Browse > Home > Archive: September 2013
Drummer Dave King talks bison, trumpeter Ralph Alessi shares a favorite blanket and saxophonist Dayna Stephens takes us to a place without sorrow on The Checkout this week.
Drummer Dave King talks with Josh Jackson about Adopted Highway, the Dave King Trucking Company’s new album with Erik Fratzke on electric guitar, Adam Linz on bass, Chris Speed on tenor saxophone and Brandon Wozniak on tenor saxophone.
Tenor saxophonist Dayna Stephens talks with Josh Jackson about his new Sunnyside album, That Nepenthetic Place, with Taylor Eigsti on piano, Joe Sanders on bass, Justin Brown on drums, Ambrose Akinmusire on trumpet, Jaleel Shaw on alto saxophone and vocals by Gretchen Parlato.
Trumpeter Ralph Alessi talks with Simon Rentner about his new ECM album, Baida, with pianist Jason Moran, Drew Gress on bass and Nasheet Waits on drums.
The Checkout features Albert “Tootie” Heath talking about his album Tootie’s Tempo (Sunnyside). Opera singer Jessye Norman shares her favorite jazz recordings. Likemind Collective performs in WBGO’s performance studio.
The opera diva talks with Rhonda Hamilton about Billie Holiday, Carmen McRae and her other jazz inspirations. Norman hosts a special performance of the new Broadway musical Lady Day to benefit WBGO at the Little Shubert Theatre on September 24.
Visit wbgo.org/ladyday for information and tickets.
Likemind Collective — Orrin Evans, Eric Revis, Nasheet Waits, JD Walter, and Oliver Lake — visit WBGO for a studio session, hosted by WBGO’s Rhonda Hamilton.
WBGO’s Eulis Cathey interviews Albert “Tootie” Heath about Tootie’s Tempo (Sunnyside) featuring pianist Ethan Iverson and bassist Ben Street. The drummer reflects on playing in his early days with the likes of John Coltrane and Bobby Timmons.
WBGO’s Josh Jackson sits down with drummer Lenny White to discuss movies, playing on Stanley Clarke’s first album, and his latest release Lenny White Live (BFM Jazz).
WBGO’s Josh Jackson interviews the president of Blue Note Records Don Was about the state of the recording industry, and some of his favorite pop and jazz studio sessions.