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  • Hear a previously unreleased version of "The Beehive," from Lee Morgan's 'The Complete Live at the Lighthouse,' due out July 30 on Blue Note Records.
  • Take Five celebrates Asian Pacific American Heritage Month with new music by Joey Alexander, Satoko Fujii, Jake Shimabukuro, Kalia Vandever, and Anthony Fung.
  • NPR's Juana Summers revisits the year that was for Beyoncé and Swift, and talks to Miami University of Ohio Professor Tammy L. Kernodle about the tendency to pit successful women against each other.
  • The Comet is Coming is a force of nature. The British trio makes the kind of instrumental jazz that takes music lovers out of their comfort zone and into a musical realm they may never have explored.
  • The Danish jazz duo perform an untraditional four-song set from the countryside in Djursland, Denmark.
  • Eric Johnson's guitar playing reflects the varied influences of his native Austin, Texas: country, blues, jazz fusion and just plain rock 'n' roll. He talks with Scott Simon and performs songs from his latest album, Bloom.
  • Clarinetist Don Byron is known for musical experimentation with classical compositions, Latin dance grooves, hip-hop and more. Now he returns to a first love, jazz, with a CD dedicated to saxophonist Lester Young.
  • Musician and writer David Was recounts how the man who wrote "The Christmas Song," jazz crooning legend Mel Torme, was pursuaded to record one of Was' very unconventional tunes — a song that would later become part of Torme's act.
  • Ben Sollee just wants us to get along. On his debut, full-length release, Learning to Bend, the Kentucky-born singer offers an inspired collection of acoustic, folk and jazz-flavored songs, filled with hope and the earnest belief that the world is good.
  • "Boogie Blues" contains two minutes and one second of wonderful boogie-woogie, sung by a great jazz singer at a 1963 concert and never heard on record until now. Anita O'Day's Tokyo performance aired live on Japanese TV, then languished in the vaults.
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