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  • In 1964, Miles Davis recruited saxophonist Wayne Shorter from Art Blakey's Jazz Messengers. This album captures the duo during this important time. Shorter went on to become Davis' most prolific composer, writing classics such as "Prince of Darkness" and "Nefertiti."
  • Pianist Hazel Scott was one of the few artists who successfully integrated jazz and classical music. For 1955's Relaxed Piano Sounds, Scott teamed with the two men who owned Debut Records — drummer Max Roach and bassist Charles Mingus — for one of the best piano trios ever recorded.
  • Baghdad residents were greeted Sunday morning by a series of explosions: car bombs, roadside bombs and mortars. The attacks left at least two dozen people dead as Iraq struggles to finalize the makeup of its new government.
  • Kotek won her state's Democratic primary on Tuesday. If she wins the general election later this year, she will become the country's first openly lesbian governor.
  • One of the Broadway season's most anticipated productions, a revival of The Threepenny Opera, opens with a high-profile cast. Almost 80 years after its Berlin premiere, the Brecht-Weill cabaret musical retains the power to shock and surprise.
  • One hundred years ago today, lyricist Dorothy Fields was born. She wrote dozens of hit songs for Broadway shows and Hollywood musicals, including Sweet Charity, which is currently being revived on Broadway. Jeff Lunden has this appreciation.
  • Before her death at 39 in 1963, singer Dinah Washington battled her seven husbands, her weight and even her fans. But when she sang, nothing else mattered. Biographer Nadine Cohodas talks about Washington's life and music.
  • The suspect is no longer a threat to the community, officials say. Multiple federal agencies, including the FBI and ATF, have responded to assist local police.
  • The rope used in the incident was allegedly one of several that had been tied to the tree for a performance by a student organization years ago.
  • While Modest Mouse's "Dashboard" lacks the snaky charm of "Float On," it's a pure pop confection: danceable, uncomplicated and ripe for airplay. Fans too young to remember XTC can draw comparisons to Franz Ferdinand, what with the song's stiff, guitar-driven neo-disco rhythms.
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