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  • Vibrant jazz pianist, composer and producer, hailed by the Boston Globe as the artist who “beautifully merges the worlds of serious jazz and pop,” — Misha blends powerful melodies with an unusual harmonic sensitivity. It's a sound with a deeply personal yet cosmopolitan dimension, reflecting his experience as a Russian-Jewish émigré growing up in urban America. The great nephew of legendary cellist Gregor Piatigorsky, with international upbringing followed by international acclaim, he works in New York City to advance the modern jazz sound beyond the standards. He leads a number of projects including The Sketchy Orkestra – his innovative ensemble band some 20 people strong.
  • Universal Temple of the Arts will celebrate the life of Sajda Musawwir Ladner, Executive and Artistic Director and the founder of the Staten Island JAZZ Festival on Saturday, March 12, 2022, from 5pm-9pm at the historic St. George Theatre in her beloved community of Staten Island. Scheduled during Women’s History Month, the festival, hosted by Sheila E. Anderson, Author and On-Air Personality, WBGO, 88.3 FM, is an auspicious occasion to present live jazz tribute performances by returning favorites, Winard Harper & Jeli Posse; The Leopoldo F. Fleming Afro Caribbean Ensemble; Danny Mixon Quartet featuring vocalist, Antoinette Montague; the UTA Jazz Ensemble and exciting performances by newcomers to the festival stage – Bria Skonberg, Nikara Warren Presents…Black Wall Street, and the Dal Segno Trio featuring Michael Morreale and Houston Person. For over three decades, under Ms. Ladner’s direction, the Staten Island JAZZ Festival has featured treasured performances by NEA Jazz Masters, such as the recently departed great Barry Harris, Afrofuturism pioneer band Sun Ra Arkestra, traditional, contemporary, emerging, local talent, and young lions from the pantheon of jazz. Not only did Ms. Ladner make it possible for lovers of jazz to experience quality, live performances on Staten Island stages, but she also firmly believed that audiences of all ages should experience everything, and anything related to jazz by presenting educational workshops and forums taught by prominent scholars, visual artists, dancers, poets, etc. Her wisdom and love of the art form brought critical acclaim to the event making it the longest running community festival in New York City. Noteworthy is that for many years, Universal Temple of the Arts has promoted the Staten Island JAZZ Festival with images by Romare Bearden, America’s preeminent African American visual artist, signifying the special relationship between Universal Temple of the Arts with iconic cultural creators and innovators since its inception in 1967 as an art, cultural and educational nonprofit organization. Sajda Musawwir Ladner is revered within the arts community; her spirit lives on forever through the annual Staten Island JAZZ Festival and the organization’s mission of “quickening the creative spirit in the individual and community and fostering brotherly love.” To honor her legacy, we request your support of the JAZZ Festival – purchase a ticket and please share the event on social media. All proceeds from the festival support Universal Temple of the Arts’ FREE year-round arts and educational programs. “As we enter our third decade as Staten Island’s oldest continuously run jazz festival, we remain committed to presenting iconic and popular jazz artists as well showcasing Staten Island performers who stand tall delivering their understanding of this world-wide, cherished music called jazz. Like New Orleans, the birthplace of jazz and gumbo, the Staten Island JAZZ Festival cooks with jazz music, dance, song and spoken word. Universal Temple of the Arts thinks of JAZZ in all capital letters. We explore every aspect of the art form.” By Sajda Musawwir Ladner, Founder, Artistic and Executive Director of Universal Temple of the Arts, Staten Island JAZZ Festival 32, October 19, 2019 Universal Temple of the Arts’ Staten Island JAZZ Festival 33 is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council. Additional corporate support has been provided by Con Edison and FerryAds.com.
  • Healing Hands is a weekend of new works-in-progress based on how the arts are contributing to healing during these challenging times. Featured artists include 48 St. Stephen, Ballaro Dance and William Doan.
  • For more information, please visit- https://www.soapboxgallery.org/events/misha-piatigorsky-and-barbara-mendes
  • CUNY Dance Initiative and the Gerald W Lynch Theater at John Jay College Present Fly-by-Night Dance Theater in the World Premiere of Where Shall I Send My Joys? An evening of aerial dance choreographed by Julie Ludwick, live music by composer Paul Uhry Newman, video by Cristobal Vivar, Dramaturgy by James Bosley at The Gerald W. Lynch Theater, John Jay College 524 W 59th St, New York, NY 10019 on Friday, April 1, 2022 at 7:30pm. Tickets are: Adults: $25 advance/ $40 at the door Youth/Seniors $15, John Jay Students $5 at https://flybynightdance.org/participate/performances/. Aerial company Fly-By-Night Dance Theater (FBN) concludes their 2022 CUNY Dance Initiative Residency with the premiere of Where Shall I Send My Joys?. This evening-length work is an exploration of cultivating joy found in everyday life, and finding balance given the experience of loss, death, and grief throughout the COVID-19 pandemic.
  • Good morning my name is Norman Mann. I am the Entertainment Coordinator for the Cricket Club. We have Live Jazz every Friday evening On the date above. We have out of New York City the Emily Braden Quartet featuring Alvester C Garnett on Drums Oscar Perez on Keys Chris Berger on Bass and our Guest Vocalist Emily Braden
  • In the WheatonArts Down Jersey Folklife Center, this exhibition provides a visual comparison between traditional textiles of two indigenous communities of Latin America—the Chilean Mapuche people and the Guatemalan Maya. Both Mapuche and Maya artists create artworks about identity and cultural heritage in a modern interconnected world, weaving ancestral knowledge and wisdom into present-day ways of life. The story of the spider who taught the first woman how to weave in the mythological past is present in both cultures. Many designs and motifs are interpreted in similar ways. However, the creative process reflects differences in techniques and materials employed in the two different geographic regions. Revealed in the exhibition are the complex characters of Mapuche and Mayan garments with weaving patterns interpreted in the context of a broad spectrum of regional, social, ritual, and aesthetic meanings and viewed from the perspective of our shared humanity. The exhibition also features Chilean horsehair (crin) miniatures of religious and secular objects—flowers, animals, or human figures—that aim to engage viewers in a conversation about the dynamics of living traditions over time, their social, artistic, and ritual messages conveyed by the artworks and by the nature of the creative process. For current hours, tickets, and visitor guidelines, visit https://www.wheatonarts.org/tickets/ Developed in partnership with the Embassy of Chile to the United States, the Foundation of the Folk and Traditional Artists in Chile, the “Friends of the Ixchel Museum” (FOIM), and local collectors and artists.
  • Bloomingdale School of Music presents The Piano Music of Ed Bland, a free online faculty concert, on Friday, February 18, 2022 at 7pm. In honor of Black History Month, faculty member Judith Olson will perform works by African American composer Ed Bland (1926-2013), with whom she worked for many years. The piano works on the program are part of a 5-volume set entitled "Urban Counterpoint:" art music, using the language of gospel, soul, blues, jazz, and various film scores. For over 20 years Bloomingdale has presented its faculty, as well as guest artists, in concerts including classical music, jazz, and world music. This FREE concert series has established itself a vital part of the musical life of the Upper West Side. For more information and to RSVP, visit bsmny.org/events. The concert will also be livestreamed; please RSVP here for access to the stream: https://www.bsmny.org/event/online-faculty-concert-the-piano-music-of-ed-bland// The program for the evening includes: URBAN COUNTERPOINT (1992 - 2002) Classical Soul No. 1 Zone Blue Heat Seeking Missile Up Escalators Cell Phone Blues Phunky Phrogs Rag Sunday School Classical Soul No. 3 Bloomingdale School of Music faculty member pianist Judith Olson is a graduate of The Juilliard School and made her New York debut with Alexander Schneider conducting Walter Piston's Concertino. She has since toured North, Central, and South America, Europe, the Middle East, and Korea as soloist and in collaboration with leading instrumentalists, including Kyung Wha Chung, Eugene Fodor, Miriam Fried, Joseph Fuchs, Daniel Heifetz, Jean-Jacques Kantorow, Nathan Milstein, and Tossy Spivakovsky. A versatile artist, she has performed Beethoven at Bard, Rachmaninoff at Newport, and has appeared as soloist on numerous new music series in New York, including Composers Collaborative and Composers Concordance. She is the dedicatee of works by Otto Luening, William Mayer, Ned Rorem and Olav Anton Thommessen, and she has recorded for Albany, Capstone, Newport Classics, MMO Laureate Series, and RCA. She has appeared at major halls including Avery Fisher Hall, Alice Tully Hall, and the Kennedy Center, and has participated in the festivals of Ankara, Bard, Bar Harbor, Capri, Caramoor, Chautauqua, Killington, and Newport. Her recent recording, Urban Counterpoint, featuring the solo piano music of African American jazz composer Ed Bland, was recently released by Cambria Records/Naxos.  An unusually versatile musician, Ed Bland (1926-2013) began his career as a clarinetist, before making his mark as a composer, arranger, producer and orchestrator. His concert music has been performed by Speculum Musicae, the American Brass Quintet, Baltimore Symphony, Detroit Symphony, and the Civic Orchestra of Chicago. Bland's command of jazz allowed him to make a living in the record industry as a composer, arranger, and producer of urban-generated forms of Black music, such as soul, rhythm and blues, jazz, rock and roll, urban blues, and funk. He has collaborated with Dizzy Gillespie, Lionel Hampton, Richie Havens, and Ray Charles, among many others. Bland is perhaps best known as producer of the 1959 film, "The Cry of Jazz," described by MOMA documentarian Willard Van Dyke as "the most prophetic film ever made," because it predicted the race riots of the '60s and '70s. Founded in 1964, Bloomingdale School of Music is dedicated to the belief that music changes lives and everyone should have access to high-quality music education regardless of economic status, race, religion, ability level, or gender. Bloomingdale is a music-driven community center where all are welcome to join and learn about music from top faculty. We are dedicated to our mission – to make music education accessible to all who want to learn – and remain focused on supporting this mission through our values. www.bsmny.org/
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