January 17, 2008. Posted by David Tallacksen.
The Katrina Project tells the story of the infamous hurricane and its affect on the arts and cultural life in New Orleans. Tonight's standing-room-only gallery reception featured a discussion with photographers Douglas L. Adams, Jr. and Norman DeShong. Moderator David Cruz was also joined by panelists Tanisha McHarris, Roland Angland, and Yanada Essex.
The conversation was frank and honest - the kind we should hear more of, since the Crescent City's troubles continue. I encourage you to take a listen.
The hauntingly beautiful gallery continues for just a short time more, so check it out - you can find out more here.
© 2008 WBGO
January 17, 2008. Posted by Joshua Jackson.
We had a really killer performance and chat session with saxophonist Marcus Strickland and the Twi-Life Band. You can find the whole session, or individual songs, on the NPR Music site. Click here.
Make it a point to check out what some of the baddest young talent in jazz are doing. Not just online, but in the clubs. We have a ton of these sessions on the shelf, so expect more in the coming months. Guitarist Mike Moreno is next.
© 2008 WBGO
January 16, 2008. Posted by Joshua Jackson.
If I had a time machine (preferably a DeLorean with a Flux Capacitor requiring 1.21 jigowatts of juice), one place I would go to is Carnegie Hall. Specifically on the evening of January 16, 1938. That's because seventy years ago today, jazz giants roamed the stage at Carnegie, and jazz was finally getting some respect from the concert hall scene.What an extraordinary night in many ways. There are a million stories about this show, and historians have cleared most of the myth from the reality. That's important work, but at the end of the day, I just like the music. I've listened to this stuff over and over. When modern listeners' conceit gets in the way of hearing an "old sounding" recording like this, those folks are simply missing the point. It's the music.And the music is amazing. Benny Goodman with his trio (pianist Teddy Wilson, drummer Gene Krupa), his quartet (add Lionel Hampton), and his orchestra with Jess Stacy, Harry James, Ziggy Elman etc. With Fletcher Henderson and Jimmy Mundy arrangements. You can't go wrong with this. It's enough.
But it wasn't enough. Ellington sidemen Johnny Hodges and Harry Carney sat in. Not to forget Cootie Williams' muted trumpet on "Blue Reverie." That's my reverie. Plus, a jam session on "Honeysuckle Rose" that's crazy long, with Count Basie and most of his men. No Papa Jo on the drums, but Krupa turns the volume down a bit. Hell, even rhythm guitarist Freddie Green takes a two chorus "solo" of strumming the strings...
If I had my way, I'd post the whole show online, RIAA be damned. People need to hear it. If you haven't heard it, what exactly are you waiting for?
As for me, I'm waiting for lightning to strike the clock tower. It's 10:04 on November 12th, 1955. I'm in my DeLorean. Trying to get back home.
© 2008 WBGO