Chuck Berry, who died on Saturday at 90, was nothing short of a pioneer in American music: a guitar slinger who created the very template for rock 'n' roll; a singer who embodied the youthful, rambunctious desires of the age; a songwriter capable of compressing an epic tale into a few tight verses. He was also a runaway highlight of the 1958 Newport Jazz Festival, which made for more than a little controversy at the time.
If you’ve been paying attention to the state of jazz singing, you no longer need an introduction to Cécile McLorin Salvant. She’s not only the most electrifying talent of her generation but also a breakout star, approaching a kind of celebrity. So it’s reassuring to know that her aesthetic compass hasn’t shifted.
Saxophonist and flutist Charles Lloyd has led some rather spectacular bands over the years — from his heralded late-1960s quartet to the Marvels, his current group with guitarist Bill Frisell. Passin’ Thru, due out on Blue Note on July 14, captures the unique intensity of the Charles Lloyd New Quartet, a decade-long proposition with Jason Moran on piano, Reuben Rogers on bass and Eric Harland on drums.