Ahoy readers. Josh Jackson sends posts from the Village Vanguard so I have decided to do the same from the co-anchor chair during the drive. <!--more-->
On with Eulis Cathey tonight. Pledge central is buzzing after Rob Crocker and Brian Delp had a really fun show and Rob is riding high as he breezes by to catch his train.
Eulis has such a nice and easy style. It's why so many of you like to listen to him. Tonight, he is boosting his mellow moods with some highlights from the Latin Package. If you all are dancing where you are like I am in the studio, it's going to be a hot night!
We have a theme this drive- sure, it is our fiscal finale, but everyone who calls or makes a pledge during the first week of the drive is entered to win a choice of one of 4 cruises donated by Jazz Cruises LLC. I have never been on a cruise, so I have never understood the lure of just hanging out on the water, but spending a whole week with some of the greatest jazz musicians of today, now that's something that I could go for. So now I am hoping that someone tonight wins the cruise and doesn't have anyone to go wtih and decides to take me. Eulis is playing Pancho Sanchez's take on Watermelon Man from the Latin Package and I am singing along. Then I realize that Pancho Sanchez is going to be on the Playboy Jazz Cruise ( along with Herbie Hancock who wrote the piece). I could be on that cruise and sing along with it live? Oh man, I gotta go!
Eulis has a listener who is a big Oscar Peterson fan and he likes to play an Oscar Peterson selection each Saturday night. It's always a highlight for me as a listener too. One of the thank you gifts is a seven cd collection from the Oscar Peterson Trio and the hard part is deciding which track to play. One cut on this CD is Oscar's version of Tea for Two, simple but pure Oscar. Always closely associated with Oscar was Art Tatum and we talk about this really interesting CD called a "reperformance" of Live at the Shrine. Tea for Two is one of the selections on that. This is a CD not without controversy- I try to explain it in simple terms- basically it is all about preserving the intonation and removing the distractions inherent with early recordings ( the tracks on this cd were originally recorded in 1933 and 1949). David Tallacksen talked about the technology on this blog when it was previewed at the IAJE in January. It's the kind of cd that you need to own and listen on your own time. A pledge of $88. Totally worth it. You might have seen this cd in a store and thought that it was just another release of something you may have already in your cd collection. That's why the fund drives are so great- they give us the chance to explore some of the special releases that we as listeners may overlook. I'm glad that a bunch of you decide to go for it. And get entered in the cruise giveaway.
The phones aren't ringing as much as I would like. Maybe the audience doesn't understand how important this fund drive is to keeping WBGO on the air. I have to believe that lots of people who listen don't realize that we get most of our funding from our listeners. And of course, the readers of this blog. Not commercials. So we have to educate. And remind people how important this radio station is to them. How much of a stake that each one of us has to keep this station on the air. And on the web.
Its 4 minutes to go and we haven't made our goal. It feels like a defeat. Because I know how many people are listening. What did we do wrong? Do people not believe us when we say that we are not messing around here, this is really serious? We do our best to get that point across.
And tomorrow we do it all again- hopefully with your help.
Check out my new favorite blog.
Coming in at #44 - PUBLIC RADIO!
From the post:
Summer: Who was that? It sounded like a girl.
Seth: Did it? Yeah. Well, sure. Because I'm listening to the radio. And This American Life is on. And so there's a girl talking.
Summer: Is that that show where those hipster know-it-alls talk about how fascinating ordinary people are? God.
I suppose that deep down inside, I like irreverance. Does that make me white?