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  • Ranging from folk tunes to tangos to classical arrangements, this program will explore Argentinian and Armenian music through the medium of Baroque instruments. Join us for this intercultural dialogue across the ages, featuring Armenian-Argentinian American mezzo-soprano, Solange Merdinian.

    Solange Merdinian, mezzo-soprano
    Dongmyung Ahn, violin
    Dušan Balarin, guitar
    Patricia Ann Neely, viola da gamba
    Rex Benincasa, percussion

    Please note: COVID vaccinations and masks are required to attend in person.

    In-person and live stream options available for June 3 concert.
  • New York City Opera will present a season of four free, live performances this summer as part of their Park Series in Bryant Park's Picnic Performances presented by Bank of America. Each performance features City Opera's brightest stars as well as members of the City Opera orchestra and will begin at 7pm on the Bryant Park Stage. The series of one-night-only operas accompanied by live music includes The Barber of Seville, La traviata, Lucia di Lammermoor, and a special Pride in the Park performance. Entry is on a first-come, first-served basis. Performances are designed to be enjoyed casually - no tickets required - with ample seating available and free picnic blankets for audience members to borrow. For more information, visit bryantpark.org/picnics.
     
    For anyone unable to attend in person, free livestream broadcasts of the performances will be available nationwide via Bryant Park's website and social media platforms.

    New York City Opera was famously dubbed "The People's Opera" by Mayor Fiorello LaGuardia at its founding in 1943. More than 75 years later, City Opera continues its historic mission to inspire audiences with innovative and theatrically compelling opera, nurture the work of promising American artists, and build new audiences through affordable ticket prices and extensive outreach and education programs.​ Picnic Performances continues the tradition of opera in Bryant Park.

    Performance Details:
    The Barber of Seville 
    May 27, 2022 at 7pm
    Gioachino Rossini's sparkling music animates the hijinks of Figaro, opera's most famous barber. Amy Maude Helfer, Dimitrie Lazich, and WooYoung Yoon star in this crowd-pleasing production directed by Helena Binder and featuring members of the New York City Opera Orchestra conducted by Carmine Aufiero. 

    Pride in the Park 
    June 17, 2022 at 7pm
    New York City Opera's annual LGBTQ Pride concert will feature a diverse program of selections from opera and musical theater sung by stars from City Opera's Pride Series.

    La traviata
    August 12, 2022 at 7pm
    An abridged adaptation of Verdi's classic that inspired Moulin Rouge, with instantly recognizable tunes famously featured in Pretty Woman. Soprano Ekaterina Siurina and renowned tenor Charles Castronovo appear with Michael Chioldi, baritone and star of last summer's Rigoletto (a role he recently stepped into at the Metropolitan Opera for a series of critically acclaimed performances), with City Opera Music Director Maestro Constantine Orbelian at the helm.

    Lucia di Lammermoor
    September 2, 2022 at 7pm
    Think Romeo and Juliet, but set in Scotland. Donizetti's brilliant score is the height of drama and the pinnacle of the Bel Canto style in this abridged version starring world-renowned soprano Sarah Coburn and the captivating tenor Nathan Granner, and conducted by Constantine Orbelian. 

    Attendees may bring their own food or purchase from on-site food and beverage vendors near the Lawn. At most performances, attendees can purchase food from a rotating line-up of local NYC vendors curated by Hester Street Fair. At all performances, Stout NYC offers cheese and charcuterie boards as well as a selection of beer, wine, frosé, and non-alcoholic beverages for purchase. COVID-19 vaccinations and masks are not currently required but Bryant Park will continue to monitor and follow updated New York City and New York State COVID-19 guidelines throughout the summer as necessary.

    About New York City Opera
    Since its founding in 1943 by Mayor Fiorello La Guardia as "The People's Opera," New York City Opera (NYCO) has been a critical part of the city's cultural life. During its history, New York City Opera launched the careers of dozens of major artists and presented engaging productions of both mainstream and unusual operas alongside commissions and regional premieres. The result was a uniquely American opera company of international stature. For more than seven decades, New York City Opera has maintained a distinct identity, adhering to its unique mission: affordable ticket prices, a devotion to American works, English-language performances, the promotion of up-and-coming American singers, and seasons of accessible, vibrant and compelling productions intended to introduce new audiences to the art form. Stars who launched their careers at New York City Opera include Plácido Domingo, Catherine Malfitano, Sherrill Milnes, Samuel Ramey, Beverly Sills, Tatiana Troyanos, Carol Vaness, and Shirley Verrett, among dozens of other great artists. New York City Opera has a long history of inclusion and diversity. It was the first major opera company to feature African American singers in leading roles (Todd Duncan as Tonio in Pagliacci, 1945; Camilla Williams in the title role in Madama Butterfly, 1946); the first to produce a new work by an African-American composer (William Grant Still, Troubled Island, 1949); and the first to have an African-American conductor lead its orchestra (Everett Lee, 1955). A revitalized City Opera re-opened in January 2016 with Tosca, the opera that originally launched the company in 1944. Outstanding productions during the four years since then include: the world premieres of Iain Bell and Mark Campbell's Stonewall, which NYCO commissioned and developed, legendary director Harold Prince's new production of Bernstein's Candide; Puccini's beloved La Fanciulla del West; and the New York premiere of Daniel Catán's Florencia en el Amazonas — the first in its Ópera en Español series. Subsequent Ópera en Español productions include the New York premiere of the world's first mariachi opera, José "Pepe" Martinez's Cruzar la Cara de la Luna, Literes's Los Elementos, and Piazzolla's María de Buenos Aires. In addition to the world premiere of Stonewall, the productions in NYCO's Pride Initiative, which produces an LGBTQ-themed work each June during Pride Month, include the New York premiere of Péter Eötvös's Angels in America and the American premiere of Charles Wuorinen's Brokeback Mountain. New York City Opera has presented such talents as Anna Caterina Antonacci and Aprile Millo in concert, as well as its own 75th Anniversary Concert in Bryant Park, one in a series of the many concerts and staged productions that it presents each year as part of the Park's summer performance series. City Opera's acclaimed summer series in Bryant Park brings free performances to thousands of New Yorkers and visitors every year. New York City Opera continues its legacy with main stage performances at Jazz at Lincoln Center's Rose Theater and with revitalized outreach and education programs at venues throughout the city, designed to welcome and inspire a new generation of opera audiences. City Opera's acclaimed summer series in Bryant Park brings free performances to thousands of New Yorkers and visitors every year.

    New York City Opera: 
    www.nycopera.com
    Instagram: @nycopera 
    facebook.com/NewYorkCityOpera
    Twitter: @nycityopera

    About Bryant Park 
    Bryant Park Corporation (BPC), a private not-for-profit company, was founded in 1980 to renovate, finance and operate Bryant Park in New York City. BPC is funded by income from events, concessions, and corporate sponsors, as well as an assessment on neighboring properties, and does not accept government or philanthropic monies. In addition to providing security, sanitation, and horticultural services, BPC offers restaurants, food kiosks, world-class restrooms, and a wide range of free events throughout the year. The Midtown Manhattan park is visited by more than 12 million people each year and is one of the busiest public spaces in the world. BPC's website, bryantpark.org, offers more detailed information and a schedule of upcoming events.
  • Saxophonist Christopher McBride returns to the National Arts Club!

    McBride is widely regarded as one of the most versatile saxophonists in the world. Applauded for his ability to play in all musical situations, McBride has the ability to unleash a fiery attack and serrated tone, as well as a mellow sound heavily influenced by contemporary R&B—with a strong shot of Cannonball Adderley’s post-bop sensuality. His improvising is very rigorous and cogent.

    McBride and his Trio will fill the air of Gramercy Park with great jazz. Don’t miss it!

    This concert is presented in partnership with the National Jazz Museum of Harlem.
  • Acclaimed jazz pianist Alan Broadbent brings his trio to the Zinc Bar for a splendid evening of jazz piano on Tuesday, June 21. He’s supported by bassist Harvie S and drummer Billy Mintz.

    An unsung hero of the acoustic piano, Alan Broadbent is a highly lyrical and melodic bebopper/post-bopper who has cited Bill Evans, Wynton Kelly, Tommy Flanagan, Nat “King” Cole, and Red Garland as some of his favorite pianists. Raised in New Zealand, he moved to Boston in 1966 to study at the prestigious Berklee College of Music. After staying on the road with Woody Herman (for whom he was a writer, arranger, and soloist) from 1969 to 1972, he settled in Los Angeles. Broadbent went on to work as a sideman for Chet Baker, tenor saxmen Warne Marsh and Gary Foster, and the late singer Irene Kral in the ’70s, and with Bud Shank and arranger Nelson Riddle in the ’80s.

    The ’90s found him writing arrangements for Natalie Cole, Marian McPartland, Scott Hamilton, and others and playing alongside bassist Charlie Haden, tenor saxman Ernie Watts, and drummer Larance Marable in Haden’s Quartet West – a unique and conceptual L.A.-based group that is known for including bits of dialogue from film-noir movies between bop performances.

    Showtimes are at 7:00 pm & 8:30 pm. Tickets: $25 in advance / $30 at the door. For more info call (212) 477-9462 or visit https://www.zincjazz.com.
  • Acclaimed Dutch pianist Peter Beets brings his formidable quartet to Zinc for a splendid evening of jazz piano featuring saxophonist Eric Alexander. He’s supported by bassist Alexander Claffy and drummer Joe Farnsworth.

    As one of the most sought-after jazz artists of our time, Peter Beets has attracted a devoted international audience, performing regularly at major jazz festivals and venues throughout Europe, the United States, and Asia. He has shared the stage with jazz greats such as Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson, and Kurt Rosenwinkel. One of his earliest recordings, “First Date” (1996), featured the great Jeff Hamilton on drums. In 2001 the Criss Cross label invited Peter for a series of CDs with his “New York Trio”, inviting artists like Willie Jones III, Larry Grenadier, and Greg Hutchinson, earning him international acclaim.

    Showtimes are at 7:00 PM and 8:30 pm. Tickets: $30 advance / $35 day of show. For more info, call (212) 477-9462 or visit http://zincjazzcom.
  • Acclaimed jazz pianist Geoffrey Keezer brings his trio to Zinc for a splendid evening of jazz piano on Tuesday, June 7. He’s supported by bassist Liany Mateo and drummer Savannah Harris,

    Showtimes are at 7:00 PM and 8:30 pm. Tickets: $25 advance / $30 day of show. For more info, call (212) 477-9462 or visit http://zincjazzcom.
  • Acclaimed jazz pianist Ethan Iverson brings his formidable trio to Zinc for a splendid evening of jazz piano.

    Pianist, composer, and writer Ethan Iverson was a founding member of The Bad Plus, a game-changing collective with Reid Anderson and David King. The New York Times called TBP “…Better than anyone at melding the sensibilities of post-60’s jazz and indie rock.” During his 17-year tenure TBP performed in venues as diverse as the Village Vanguard, Carnegie Hall, and Bonnaroo; collaborated with Joshua Redman, Bill Frisell, and the Mark Morris Dance Group; and created a faithful arrangement of Igor Stravinsky’s The Rite of Spring and a radical reinvention of Ornette Coleman’s Science Fiction.

    Iverson also has been in the critically-acclaimed Billy Hart quartet for well over a decade and occasionally performs with an elder statesman like Albert “Tootie” Heath or Ron Carter. For over 15 years Iverson’s website Do the Math has been a repository of musician-to-musician interviews and analysis, surely one reason Time Out New York selected Iverson as one of 25 essential New York jazz icons: “Perhaps NYC’s most thoughtful and passionate student of jazz tradition—the most admirable sort of artist-scholar.”

    Showtimes are at 7:00 PM and 8:30 pm. Tickets: $30 advance / $35 day of show. For more info, call (212) 477-9462 or visit http://zincjazzcom.
  • Live jazz performance with Wayne Henderson.
    John Colianni on piano, Marco Panascia on bass, Nick Biello on sax, Charlie Porter on trumpet and Jimmy O’Connell on trombone.
  • Opening the third season of Lot of Strings is the Back Deck debut of The Argus Quartet! The Argus Quartet is dedicated to celebrating the artistic landscape of our time by drawing unexpected connections across styles and centuries in order to foster community amongst performers, audiences, and composers alike. Bring your own chairs and refreshments and enjoy live entertainment atop the Morris Museum’s elevated parking deck. Stunning sunsets, social distance, and glorious live music combine for a series of unforgettable evenings.
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