Herbie Hancock

The Atlanta Journal-Constitution

MLK Day was first observed as a federal holiday precisely 35 years ago.

Jonathan Chimene

To state the obvious, this was a year like no other.

Fifty years ago, Herbie Hancock formed a sextet on the vanguard of electroacoustic music.

We remember it now as Mwandishi, after the title of its debut album — the first of three studio releases in as many years, during a run that has largely been overshadowed in the scope of Hancock’s career. Wedged between the curvilinear post-bop of the 1960s and the strutting jazz-funk of Head Hunters, Mwandishi embodied a distinct alignment of time and space, a moment unlikely to be replicated.

Steve Mundinger / Herbie Hancock Institute of Jazz

The Herbie Hancock Institute of Jazz has announced 12 semifinalists for its International Guitar Competition, to be held next month in Washington, D.C.

Whatever else you call Herbie Hancock — jazz-piano paragon, funk-fusion pioneer, Afro-Futurist, humanitarian, sage — you’d have to agree on “moving target.”

Forward motion is the hallmark of his multifaceted career, which has yielded all manner of accolades, including a lifetime achievement award at the Grammys in 2016.

Nate Chinen

International Jazz Day culminated in an All-Star Global Concert, held this year at Hamer Hall in Melbourne, Australia. Watch the concert webcast archive here. 

Steve Mundinger / Thelonious Monk Institute of Jazz

Tom Oren, a 24-year-old pianist from Tel Aviv, Israel, has won the 2018 Thelonious Monk International Jazz Competition.

He was awarded first prize at a gala concert on Monday night, at the Kennedy Center in Washington, D.C. Along with his prestigious honor, Oren will receive $25,000 in scholarship funds and a recording contract with the Concord Music Group.

Peter Gannushkin

Kris Davis and Craig Taborn, "Love in Outer Space"

NPR

There’s an emblematic photograph of Herbie Hancock on the back cover of his album Sunlight, which he began recording 40 years ago this month. He’s depicted against a red backdrop with a Sennheiser vocoder headset on his cranium, which is bowed in deep focus.

He’s also totally boxed in by his keyboards. The LP insert sleeve includes a diagram to help identify them by name: Oberheim Polyphonic Synthesizer, Sequential Circuits Prophet Synthesizer, ARP 2600, ARP Odyssey, Micro-Moog, Mini-Moog, Poly-Moog. (This is not a complete tally.)

Steve Mundinger / Thelonious Monk Institute of Jazz

HAVANA, Cuba — Chucho Valdés and Gonzalo Rubalcaba sat at a pair of grand pianos on Sunday night at the Gran Teatro de la Habana Alicia Alonzo, during the sixth annual International Jazz Day Global Concert, and modeled more than one kind of equilateral exchange.

Ernest Gregory / courtesy Chick Corea Productions

This week, Take Five is all about duos: from all-star summit meetings, like the one pictured above, to collaborative new partnerships like the Upstate Project, jointly led by singer-songwriter Rebecca Martin and pianist-composer Guillermo Klein. The unifying thread is deep colloquy bound by mutual respect — along with the sheer quality of the music.

When you talk to jazz aficionados, you often hear about a ground zero, a Eureka moment of musical awakening that opens up the bounty of the music. For some of us (myself included), that moment was hearing Herbie Hancock for the first time.

Celebrating the Cool and Humor of Dexter Gordon

Feb 21, 2017

"Long Tall" Dexter Gordon is one of the best known and significant musicians on his instrument: he was one of the first tenor saxophonists to adopt the bebop style, and influenced players such as John Coltrane and Sonny Rollins. Gordon's widow and former manager-producer, Maxine Gordon, and saxophonist Abraham Burton join Morning Jazz host Gary Walker to discuss the man and his music.