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Bob Butta, piano Blake Meister, bass Dominic Smith, drums Marty Nau, alto saxophone Rick Alberico, tenor and alto saxophones Rick Alberico performs straight-ahead jazz featuring a dynamic blend of Bebop, blues, ballads, and original compositions. This appealing saxophonist, composer, and bandleader who hails from Central New York, is known for his beautiful alto and powerful tenor sounds. Rick began playing sax at the age of four and after college spent a decade as a working musician in the jazz clubs of New York City. Rick went on to electrify audiences throughout the U.S., Europe, Asia, and the Caribbean for more than three decades. Now, as a veteran musician, he leads the Rick Alberico Jazz Project bringing together a selection of top musicians on a project-by-project basis to showcase their talents and his rich musical skills. Rick lives in the Washington, D.C. area. Showtime is 7 pm ET/6 pm CT/5 pm MT/4 pm PT/11 pm GMT Streaming cost is $10 Donations are welcomed. The link will be revealed to you 15 minutes before the show and will remain active through May 28.

“Unlike some bassists who are content to compose and remain mostly as a vital cog of the rhythm section, Reed does that but also manages to solo on almost every piece. He has a lyrical touch but can swing too.” - Jim Hynes, Making a Scene Music Magazine, July 29, 2020 Sean Jones, trumpet Todd Marcus, bass clarinet Jonathan Epley, guitar Eric Kennedy, drums Jeff Reed, bass Jeff Reed is an acoustic bassist, electric bassist, composer, and educator residing in Baltimore, MD. One of the most in-demand sidemen in the area, Jeff has performed extensively throughout the United States and throughout the world. As a sideman, Reed frequently works with bass vibraphonist Warren Wolf, trumpeter Sean Jones, and bass clarinetist Todd Marcus. Jeff has also performed with a slew of musicians over the years including Gary Thomas, Miguel Zenon, David Sanchez, Dave Kikoski, Dave Liebmann, Tom Scott, Jeff Coffin, Bennie Maupin, Kirk Whalum, Take 6, and Tom Morello to name a few. Reed has also been recorded on over fifty full-length albums. Showtime is 7 pm ET/6 pm CT/5 pm MT/4 pm PT/11 pm GMT Streaming cost is $10 Donations are welcomed. The link will be revealed to you 15 minutes before the show and will remain active through May 28

TUES@7 featuring Jennifer Curtis, Pauchi Sasaki, Rebekah Heller, and Clifton Joey Guidry III. Creation, collaboration, and process are the core of our Ensemble’s history and mission. International Contemporary Ensemble’s violinist Jennifer Curtis and interdisciplinary artist Pauchi Sasaki have a long history of collaborating together. Join us for an evening focused on their work including interviews, descriptions of process, and past performances. Rebekah Heller and Clifton Joey Guidry III will take us through their process in collaboration with the world premiere of Guidry’s How hot is the sand at 6pm?

WEEK 6: STRING QUARTET NO. 6, SZ. 119 Wednesday, June 9 at 7:00pm - Guest Speaker: composer Gabriela Lena Frank Friday, June 11 at 1:00pm - Virtual Open Rehearsal Saturday, June 12 at 7:30pm - Live-stream performance of String Quartet No. 6, Sz. 119 Join the Tesla Quartet on an exciting journey through the six monumental string quartets of Béla Bartók as the Quartet embarks on its first performance of the complete cycle. For the Tesla Quartet’s six week Bartók-fest we will explore how this music sways our innermost passions, to a depth and at a pace designed to entertain, inform, and engage our listeners. Each week will focus on a single quartet and will begin with a discussion with hugely inspiring experts, performers, composers and musicologists who have unique and personal relationships to Bartók’s String Quartets. The second day is an open rehearsal of the week’s quartet, offering a rare behind-the-scenes look at the Tesla’s working process. Each week will culminate with the Tesla Quartet’s live-stream performance of Bartók’s work, followed by a Q&A with our subscribers, viewable to anyone watching the performance. The two-legged journey will be split between March and May/June, with three quartets featured in each three-week period, and will be supplemented with social media content and prize giveaways!

“Be our guest” as we celebrate all of your favorite Disney Princesses in an unforgettable evening of story and song! Dress up in your best royal attire for this enchanting live concert experience for all ages. Dreams will come true as award-winning Broadway stars perform 30+ Disney Princess songs, and share their hilarious and heartfelt behind-the-scenes stories from their time on the stage and screen. Larger-than-life onstage animations will immerse you in pure Disney magic. Starring Broadway royalty: TONY® nominee Susan Egan (Broadway’s original Belle from Beauty and the Beast) Drama Desk® nominee Christy Altomare (Broadway’s Anastasia) GRAMMY® nominee Courtney Reed (Jasmine in Broadway’s Aladdin) BroadwayWorld Award winner Syndee Winters (Nala in Broadway’s The Lion King, Hamilton) Disney Princess – The Concert is recommended for a general audience. As an advisory to adults who might bring young people, Disney recommends this show for ages 6 and up. All persons entering the theater, regardless of age, must have a ticket. The show runs for approximately two hours with intermission.

Bob Butta has worked with Sonny Fortune, Gary Bartz, Woody Shaw, Eddie Henderson, Billy Hart, Keeter Betz, Buster Williams, David Fathead Newman, Junior Cook, Clifford Jordan, Stanley Turrentine, and many other jazz luminaries. Paul Langosch played bass with many jazz greats throughout his incredible career, including Tony Bennett for over 20 years, Phil Woods, George Shearing, Barney Kessel, Tal Farlow, Mose Allison, and many more. Paul and Bob recorded a DC together back in 1997 called "Windows" in trio with the late Mike Smith on drums. Showtime is 7 pm ET/6 pm CT/5 pm MT/4 pm PT/11 pm GMT Streaming cost is $10 Donations are welcomed. The link will be revealed to you 15 minutes before the show and will remain active through May 22.

Mark Morris has been hailed as the “most successful and influential choreographer alive and indisputably the most musical” (The New York Times). Since founding Mark Morris Dance Group (MMDG) in 1980, Morris has created close to 150 works for the company, many of which are widely considered masterpieces. Morris has established himself as someone who “easily ranks among the top five living American choreographers… and has already carved a major place for himself in the history of modern dance” (The Denver Post). The MMDG will present an entire evening of dance. Program to be announced. ABOUT THE COMPANY The mission of the Mark Morris Dance Group is to develop, promote, and sustain dance, music, and opera productions by Mark Morris and to serve as a cultural resource to engage and enrich the community. Founded in New York in 1980, the internationally-renowned Mark Morris Dance Group (MMDG) has been called “the preeminent modern dance organization of our time” (Yo- Yo Ma). After spending three years residing in Brussels’ Théâtre Royal de la Monnaie as Belgium’s national dance company, MMDG returned to the United States in 1991. MMDG has received “highest praise for their technical aplomb, their musicality, and their sheer human authenticity” (Bloomberg News). The Dance Group is distinguished as the only modern dance company with a commitment to live music at every performance, founding the MMDG Music Ensemble in 1996. In addition to the ensemble, MMDG regularly collaborates with eminent musicians across many genres.

Leo Kottke is arguably one of the most important and influential acoustic steel-string fingerstyle guitarists of the 20th century. Highly innovative, Kottke is known for his compelling original compositions as well as his arrangements of cover songs, like the captivating medley of “Mockingbird Hill” — a hit for both Patti Page and Les Paul & Mary Ford — and Duane Allman’s “Little Martha,” which he performed on NPR. During his career, Kottke has collaborated with a wide range of musicians, from Chet Atkins to Procul Harum to the Violent Femmes, and most notably Phish bassist Mike Gordon. Kottke has recorded an extensive catalog that has inspired countless guitarists including such fingerstyle innovators as the late, great Michael Hedges, Preston Reed, Peppino D’Agostino and Don Ross. His debut LP, 6 & 12 String Guitar, has been reissued on CD three times since its 1969 release. Kottke has been awarded two GRAMMY award nominations; a Doctorate in Music Performance by the Peck School of Music at the U of Wisconsin, Milwaukee; and a Certificate of Significant Achievement in Not Playing the Trombone from the U of Texas at Brownsville with Texas Southmost College.

To most of us, the adventures of trailblazing trumpeter, vocalist and songwriter Bria Skonberg are borderline unbelievable. “I play jazz because it’s the closest I can get to flying.…spreading joy, relating the human experience, and putting good into the world to counteract the negative. I want to make music that makes people feel, and think.”– Bria Skonberg Described as “one of the most versatile and imposing musicians of her generation” (Wall Street Journal) she recently sang the music of Aretha Franklin alongside Michelle Williams of Destiny’s Child, played with U2 at the Apollo, sat in with the Dave Matthews band, was a featured guest with Jon Batiste and performed the Star Spangled Banner at Madison Square Garden for a NY Rangers game. A bandleader since her teens, Bria has performed festivals and stages the world over, including New Orleans Jazz & Heritage Festival, Monterey Jazz Festival, Newport Jazz Festival, Montreal Jazz Festival, and over a hundred more. In 2016 Bria released her debut LP on Sony Masterworks which won a Canadian JUNO award and made the Top 5 on Billboard jazz charts; her music has over 10 million streams on Spotify. A 6x Downbeat Rising Star, further accolades include the Jazz at Lincoln Center Swing Award, Best Vocal and Best Trumpet from Hot House Jazz Magazine and Outstanding Jazz Artist at the Bistro Awards. The “shining hope of hot jazz” (NY Times) has been at the forefront of a revival of classic American music as both a performer and educator, programming concerts and workshops for students of all ages. She has been on faculty at the Teagarden Jazz Camp (2008-present) and Centrum Jazz Camp, performs outreach on behalf of Jazz at Lincoln Center, is currently developing educational activities for the Louis Armstrong House Museum and co-directs the New York Hot Jazz Camp she co-founded in 2015. In 2018 Lincoln Center sought out her leadership for a tribute to the first integrated all female big band, the International Sweethearts of Rhythm, which launched her acclaimed group Sisterhood of Swing. In 2019 she was a featured member of Monterey Jazz Festival on Tour for 26 dates alongside Cecile McLorin Salvant, Christian Sands, Melissa Aldana and Jamison Ross. Bria is a member of the Town Hall Ensemble, an all star cast directed by Steven Bernstein that celebrates the cultural and musical history of New York city. She tours constantly bringing her own signature sound of fiery trumpet playing and smoky vocals together with storytelling and adventurous concoctions of classic and new.

Guitar virtuosos Martin Taylor, Frank Vignola, and John Jorgenson create musical magic with “one night, three award-winning guitarists, eighteen strings”. The Great Guitars™ traces its colorful heritage back to the 1970s when the legendary jazz guitarists of that era toured the world and recorded together. Award-winning guitarist Martin Taylor, who replaced Herb Ellis to become part of the original group in the 1980s with the legendary Barney Kessel and Charlie Byrd, has revised the format for the 21st century-enlisting two of today’s top jazz guitars players to co-create a brilliant program displaying guitar mastery, emotion, humor and musical fireworks. Combining Taylor’s award-winning virtuosic fingerstyle with Vignola’s jaw-dropping technique, and Jorgenson’s incredible musical versatility, the concert features solo, duet, and trio performances by these three acknowledged masters of fingerstyle, jazz and gypsy guitar. Between them, these three guitar greats have worked with artists ranging from Tommy Emmanuel to David Grisman, Donald Fagen to Wynton Marsalis, and Bonnie Raitt to Bob Dylan. ABOUT THE ARTISTS Pat Metheny calls Martin Taylor “one of the most awesome solo guitar players in the history of the instrument”, while Jeff Beck says, “he out-shreds all of us – I’ve never seen anything like it”. Taylor is widely recognized as the world’s foremost exponent of solo fingerstyle jazz guitar playing, with a record 15 British Jazz Awards, Top 10 albums in the USA and Europe and an MBE from the Queen of Great Britain. His innovative online guitar school now teaches guitarists in over 60 countries. Frank Vignola is highly regarded as one of the most accomplished, multi-dimensional players in the world today. Les Paul added him to his “Five Most Admired Guitar List” for the Wall Street Journal while The New York Times deemed Vignola as “one the brightest guitar stars.” John Jorgenson, known for his blistering guitar licks and mastery of a broad musical palette, has earned a reputation as a world-class musician, as evidenced by his collaborations with Earl Scruggs, Bonnie Raitt, Elton John, Luciano Pavarotti, Bob Dylan and many others.