February 2, 2011. Posted by Brandy Wood.
Interested in celebrating Black History Month in the WBGO neighborhood? Today, February 2, a new exhibition is opening at the Newark Museum, Posing Beauty.
Posing Beauty explores the ways in which African American beauty has been represented in the media in both historical and contemporary contexts. In three thematic sections, "Constructing a Pose," "Body and Images," and "Modeling Beauty and Beauty Contests." This exhibition examines contemporary understandings of beauty by framing the notion of aesthetics, race, class and gender within art, popular culture, and political contexts. Posing Beauty features approximately nearly 100 works drawn from public and private collections and will be accompanied by a book by the curator of the exhibition, Dr. Deborah Willis, Chair of the Photography and Imaging Department at New York University, Tisch School of the Arts.
Billy Eckstein and Billie Holiday
John W. Mosley
c. 1956 (printed 2009)
Modern digital print
7 1/2 x 9 3/4 in.
Courtesy of The Charles L. Blockson
Afro-American Collection, Temple University
© 2011 WBGO
February 2, 2011. Posted by WBGO.
For more than a decade, Aaron Goldberg has intermittently led a piano trio with Reuben Rogers on bass and Eric Harland on drums. That word "intermittently" is necessary, oddly, only because each member is so good that they all keep getting hired as sidemen, including the pianist and leader himself.
But when they do convene, sparks fly, both on a series of recent records and on the bandstand. They proved it during a week at the Village Vanguard in New York, and WBGO and NPR Music were there. The Aaron Goldberg trio, with special guest saxophonist Mark Turner, played a live online video webcast and on-air broadcast from the New York venue, heard at this page on NPR Music.
There's a healthy dose of modern mainstream jazz in this band — the friendly, positive-energy kind that feels rooted in swing no matter how far it strays from the straight-ahead. The 2010 release Home is but the latest example, on which Brazilian melodies bump elbows with Stevie Wonder, touch-sensitive ballads, funky ostinatos and hyperkinetic postbop. Like this performance, that record also features the slippery, unpredictable lines of saxophonist Mark Turner. Meanwhile, Rogers and Harland had just come off tour with the all-time great sax player Charles Lloyd — which, if you know Charles Lloyd, gives an idea of their remarkable versatility and proficiency.
Versatility and proficiency are Goldberg's trademarks, too. A Boston-area native, he spent a year at the New School jazz program in New York, then transferred closer to home at Harvard, where he spent his free time jamming around the city. When the jazz-education hothouse that was Boston in the early to mid-'90s shifted to New York, so did he. He's spent a good chunk of his time since touring with everyone from Betty Carter and Wynton Marsalis to Kurt Rosenwinkel and Madeleine Peyroux; most notably, he was saxophonist Joshua Redman's pianist for several years.
In all that, Goldberg has maintained a core trio with Rogers and Harland. (It helps to have colleagues like Omer Avital and Matt Penman on bass, or Ali Jackson or Gregory Hutchinson on drums, to call as substitutes.) On its four records, the group is often supplanted with other peers like Turner. It will be again here during its run — Goldberg's debut as a leader at the Village Vanguard.
- "The Rules"
- "One Life"
- "OAM's Blues"
- "Lambada De Serpente" (Djavan)
- "Moose The Mooche" (Parker/arr. G. Klein)
- "Isn't She Lovely" (Stevie Wonder)
- Aaron Goldberg, piano
- Mark Turner, saxophone
- Reuben Rogers, bass
- Eric Harland, drums
- Josh Jackson, producer and host
- David Tallacksen, mix engineer
- Michael Downes, production assistant
- Lara Pellegrinelli, moderator
© 2011 WBGO