months to 5 years. Watch the entire series with the family anytime, by visiting Camerata Piccola. https://www.newcamerataopera.org/. Excerpts from seven classic operas with original English texts will teach children the fundamentals of classical music, from rhythm, melody, and harmony, to subjects like emotion in music, and even set design. A diverse cast of approachable, funny characters leads the audience on an exciting musical adventure. Children can try their hands at conducting and playing a musical instrument and can find their own operatic voice in this welcoming invitation into the world of opera. Each of the six videos covers a different aspect of opera: Party at the Opera: Barry Baritone hosts the show along with 3 other opera singing friends, to take kids on an engaging tour through several music fundamentals: tempo, range, dynamics, and voice parts. The art of conducting is also introduced in an immersive and fun manner. Party at the Opera 2: Children learn about the different types of musical songs within an opera: an aria, a duet, a trio, a quartet, and a chorus. Party at the Opera 3: Barry Baritone and Sally Soprano learn how to make their performance much more interesting, through working with a stage director, Director Deb. Party at the Opera 4: The gang introduces emotions in music. Explore how the art form can make you feel a certain way, just through how the music sounds, and how it is performed. Party at the Opera 5: A special guest tries her hand at composing for the first time, and her new opera receives its worldwide premiere. Party at the Opera 6: Actual opera production designers star in this episode about the many folks who work behind the scenes to help make an opera come to life. In 2018, NCO produced and toured its early childhood development offering, Party at the Opera to young children in New York and Long Island. The production was an instant favorite for its accessible approach to opera, while also introducing timeless themes from some of the world's greatest operas, including Carmen and The Barber of Seville. When the world transitioned to a new 'socially-distanced' normal as a result of the COVID-19 pandemic, NCO quickly reimagined this production into a series of free online videos. The organization hopes that this endeavor will help to ease the burden on parents and schoolteachers, if only for 8-12 minutes.  About New Camerata Opera New Camerata Opera is a New York City-based, cooperative company in its sixth season. Its mission is to engage, excite, and educate through immersive performances that break down barriers and inspire fans of the future. NCO offers mainstage operas, children's operas through Camerata Piccola, and produces short operatic films with CamerataWorks. For more information, visit newcamerataopera.org.
  • Jim Ridl is in high demand as a New York City jazz pianist, composer, teacher and band leader. His ongoing residency at the internationally known jazz club The 55 Bar is in its fifth year, where he and his quartet perform his original compositions monthly. Jim performs worldwide with a variety of jazz artists, including The Joe Locke Quartet, The Dave Liebman Big Band, The Paul Jost Quartet and the Mingus Big Band. He has toured with the US State Department American Music Abroad program (’12 and ’15), performing in Russia, South Korea, China, the Philippines, Moldova, Azerbaijan, Slovenia and Malta. As a composer and leader, Jim has released 7 recordings, the latest titled Door in a Field,Volume 2. Jim was a Princeton University Visiting Artist for three separate semesters (’12, ’14, ’16), coaching jazz ensembles in repertoire and performance. Jim continues as adjunct educator in Jazz Piano Studies at The City College of New York and the New York Jazz Workshop in Manhattan. From 1994 – 2004, Jim performed with jazz guitar legend Pat Martino, receiving critically acclaimed reviews of performances around the world, and producing four outstanding recordings: Interchange, Night Wings, The Maker and Nexus. Jim was raised on a farm and ranch in North Dakota, and discovered his love for piano and jazz at an early age. He attended the University of Colorado at Denver, where he earned his Bachelor Degree in Scoring and Arranging, and was awarded its Student Achievement Award for composing “Ocean Sojourn,” an orchestral tone poem, performed with the Denver Symphony Orchestra, James Setapen conducting. Joe Locke Long known to be a soloist capable of stunning physical power and broad emotional range, it was not until the last decades that he emerged as the composer, bandleader and conceptualist that he is considered today. This is in no small part due to his solo projects since the beginning of the 2000s. This is in no small part due to his prolific solo projects, notably Four Walls of Freedom, a 6 movement suite featuring the late tenor saxophonist Bob Berg; Live in Seattle (Origin) by The Joe Locke / Geoffrey Keezer Group which won the 2006 EarShot award for Concert of the Year and his eloquent and vibrant quartet Force Of Four (Origin). In 2011 Joe joined the Motéma label for four intrinsically different albums bearing witness of his immense stylistic versatility and ability to create artistic depth in a variety of contexts: After Signing, the long-awaited follow-up studio album of Live In Seattle, 2012 also saw the release of Joe Locke’s first ever symphonic project, Wish Upon A Star, featuring Locke‘s Quartet with the Lincoln Symphony Orchestra (NE), and the Jazz radio charts #1 Blues & Ballads album Lay Down My Heart in 2013. In 2015 Locke released Love Is A Pendulum - a suite based on a poem by Barbara Sfraga - is already being hailed the most important work of his career. Locke’s latest album, Subtle Disguise (2018) is being celebrated “a crowning achievement from a certified vibraphone master” by Jazziz Magazine and means very much a happy continuation of his search to unite his love of composition with the connective qualities of melody and groove. Locke is a six-time recipient of the Jazz Journalists Association’s “Mallet Instrumentalist of the Year” Award and has won numerous further awards and polls. In 2016 he was honoured with the induction into the Music Hall of Fame of his hometown Rochester, NY. He is an active clinician and educator in the United States and in Europe and is holding the title of Honorary Associate of London’s Royal Academy Of Music (Hon ARAM) since 2013.
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