May 1, 2008. Posted by Joshua Jackson.
This photo of B.B. King and Clarence Gatemouth Brown was taken at the 2005 New Orleans Jazz And Heritage Festival. It's from "Last Days of Fame," a powerful piece of photojournalism by Jennifer Zdon.
Gatemouth and I shared a birthday, though we were separated by half a century. I first met him at WWOZ in New Orleans. He sat in our tiny on-air studio, his head buried beneath a black Stetson, his hands wrapped around a small pipe. The occasional waft of an illicit substance. This must explain the fact that, as Michael Bourne once discovered, Gatemouth Brown loves to eat grape jelly on everything...including steak. Strange things happen.
In 1999, I attended the Public Radio Program Directors conference in Memphis, Tennessee. The Peabody Hotel, as I recall, where mallard ducks marched through the hotel hallway (led by a man in a tuxedo, suggesting penguin not duck) and climbed a flight of custom-made steps into the lobby fountain. This was part of the hotel's daily schedule. Strange things happen.
I went to BB King's Blues Club on Beale street one night. Gatemouth Brown was performing live. WBGO and JazzSet were broadcasting the show. NPR's Bettina Owens threw a huge party to celebrate the fact that this concert was NPR's first live webstream! I had no relationship whatsoever with any of this, other than kid spectator. One year later, however, I was working on an NPR show. And the next year, I started working at WBGO. Strange things happen.
© 2008 WBGO
April 9, 2008. Posted by Joshua Jackson.
The Village Vanguard is is one of my favorite places in New York. With that simple statement, it gives me great pleasure to introduce WBGO's newest adventure. We're starting a monthly concert series from the legendary jazz club. Our eventual plan is to air the shows live on WBGO, and stream them simultaneously on NPR's Music site. Last night, we took the first of many baby steps.
Guitarist Adam Rogers made his debut as a leader at the Vanguard, and we recorded our initial show for this series. An evening of "firsts," so to speak.
Here's the basic information:
Adam Rogers, guitar
Mark Turner, tenor
Edward Simon, piano
Scott Colley, bass
Jeff "Tain" Watts, drums
Long Ago and Far Away
We also recorded the second set. Someday you'll get to hear that, too! Stay tuned to the blog for more information about WBGO's new series, Live at the Village Vanguard.
© 2008 WBGO
March 12, 2008. Posted by Joshua Jackson.
I am a city dweller, plagued by the New Yorker bias. That is, I very rarely go to New Jersey for anything other than to work at WBGO. However, I am not so entrenched that I won't shake my preconceptions for the right set of circumstances. So last night, I ventured to SOPAC for a performance from the SF Jazz Collective, a pride of eight musicians of the highest caliber.
Each year, the collective features original commissions, as well as arrangements of a noted modern jazz composer. This season, the band turns their all-seeing eye on composer and saxophonist (and Newark native) Wayne Shorter.
The end of time was the beginning of the set. Saxophonist Miguel Zenon's arrangement of Shorter's "Armegeddon" set us on the trailhead.
Here's what followed:
This That and the Other - a Joe Lovano original
The Angel's Share - penned by Matt Penman, a New Zealand import
Diana - from Shorter's Native Dancer, arranged by Renee Rosnes
Go - Stefon Harris arranged this Shorter composition with some backbeat boom bap. Great way to end the first half.
The second set pushed ahead into the abstract, modern aesthetic that makes the collective such a great band to hear. Drummer Eric Harland's "The Year 2008" set the tone, a composition built around a recorded vocal chant, Martin Luther King's "I Have a Dream" speech, and a reading of the Declaration of Independence. Rosnes' "Aurora Borealis" followed. Trumpeter Dave Douglas contributed "Secrets of the Code," an original work that used snippets of Wayne Shorter's music as source code embedded as a thread throughout the composition. Great stuff. The newest member of the collective, trombonist Robin Eubanks, ended the evening with his arrangement of Shorter's "Black Nile."
Only two complaints. The piano monitor levels in the house made the trombone articulation inaudible. That's just the music nerd in me. The other issue is this: I could not hear all of the band's repertoire in a single night. The SF Jazz Collective had more music in the kitty, but I'll have to see them again to hear the rest. Will do.
© 2008 WBGO
March 10, 2008. Posted by Joshua Jackson.
Free music at J&R was the lone spot of sunshine on an otherwise gloomy Saturday. Catherine Russell performed live on Saturday Afternoon Jazz, hosted by Monifa Brown. Listen to the show now. You can also catch Catherine Russell singing at our next Kids Jazz Series program, this Saturday, March 15th 12:30pm at NJPAC. Don't forget to bring a kid. Preferably one you know.
© 2008 WBGO