Mark de Clive-Lowe Explores His Japanese Heritage on The Checkout Live at Berklee

Feb 7, 2019

Mark de Clive-Lowe, the Los Angeles-based live-electronics pioneer, is half-New Zealander and half-Japanese. He has lately turned his focus to his Japanese heritage — on a new album and on this episode of The Checkout, from the Berklee College of Music.


Mark tells us, onstage at The Red Room at Cafe 939, that the moment is finally right for him to explore his Eastern roots. “I grew up loving so much music that comes directly from the black American tradition, from jazz to hip-hop, Detroit techno and house,” he says. 

I think growing up in New Zealand, all of that resonated with me because it was so ‘other’ than what my peers were into, and being half-Japanese, I was “other” too. As I’ve grown as a person and a musician, I’ve realized that my own voice and my own story is what is most important. I can't be honest in my art if I’m trying to speak through someone else’s voice and that’s what has led me to my motherland — to Japan and connecting through my art with my ancestral heritage.

“Bushido,” which means “the way of the warrior,” is inspired by the Japanese samurai tradition. Watch De Clive-Lowe and his band perform the song at The Red Room.

It seems fitting that De Clive-Lowe returned to his alma mater the same year that Berklee announced a new commitment in expanding its electronic music curriculum. For the first time, Berklee students can now enroll as Electronic Digital Instrumentalist.

 

Back in 1994, when Mark attended the conservatory as a jazz pianist, studying electronics as a musical instrument was never an option. So he decided to relocate overseas to immerse himself in London’s Broken Beat experimental scene. During a decade of living there and making techno, he didn’t even touch the piano.

 

Heritage
Credit album art by Mark de Clive-Lowe

So, when De Clive-Lowe made his triumphant return to jazz (and to the acoustic piano), the results were satisfying as well as groundbreaking. As we detailed in a recent Jazz Night In America video short, he’s one of the few instrumentalists who can effortlessly combine piano jazz improvisation and electronic dance music. 

Here at The Red Room, in a quartet featuring Gene Coye on drums, Corbin Jones on bass and Teodross Avery on saxophone, De Clive-Lowe combines Japanese folkloric harmonic and melodic ideas with Detroit house techno on a new composition, “Silk Road.” 

 

 

 

The Checkout is proud to premiere three videos from Mark de Clive-Lowe’s new recording, Heritage (Ropeadope), which drops tomorrow. About this song, “O-Edo Nihonbashi,” De Clive-Lowe says: “‘O-Edo’ is a part of Japan’s history and ‘Nihonbashi’ is a part of Tokyo. So, it’s this bridge that goes into Tokyo and there is a folk song about it. I thought I’d flip it and see how I can bring that melody I heard as a youth into something I might want to play now.”

Join us next Wednesday night on wbgo.org for the next The Checkout Live at Berklee featuring saxophonist Godwin Louis, class of 2008. He joins Gilad Hekselman on guitar, Billy Buss on trumpet, Victor Gould on piano, Hogyu Hwang on bass and Obed Calvaire on drums.

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