• Charles Lloyd's Sangam at Newport on JazzSet

    November 11, 2011. Posted by Becca Pulliam.

    Harland, Hussain, Lloyd on the Fort Adams Stage at Newport
    Harland, Hussain, Lloyd on the Fort Adams Stage at Newport

    Photo by Boston Photographer Erik Jacobs for NPR.

    This just in: JazzSet will be recording the Either/Orchestra on Saturday, November 19, at Tishman Auditorium, 66 W. 12th St. at Avenue of the Americas in New York .. 2pm .. FREE .. reservations recommended, here .. premiere of a new suite made possible through New Jazz Works grant from Chamber Music America. See you there!

    Tune in to JazzSet Sunday, November 13, at 6pm and/or Wednesday, November 16, at 6:30, for Sangam, the confluence of Eric Harland on drums and piano, Zakir Hussain on tablas and vocals, and Charles Lloyd playing saxophone, piano, maracas, Hungarian tarogato,  and flute (so lovely, Lloyd's flute). Here's a 30-second preview.

    The show is available on demand any time this week, here.

    Host Dee Dee Bridgewater tells us that her father Matthew Garrett was Charles's music teacher at Manassas High School in Memphis, and how much she loved Lloyd's million-selling LP Forest Flower Live at Monterey in the mid 1960s. Surround Sound mixer Duke Markos hears the music as changing textures. I hear it as meditation with momentum, and a cool-down at the end.

    Oy, I am feeling bad about a lapse: last week's post about Roy Hargrove on JazzSet never made it to the blog. Operator error. But you can still enjoy the show at jazzset.npr.org. Here is the post that wasn't:

    Roy Hargrove by John Rogers for NPR johnrogersnyc.com
    Roy Hargrove by John Rogers for NPR johnrogersnyc.com

    During a two-week run at the Village Vanguard, WBGO broadcast Roy's “early” show live. The video stream is archived on this blog, here. Now JazzSet brings you the late set in Surround Sound, hosted by Dee Dee Bridgewater.

    Onstage Roy is all music (by Duke Pearson, McCoy Tyner, bassist Ameen Saleem, Roy himself), no talk, and he connects: at the end, the audience applauds the set for more than two minutes.

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