WBGO Blog
  • Miguel Zenón Quartet: Live At The Village Vanguard

    May 15, 2013. Posted by WBGO.

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    Miguel Zenón. (Image Credit: John Rogers for NPR/johnrogersnyc.com)

    Ever since he started becoming one of the best alto saxophone players in the world, Miguel Zenón has drawn influence from his upbringing in Puerto Rico. Folk melodies, forms and rhythms have inspired many of his technically astounding yet immediately gratifying works. So it makes sense that he's giving back. He's launched an initiative called Caravana Cultural, presenting free jazz concerts and lectures on the island. His latest album Oye!!! was recorded live in San Juan with Puerto Rican musicians. And his newest book of compositions was based on interviews with Puerto Ricans living in New York.

    Zenón too lives in New York, and his stunning U.S-based quartet has supported his every move for 10 years now. It's been invited to play a prestigious home date: It visits the Village Vanguard for a week in mid-May. It's the first time he's led a band at the Vanguard, and he brought his new tunes with him. WBGO and NPR Music presented a live video webcast and radio broadcast of the Miguel Zenón Quartet at this page.

    Set List

    All compositions by Miguel Zenón.

    • "Identities Are Changeable"
    • "My Home"
    • "Same Fight"
    • "Second Generation Lullaby"
    • "First Language"

    Personnel

    • Miguel Zenón, alto saxophone
    • Luis Perdomo, piano
    • Hans Glawischnig, bass
    • Henry Cole, drums

    Credits

    Host and Producer: Josh Jackson; Audio Engineer: David Tallacksen; Production Assistant: Josh Webb. Recorded May 15, 2013 at The Village Vanguard in New York, N.Y.

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  • Jazzahead! Highlights: 5 New Bands From Europe

    April 26, 2013. Posted by Tim Wilkins.

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    Turkish-German vocalist Esra Dalfidan sings in several languages with her band FIDAN. (Image Credit: Courtesy of the artist)

    Bremen may be best known for its love of soccer and Beck's beer, but every April, its Jazzahead! festival turns the German port town into a capital city of jazz for a weekend

    What began as a small trade fair and showcase for German jazz nine years ago has grown into a four-day festival with more than 80 concerts and 600 exhibits, attracting 20,000 jazz fans and professionals. What sets Jazzahead! apart from other festivals — and makes it a magnet for young performers and industry insiders — is its focus on artist development. Organizers host matchmaking sessions that pair musicians with bookers, agents and the media.

    "Everybody who comes gets that positive energy, because they meet, network and make plans about how to improve the situation for jazz together," says Peter Schulze, the festival's artistic director.

    Jazzahead! has a European focus, but more and more visitors come from around the world. Many artists premiere new projects — and come from as far away as Finland, Albania and Brazil. A dozen acts are coming from the festival's partner country this year, Israel.

    Since many of these artists aren't well-known in the U.S., I've been exploring the Jazzahead! roster at the jazz bee, WBGO's HD2 stream for emerging artists. WBGO is hosting an around-the-clock showcase of recordings by groups at this year's festival, and will broadcast concert highlights on producer Josh Jackson's weekly music magazine, The Checkout, on May 7 and 14. Here's a sneak peek at five acts which surprised me, and may surprise you.

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  • South By South Africa: 5 Jazz Acts From The Rainbow Nation

    April 12, 2013. Posted by Simon Rentner.

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    The pianist and saxophonist Kyle Shepherd is one of Cape Town's most highly tipped musicians. (Image Credit: freelenz/Flickr)

    Brilliant art often hides in plain sight. Such is the case in South Africa, where, for centuries, the country turned its back on black and "coloured" musicians.

    In the mid-'60s, the apartheid government made it impossible for its best musicians to operate or make a living. Being a true jazz musician in the apartheid era was particularly dangerous; artists who played music that symbolized empowerment, integration and freedom posed a direct threat. This is why so few "classic" South African jazz recordings exist in the first place. Now, as South Africa enters a modern age, many of the same problems that frustrate American jazz artists actually plague South Africans. Recording contracts for its elders are few and far between.

    That said, there's one bright light in the country: The Cape Town International Jazz Festival, one of Africa's largest music events. Last weekend, jazz — and all that it represents — was celebrated as a vital component of South African identity. This "grandest gathering," as it was called, not only drew a massive audience (26,000 people in two days), but also attracted Africa's top business leaders and dignitaries, including South Africa's president himself.

    Here are five South Africans — all featured at this year's festival — whom every jazz aficionado should know.

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