On November 10 at the KC Jazz Club, JazzSet recorded the "Swiss Movement Revisited" show, featuring Javon Jackson on tenor and special guest Les McCann, singing at the keyboard. The title comes from the 1969 Les McCann Trio live-at-Montreux LP with Eddie Harris on sax. Swiss Movement captured a primal-screamin moment at the end of the 60s, with the sly & infectious anthem that asks the question, "Tryin' to make it Real, Compared to What?"
Mark Schramm was our onsite producer for "Swiss Movement Revisited," and Mark reports.
"Javon has put together a crack band to play this music. They've been together for a year now and it shows. The arrangements are tight but the band plays loose and with tremendous energy. After "Where Is the Love?" (think Roberta Flack & Donny Hathaway), Javon brings on Les, who uses a motorized cart to get around. In Les's first blues - earthy, soulful, funny, intense - every note has meaning. There's a quality of directness of expression with Les that is very moving in person.
"They played Eddie Harris' 'Cold Duck Time' (click to listen to the tune with a guitar solo by David Gilmore) from Swiss Movement, then an uptempo Javon original, then quieted down for an "Amazing Grace" duet with Les and Javon. Javon backed him perfectly. There was a lady sitting next to me at the back of the room and she had tears coming down her face at the end of that song. She wasn't the only one.
"An excellent 'Freedom Jazz Dance' followed (yet another great Eddie Harris tune), and then came the set closer, 'Compared to What.' This is Les's signature tune, and he sings that song (an anti-war anthem, let's not forget) with all the passion of the original. The driving rhythm got people up out of their seats, dancing in the back of the room. I don't think I've ever seen that at the Jazz Club!
"Between sets and after the show, Javon signed CDs out front of the club. His new one, Once Upon a Melody (Palmetto), is excellent by the way. Almost every person who bought one asked, 'Do you have a CD with you and Les?' And the answer was no. I can't tell you how many people came up and THANKED us for being there recording the concert."
"Swiss Movement Revisited" airs on JazzSet with Dee Dee Bridgewater the first Sunday in February, launching 26 weeks of JazzSet in Surround Sound, thanks to underwriting from Neural Audio. Let us fire up all six of your speakers!
What's going on all! Welcome to my blog series "DIGGIN' THE CLASSICS"! When new releases in the music world get slow, we all tend to dig into our collections for some vintage pleasure. Join me for my weekly (or whenever I feel like it) quest for soundtrack satisfaction. This is a blog for music lovers! "Walk With Me".
This edition celebrates: Yusef Lateef- The Gentle Giant (1972)
1. Nubian Lady
2. Lowland Lullabye
3. Hey Jude
4. Jungle Plum
5. The Poor Fishermen
6. African Song
7. Queen of the Night
8. Below Yellow Bell
Now I will admit, I am really picky when it comes to instrumental recordings. There has to be something powerful about a rhythm that speaks without words. Yusef Lateef is most definitely gifted in this area. Lateef defines his brand of music as "-insert here-", but don't call it jazz. "The Gentle Giant" is evidence of his unique talents. With Lateef playing various instruments (flute, tenor, and oboe) and a 9-minute cover of "Hey Jude" (?), there is enough variety on this album to prevent it from boring the "A.D.D." listener. One stand out track is, "Nubian Lady". The title say's it all. With it's melodic rhythms and ultra cool vibes, songs like these leave no room for words. That would just mess things up.
"I'm smiling, but don't call it jazz fool!"
Another track that stands out is "Queen of the Night" (must be something about the ladies). A funky track that has a bass line tailor made for hip-hop. It is this variety that makes this album one of his most interesting works. This Lp speaks to generations, and most likely opened the door for world music. Some refer to this album as being erratic compared to his prior works. I feel this is just a classic display of any artists' journey to evolve. This album is a honest contribution to the foundation of jaz......I mean "-insert here-". It dares to be different. ...And it is the "different" that makes it an instant classic.
"What do you mean by different?"
What's going on all!
Welcome to my blog series "DIGGIN' THE CLASSICS"! When new releases in the music world get slow, we all tend to dig into our collections for some vintage pleasure. Join me for my weekly (or whenever I feel like it) quest for soundtrack satisfaction. This is a blog for music lovers! "Walk With Me".
This edition celebrates: Donald Byrd- Places and Spaces (1975)
- Change (Make you wanna Hustle)
- Wind Parade
- (Fallin' Like) Dominoes
- Places and Spaces
- You and the Music
- Night Whistler
- Just My Imagination (Running Away with Me)
I have only one word to describe this album: SEXY
This is smooth jazz, funky jazz, "clean ya house jazz". I play this when my mood says,"A grown man just got home from work today....and he needs sometime to reflect".
Here's my favorite track off of the album....Wind Parade:
Recorded in the summer of 1975, Places & Spaces continued the influences of Byrd's prior release Street Lady. Exhibiting elements of Curtis Mayfield, Marvin Gaye, and Earth Wind & Fire...let's just say this wouldn't be the darling of a jazz purist. Groovin' guitars, mellow bass, and tantalizing horns makes for a perfect blend of jazz/soul/funk/disco harmony.
Hooking up with the Mizell Brothers, as he did with his last 2 albums, Byrd continued his exploration into jazz-funk. The album was also a hot bed for samples. From acid jazz to hip hop, Places and Spaces also birthed many classics in other genres. For example, Black Moon's "Buck Em Down" Remix. A classic hip hop record of the early 90's that samples Byrd's "Wind Parade."
A part of the Blue Note Records Rare Groove series, Donald Byrd's Places and Spaces demands rotation in your mp3 player. A true classic of the past, present and future.