June 29, 2008. Posted by Amy Niles.
That’s what people say when you first meet them here in Montreal. They don’t assume that you understand them, they welcome you in. And in the rare case that someone does not speak English, they are apologetic for it. As if the onus to communicate is on them, not on you.
Yesterday was filled with fresh smells and beautiful images at the Jean Talon Market. A place that is off most tourist’s radar screen, but a must see if you are trying to get the flavor of this city. The famous Quebec strawberries ( a clown walking around even offered us a sample!), we met the woman who owns the cows that make the milk for the cheese that she was hoping that we would sample. The person who grilled the sausages wanted to tell us about the process that was used to make them. Go with an appetite- every stall had not only a beautiful display of produce and wares, but also samples to taste- berries, and plums and nectarines. Even little cups of jams and juices. And each offering is a work of art- maybe a flower placed in the center of a basket of berries, or a sprig of parsley brightening up a mound of mushrooms. You taste with all of your senses at the Jean Talon Market. I came back with figs and berries for the most wonderful midnight snack as I prepared for another much anticipated night of music.
Coral Egan is a very popular local singer. Her two sold out nights are a testament to the love that this town has for its home grown talent. One of the interesting things that I have noticed about the Montreal artists is that they aren’t pigeonholed into one genre or instrument. Coral sings the blues, and standards, and rock. I could picture her singing in a smoky Canadian club, or an outdoor beach jam in Malibu. She plays her set barefoot, with her toned body swaying on the piano bench or enveloping her guitar. Her backup singer did her turn on all of the instruments too. And of course she slipped in and out of English and French. You may not like it all, but the sum of her parts made for one captivating evening.
It was an honor to be present watching Brad Mehldau and Hank Jones perform together. The sheer genious of the producers of this event to create such a magical evening has to be commended- and the audience owes them a debt of gratitude for the opporuntity to witness these artists together. Who led? Who’s style won out? I can’t say. It was pure harmony. I will let Becca and Michael talk about the jazz aspects, but for me- the fortunate listener, it was an evening that will stay with me for a long time.
This is why I come to Montreal. Gee- I have said that about so many things this trip!
© 2008 WBGO
June 29, 2008. Posted by Becca Pulliam.
Four hours of Brad Mehldau here on June 28, 2008, were magnificent! first with Larry Grenadier on bass and Jeff Ballard on drums, the other at two pianos with Hank Jones. A great trio stretch was "Samba e Amor" by Chico Buarque with a beautiful left hand piano solo, an untitled new piece, "We See" by Monk, and "Baby Plays Around" by Elvis Costello, an anthem of regret. All music, almost no talk, applause between pieces seemed never to end. There were two encores. That concert began at 6 and went past 8. Ninety minutes later, Brad came back with Hank Jones.
The pianists were born about fifty years apart. As a high school student, Brad had seen Hank at Bradley's club in New York, and been inspired. Tonight, they played together for the first time. After three pieces they switched pianos (Their benches went with them, in a clever piece of stagecraft). Even on the other's piano, they sounded like themselves -- Hank a little warmer, Brad a little brighter -- on "Anthropology," "There Is No Greater Love," "Lullaby of Birdland" and "The Very Thought of You."
I love Hank's underpinnings, like his two-handed paddle, and his concentration. By the way, he's turning 90 later this summer. Brad drums on notes, fast and precise. His hands mirror one another, effortlessly. Though he can throw an elbow (Jones is back straight, arms at sides), they were both as economical as dancers, and partnering each other tonight. I hope this concert was recorded.
Click here for Monk's "Work" performed by the Brad Mehldau Trio.
The Montreal audience and the staging are essentials in this package. Don't have a photo yet, working on a little audio sample, and in the meantime, here's something from the farmers' market that Amy & I went to yesterday. Think of New York's new venue, Le Poisson Rouge.
© 2008 WBGO
June 28, 2008. Posted by Simon Rentner.
Last Sunday, a "legend's legend," as described in the JVC Jazz Festival - New York program guide, performed at Carnegie Hall. João Gilberto, who turned 77 a few weeks ago, made his only US appearance this year to commemorate the 50th anniversary of the bossa nova. Remarkably, the concert transpired with no snags or disturbances (Joao is also a legend for both his on and off-stage behavior). The music was, as expected, transcendent. He subtlety plucked the guitar in his signature fashion while whispering timeless samba melodies (see full set list below). I'm not even sure that he looked at the audience once, which unusually added to the concert's intimacy. Every seat in the hall was filled, yet it seemed like you were alone with João every moment.
If you missed the broadcast of "50 Years of the Beat: A Celebration of Bossa Nova," click here:
The Carnegie Hall Set list (songs Joao played, but not in order)
1. Bahia com H - Denis Brian
2. Coisa mais Linda
5. To fazendo um ano meio
6. Chega de Saudades
8. Brigas nunca meis
9. Clima Quente
10. Morena Boca de Ouro
11. De Conversa Em Conversa
12. O Pato
13. Dora Lice
14. Nota So
16. Samba do Aviao
18. Voce ja foi a Bahia
19. Rosa Morena
20. Caminhos Cruzadas
21. Aos tes da Cruz
© 2008 WBGO