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That's A Wrap: Kanye's Koans, K-Dot's Prize, Drake's 'Scorpion,' J. Cole's 'K.O.D.'

Kanye West returned to Twitter this week to post aphorisms... and announce several new albums, including one from Pusha-T (left).
Dimitrios Kambouris
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Getty Images for Yeezy Season 3
Kanye West returned to Twitter this week to post aphorisms... and announce several new albums, including one from Pusha-T (left).

Forget that old adage about hip-hop being a product of the streets. Nowadays, if you really want to keep your finger on the pulse, you better follow the tweets.

Consider the events this week in rap as exhibits A, B, C and D: In the last five days, three of the biggest, most elusive names in rap have taken to social media to tease fans with forthcoming album release dates, while rap's reigning G.O.A.T. collected the big cheese.

It all started on Monday, when Kendrick Lamar won a damn Pulitzer Prize in music, the first of its kind awarded to any artist outside of classical or jazz.Word spread like wildfire on the web.

The same day, Drake announced on Instagram the forthcoming June release of Scorpion, which everybody instantly assumed to be an album, because why else would he have it screenprinted on the back of a shiny black jacket? (He later confirmed those assumptions to Rolling Stone.)

Later that same night, J. Cole, whose fans are well-adapted to his unannounced releases, tweetedout the details of a surprise listening show at New York's Gramercy Theatre — "No phones, no cameras, no bags, no press list not guest list" — where he previewed his new 12-track album K.O.D., before announcing its Friday release five hours later.

Oh, and Kanye West returned to Twitter, spitting out the deepest aphorisms this side of Deepak Chopra. ("Some people have to work within the existing consciousness while some people can shift the consciousness," is my personal fave. Go ahead and guess which one Kanye considers himself.) In an interviewwith his interior designer Alex Vervoordt, 'Ye promised his own philosophy book was on the way. By Wednesday, he'd informed us that the tweets we were consuming were, in fact, the book: "oh by the way this is my book that I'm writing in real time," he tweeted, because, why not?

The news everyone was waiting for — and the only reason Kanye ever returns to Twitter — finally came Thursday when he cryptically tweeted a few release dates: "my album is seven tracks," he posted. "June 1."

Kanye didn't stop there, confirming a slew of GOOD Music release dates, including his long-rumored collaborative album with Kid Cudi (the duo now known as Kids See Ghosts) for June 8; Teyana Taylor for June 22; and Pusha T for May 25. (NPR Music has reached out to Def Jam in an attempt to confirm Kanye's release dates.)

Coming from Kanye, of course, these dates could mean anything. Or nothing. His last major release, Life Of Pablo, got pushed back several times from his originally announced release date, and he continued to tweak the album long after its exclusive release on streaming platform Tidal.

But such is the ephemeral nature of hip-hop — or politics — today, where the formality of press releases has been usurped by the immediacy of informal tweets, complete with typos, unconfirmed info and the likelihood that all can be deleted at an artist's whim. (Surprise, snitches!) You almost have to wonder if the genre's biggest artists got together and plotted out this week in advance, you know, for the culture. If so, it's the biggest troll ever.

Copyright 2021 NPR. To see more, visit https://www.npr.org.

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Rodney Carmichael is NPR Music's hip-hop staff writer. An Atlanta-bred cultural critic, he helped document the city's rise as rap's reigning capital for a decade while serving on staff as music editor, culture writer and senior writer for the defunct alt-weekly Creative Loafing.