June 14, 2010. Posted by Joshua Jackson.Professor Creighton Bernette (John Goodman), "enjoying" a moment with his class. (Image Credit: Paul Schiraldi/HBO)
Davis: "There are so many beautiful moments here."
Janette: "They're just moments. They're not a life."
Within the song-and-dance pageantry, there's an extended discussion about the nature of art going on in Treme. In one corner, there's the default belief that art is a leisure activity which stands in the way of life: where making music, or preparing haute cuisine, or writing novels is seen as an unsustainable, even irresponsible way to go about paying your bills and feeding your kids. In the other, there's the New Orleans sentiment that art happens every day, all the time; that art is life.
It's one of the show's central conflicts: musicians and other cultural artists are constantly hustling to justify their collective existence. But in episode nine, it's especially strong: Antoine and Creighton both have children to raise; Albert has to keep a day job to support his hobby; Janette has too many expenses to pay; Davis has a very evident blindness to the consequences of his hedonism; Annie and Sonny have a fractious relationship apart from performing. The arrival of Janette's parents, the payment negotiation scene with Jon Cleary, the manual labor of Albert's young charge, and the hard-working Texas carpenter only sets this into further relief. And by the end, the struggle to create art seems to have pushed at least one character to a breaking point.
© 2010 WBGO
June 11, 2010. Posted by Brandy Wood.
© 2010 WBGO
June 10, 2010. Posted by Becca Pulliam.
Note #1: On June 8, the Queen's official birthday, at a reception at Her Majesty's Consul General's Residence (near the UN), the Queen (not present) bestowed the honour of Officer of the Most Excellent Order of the British Empire upon Margaret Marian McPartland, who was present and seated under a good-sized Andy Warhol portrait of the Queen. Marian McPartland's Piano Jazz was noted in the presentation.
Note #2: Sunday June13 at 6pm and Wednesday June 16 at 6:30 in a broadcast premiere on JazzSet, pianist Edward Simon - now a Guggenheim Fellow and member of the SF JAZZ Collective - presents his piece Sorrows and Triumphs . The performance by the septet Afinidad comes from the Walton Arts Center in Fayetteville, AR. David Binney is co-leader. The entire concert is really neat! Mystical and musical.
The web extra piece at jazzset.npr.org is Simon's "Impossible Dream." Here's an excerpt with Gretchen Parlato vocals, Adam Rogers guitar, Scott Colley bass, Antonio Sanchez drums, Rogerio Boccato pc.
Sorrows and Triumphs was created with support from Chamber Music America’s New Works: Creation & Presentation Program, funded generously through the Doris Duke Charitable Foundation.
© 2010 WBGO