WBGO Blog
  • Toast of the Nation New York - The Eats

    December 31, 2007. Posted by Joshua Jackson.

    We had a productive soundcheck and rehearsal with Trio da Paz, Kenny Barron, and singers Pamela Driggs and Maucha Adnet.

    We spent more than an hour making sure that what the nation hears in New York will most assuredly sound like Rio de Janeiro. Michael Bourne was in fine form, and he has a story from Antonio Carlos Jobim to lead us into the countdown. We've practiced everything. Next time, it's for real.

    After rehearsal, we ran upstairs to Blue Smoke for eats. Here's what it took to feed the New York crew.

    SIDES

    Macaroni and Cheese x 2, Braised Collard Greens With Bacon, Sweet Potato Fries with Maple Dip, Mashed Potatoes and Onions, Creamed Spinach

    ENTRES

    Seared Atlantic Salmon with Tomatillo Sauce, Scallion-Pepper Rice & Pico de Gallo

    Rhapsody In 'Cue (x 3) = St. Louis Spareribs, Pulled Pork, Smoked Chicken and Hot Link

    Kansas City Spareribs (saucy) - one full rack

    Memphis-Style Baby Back Ribs (leanest) - two full racks

    Eight large, moist towlettes and many toothpicks. Hey, it's barbeque!

    We're currently recording the first set from Jazz Standard.

    Saucily yours,

    Josh

     
     
     

     
  • Toast of the Nation New York - The Musicians

    December 31, 2007. Posted by Joshua Jackson.

    There's some serious talent on the stage tonight.

    Trio da Paz are Romero Lubambo on guitar, Nilson Matta on bass, and Duduka da Fonseca on percussion. They are some of the best Brazilian jazz musicians on the scene. When you want samba, bossa nova, and other native Brazilian styles fused with jazz improvisation, these are your go-to guys. Singers Pamela Driggs and Maucha Adnet will each join the trio for a song before midnight.

    Kenny Barron is a certifiable jazz master, for sure (it's time for the NEA to recognize this). He's played with Dizzy Gillespie, Jim Hall, Freddie Hubbard, Stan Getz and a slew of other great musicians. His work in Gillespie's 1960s Quintet with James Moody is outstanding. The final records with Getz are worth having, especially People Time, the sax and piano duets. The duet recording with bassist Charlie Haden, Night and the City, is a not-so-distant classic. Kenny Barron was also a part of Sphere, the Thelonious Monk tribute group that became its own thing.

    Did I mention that he taught music at Rutgers University in Newark for 27 years? I'll leave the rest out for you to discover. There's plenty more.

    Kenny Barron and his wife used to go to the Union Square Greenmarket on Saturday mornings. At noon, they'd visit a nearby café for Brazilian food and a great trio. Kenny was digging Romero Lubambo on guitar, Nilson Matta on bass, and Duduka da Fonseca on drums. aka Trio da Paz. In 2002, these four recorded a CD together. It's called Canta Brasil.

    Kenny Barron

    Kenny Barron and Trio da Paz have a lot of chemistry. Stay tuned.

    Josh

  • Toast of the Nation New York - The Crew

    December 31, 2007. Posted by Joshua Jackson.

    Since you may miss the litany of names at the end of the New York segment, meet the folks who bring you 2008. Remember that while you're binging on champagne, we usually drink ours at 12:15, when the show is over.

    Becca Pulliam is our uber-producer. She coordinates each of the locations for Toast of The Nation (DC, Boston, NY, Minneapolis, Denver, and SF) into a mosaic of live music from coast to coast. Becca makes this whole party possible. Oh, and "listeners like you."

    Michael Bourne is our host. You may remember him from such hit shows as - Afternoon Jazz on WBGO for the last 20+ years. Or 20+ years on Toast of the Nation. That's committment. Everything I can say about Michael, I've already said to him personally - usually while I'm helping him connect home audio devices, changing light bulbs in his apartment, or eating Cantonese specialties with him (too infrequently) at Phoenix Garden.

    Steve Remote at Aurasonic is our guy for audio. He brings his 24 foot GMC truck, affectionately know as "The Breadmobile," to the gig. As you can imagine, jazz clubs in New York are short on space. That means you have to build a recording studio outside, and connect it to what's happening onstage. No small feat. Steve Remote and his band of merrymen do it with aplomb. Robert Carvell manages stage tech, and Jon D'Uva will assist the recording engineer in the truck. Jon is a vegetarian. I have no idea what he's planning to eat for dinner at the barbeque palace upstairs, Blue Smoke.

    Jim Anderson is the Recording Engineer tonight. He possesses both sartorial splendor and golden ears. He will make tonight sound so good for listeners. In Jim's spare time, he's active in the New York chapter of the Audio Engineering Society. He's also the Chair of the Clive Davis School for Recorded Music at New York University. He gets some of the best drum sounds I've heard on jazz records. He also reads great books.

    David Tallacksen is the Technical Director and Codec Jockey. He's the youngest member of the crew. He is responsible for the audio transmission via codec to NPR, among other things. We don't trust that job to just anyone. David also shows a tremendous amount of patience with Verizon, who installs our ISDN circuits to transmit that audio. David has tested these lines over and over and over. Two of the three circuits work, as of 12:30pm on the broadcast day. Verizon has assured us they will fix the problem with our backup transmission lines today. Fingers crossed.

    Katie Simon is our Stage Manager. She makes sure the trains run on time, because I'm barking in her ear the entire show. Katie can blame her first job in public radio on WBGO. Now she's hooked. She's a producer for Storycorps, producer David Isay's oral history project for public radio. You may have heard the stories on Morning Edition every Friday. Guaranteed to make you a little teary-eyed., if you're just a wee sensitive. Michael Bourne nicknamed Katie "Supergirl" because she's just...super.

    Martin Goodman is operating the house sound for Jazz Standard. He will be making sure that the artists have their sound on the stage and in the club. Martin also interfaces with our broadcast in a big way, because we share all the same microphones used on the stage.

    I'm your humble field producer and director for the show. You can blame me if something goes wrong.