January 13, 2011. Posted by Alex Rodriguez.
2010 was a good year for Jason Moran. He celebrated ten years of music-making with his trio, The Bandwagon, alongside Tarus Mateen and Nasheet Waits. Their latest release for Blue Note, Ten, received rave reviews and found a place on nearly every jazz critic's "Best of 2010" list. To top it off, the MacArthur Foundation awarded Moran a MacArthur "Genius" Fellowship, which comes with a cool $500,000 in award money.
Moran is off to an ambitious start in 2011 as well. This weekend, he has organized a pair of concerts at 92Y Tribeca (200 Hudson Street, Manhattan) to feature his fellow Houstonians who are tearing up New York's jazz scene today.
Tomorrow (Friday), the event features songwriters Bryan Michael Cox, Leron Thomas, Alan Hampton and Josh Mease, backed by Moran and other members of the Houston cadre such as Kendrick Scott, Robert Glasper and Eric Harland. The concert begins at 9:00 p.m.
Saturday's concert features jazz more prominently, including sets by Billy Harper with Michael Carvin, Jason Moran & Marcos Varela, Kendrick Scott's Oracle with Mike Moreno, Jamire Williams & Erimaj, Robert Glasper & Jason Moran with guests, and an interview with Dr. Bob Morgan, the band director at Houston's High School for Performing and Visual Arts who has mentored most of these musicians. The concert begins at 9:00 p.m.
If you check it out, stop by and say hello to WBGO's Josh Jackson, who will be recording the concert and will feature highlights on his weekly show, The Checkout, sometime next month.
© 2011 WBGO
January 12, 2011. Posted by WBGO.
How do you play somebody else's songs and still sound like yourself? It's a central challenge of jazz — so often an art of interpretation — and it's especially difficult to answer with Charlie Parker's compositions. Dense and virtuosic, they often sound as if they originated in his distinctive style of improvising.
But the saxophonist Joe Lovano has given it a shot. His current working band, the loose double-drummer unit Us Five, has issued Bird Songs, a new record of tunes from the Charlie Parker songbook. And it sounds very little like the way Parker played his music. The Joe Lovano Us Five played selections from that record in a live WBGO/NPR Music broadcast and online webcast from the Village Vanguard on Wednesday, Jan. 12, at 9 p.m. ET.
Now a few years old, Us Five has enjoyed a lot of time on the road to develop its sonic identity. Lovano, a monster player in all directions, is the central focus on tenor saxophone and other strange saxes. But he swims amid the interplay of drummers Otis Brown III and Francisco Mela (replaced on this gig by Matt Wilson), plus the additional lean muscle of pianist James Weidman and bassist Esperanza Spalding. And their collective take on Charlie Parker is a sort of 21st-century expressionism. It's Bird re-painted with broad strokes — Bird as a point of departure for a personal vision — and it's got a churning engine behind it.
Lovano was raised in Cleveland, Ohio, where his father was a tenor saxophonist. He eventually took the lessons of the Cleveland clubs to Berklee College of Music, and then New York City. Lovano quickly found his way into everything between organ trios with Dr. Lonnie Smith and Brother Jack McDuff and big bands led by Woody Herman or Mel Lewis. He counts guitarists Bill Frisell and John Scofield as peers, collaborators and friends; he's one of the musicians of their generation to reach international stardom. Bird Songs is his 22nd record for Blue Note Records alone.
Lovano has long been in the regular rotation at the Village Vanguard; he once played in the Monday-night house jazz orchestra, and he's even made two albums there under his own name. In fact, he played in the long-running trio with Frisell and Paul Motian in one of the early editions of this Live at the Village Vanguard series. As for Us Five, it's already spent a few weeks at the Vanguard in recent years; for this residency, the group took the stage with some new additions to the repertoire.
Compositions by Charlie Parker unless otherwise indicated
- "Yardbird Suite"
- "Moose The Mooche"
- "Lover Man" (R. Ramirez)
- "Donna Lee" (M. Davis)
- Joe Lovano, saxophones
- James Weidman, piano
- Esperanza Spalding, bass
- Otis Brown III, drums
- Matt Wilson, drums
- Josh Jackson, producer and host
- David Tallacksen, mix engineer
- Michael Downes, production assistant
- Lara Pellegrinelli, moderator
© 2011 WBGO