This weekend marks 100 years since the birth in Atlanta of Mary Lou Williams (1910-1981), one of the greatest musicians and first women in jazz. Creative, profound, productive from her teens in Kansas City through her teaching at Duke University, her life inspired Duke Ellington to write “Mary Lou Williams is perpetually contemporary. Her music retains a standard of quality that is timeless. She is like Soul on Soul.”
The Institute of Jazz Studies website is your quickest way to learn about her, just a click away. The online exhibit is thorough and beautifully done. Plan to spend at least 15 minutes with this multimedia biography. It comes from material in the Mary Lou Williams Collection (she was a saver and left everything to the IJS).
This Sunday at 6pm, JazzSet with Dee Dee Bridgewater features MLW in performances from more than 30 years ago, as she rocked the houses at the Universities of Michigan and Wisconsin. She tells and plays the history of jazz from spirituals through ragtime, blues, the “swingin left hand” a/k/a stride, and modern sounds. Only MLW could say "This music doesn't have anything to do with New Orleans or Africa. It's American music." And then she chuckles. Ronnie Boykins (1935-1980, veteran of the Sun Ra Arkestra) is on bass, Charli Persip on drums. (At Jazz Standard Tues night, when Mulgrew Miller played “Ev'ry Day I Have the Blues,” he paralleled MLW's Basie-like treatment of “Bag’s Groove” that closes the JazzSet.) Rebroadcast Wednesday at 6:30 or on demand any time.
<!--more-->Here in New York to mark the centennial, Dizzy’s Club at JALC is presenting the Juilliard Jazz Orchestra with guests Kenny Barron and, over the weekend, Lew Tabackin in Music of MLW. Sounds like a must-see.
A major centennial event is a performance of Mary Lou’s Mass, her long form, religious composition. WBGO's Rob Crocker is MC. The modest ticket price ($20) goes to help people in trouble (which also happens to be the name of one of the movements of the piece). Here is an excerpt from the press release:
The newly restored Church of St. Francis Xavier and the Mary Lou Williams Foundation will celebrate the 100th anniversary of the birth of the First Lady of Jazz with a concert to benefit Xavier Mission outreach programs including the homeless shelter and soup kitchen. The celebration takes place on Saturday, May 8, 2010 at 7:30pm. The lineup will include the renowned jazz accompanist Aaron Diehl with his trio of special guest Victor Goines on saxophone and clarinet, Yasushi Nakamura on bass and Marion Felder on drums; Laurel Massé, founding member of the vocal group Manhattan Transfer and a 40-voice choir directed by John Uehlein, Music Director at the Church of St. Francis Xavier.
Advance tickets ($40 Premium, $20 General, $10 Student with ID) may be purchased at a reduced rate online at www.sfxavier.org. Tickets will also be available at the door that evening.
(Fr O'Brien was MLW's manager for the last decade, directs the MLW Foundation, and is encyclopedic on her career and milieu.)
The Aardvark Jazz Orchestra with Special Guest Geri Allen, pianist, and Father Peter F. O’Brien, guest narrator, present a Mary Lou Williams Centennial Celebration: From Swing to Sacred Music, a Journey of Faith on Sunday, May 9, 2010 at 8pm at Boston College, Robsham Theatre, 140 Commonwealth Avenue, Chestnut Hill, MA. Box Office: 617-552-4002 Information: 617-776-8778
Alvin Ailey choreographed Mary Lou’s Mass, and the Ailey dancers will perform it at BAM in Brooklyn in July. In the “Ailey Spirit” program, BAM audiences will be the first in 35 years to see Ailey’s joyous ballet Mary Lou’s Mass. This new production coincides with the centennial celebration of jazz pioneer Mary Lou Williams, whose music inspired a work “perfect for Ailey” that is “a celebration of life, jazz and gospel” (The New York Times).
Jun 10, 15, 18 & 19 at 7:30pm .. Jun 13 & 20 at 3pm .. http://www.alvinailey.org/BAM/
The 15th annual Mary Lou Williams Women in Jazz Festival takes place at the Kennedy Center from May 20-22, featuring Howard University's jazz vocal ensemble, Afro Blue, opens each night's concert with a Williams vocal work arranged by Howard University's own Connaitre Miller, Afro Blue Music Director.
The opening night concert on Thursday, May 20, features an extended performance by an all-star quintet of Dee Dee Bridgewater, Geri Allen, Terri Lyne Carrington, Esperanza Spalding and Grace Kelly, plus a set by 2009 Women in Jazz Competition–winning pianist Carmen Staaf.
On Friday, May 21, vocalist Catherine Russell returns to the Terrace Theater. Plus, Kennedy Center big band favorite Sherrie Maricle and DIVA take on some of Williams' heartiest charts.
On Saturday, May 22, California-based Ann Patterson's Maiden Voyage big band performs several charts arranged by Mary Lou Williams for the Ellington Orchestra. Saxophonist Virginia Mayhew returns to the Festival with a small ensemble salute to the divine Ms. Williams. The climax is the Mary Lou Williams Collective with pianist Geri Allen, Music Director, vocalist Carmen Lundy, and Afro Blue performing Mary Lou's Mass.
In Madison, WI, a full weekend festival is planned in October. (Music from MLW's 1976 residency at UW is featured on the JazzSet. She made an impression, still revered in that city 34 years later.) More is at marylouwilliamscentennial.org
MLW was teaching at Duke University when she died. Today the African-American student center is named for her. The website shows no events in her honor, but bears this celebratory headline: “The Mary Lou is hiring new student positions.” http://www.studentaffairs.duke.edu/mlw:
Mary Lou grew up in Pittsburgh. WDUQ offers this feature:
If you know something else that’s going on, please add to the list!