December 16, 2011. Posted by Becca Pulliam.
Christian has great musicianship, personality, and he's versatile. In 2008 he led a Philly-Detroit Connection show at the Detroit Jazz Fest. In 2009 he served as DJF Artist in Residence. He returned to Detroit in winter 2010 to present The Movement Revisited, a suite for four civil rights era figures, which I blogged about here. His two current CDs feature his big band and a program of duets with various artists.
And on this JazzSet from Detroit, Christian is the heart and soul of his small group. Tune in / log on for Christian McBride and Inside Straight at the 2009 DJF, this Sunday, December 18 at 6pm, and again Wednesday, December 21 (solstice night?) at 6:30. They play outdoors in Hart Plaza, named for MI Sen. Philip Hart (1912-76), "The Conscience of the Senate".
Rhonda Hamilton is the guest host. Here's a promo, and there's more about the show here.
© 2011 WBGO
December 9, 2011. Posted by Becca Pulliam.
Party with Cyrus Chestnut and Benny Green at two pianos this Sunday, December 11, at 6pm and Wednesday, December 14, at 6:30 . NEA Jazz Master Jimmy Heath and Nicholas Payton add more fun, with Dezron Douglas on bass and Willie Jones III on drums. Put on your dancing shoes one more once for this New Year's Eve 2010-11 set, says host Dee Dee Bridgewater . . . .
© 2011 WBGO
November 25, 2011. Posted by Becca Pulliam.
Things are not what they seem to be .. a four-piece group sounds like a larger ensemble, playing music that is a convincing illusion.
Tune in Sunday, November 27, at 6pm and/or Wednesday, November 30 at 6:30 for FFEAR on JazzSet. It's not scary, it's seductive as reed man Ole Mathisen carries us away from the familiar with microtonal harmony and layered rhythms, then brings us home, changed.
Chris Washburne plays trombone and Tony Moreno, drums, with Ole's brother Per Mathisen from Norway on bass at Miller Theater, Columbia University, New York. Recording and Surround Sound mix by Duke Markos.
Ole practices alternate fingerings to produce tones that are neither natural, flat nor sharp but somewhere in between. Three-quarter tones. But, as Chris says, these in-between pitches already live in jazz; for one example, blues singers use them liberally to tell stories and express emotion.
Ole's composition "Mirage" was commissioned by Chamber Music America's New Jazz Works, funded generously by the Doris Duke Charitable Foundation.
Listen on demand any time during the week, here.
© 2011 WBGO