• Cyrille Aimée Gets Lost With Michael Bourne

    February 24, 2016. Posted by Josh Landes.

    Modern-day chanteuse Cyrille Aimée swings by WBGO to play some fresh songs as well as to discuss her recent album "Let's Get Lost" on Singers Unlimited with Michael Bourne. You'll even hear her take on a certain C.C.R. classic!

    Cyrille Aimee

  • Bob Dorough Talks With Michael Bourne on Singers Unlimited

    February 24, 2016. Posted by Josh Landes.

    From zoot suits to the origins of bebop, American treasure Bob Dorough shares a life of jazz with WBGO's Michael Bourne on Singers Unlimited- and even a song or two!

    Bob Dorough

  • Win a pair of tickets to Monk in Motion with Jazzmeia Horn

    February 17, 2016. Posted by Brandy Wood.

    Add new comment | Filed under: Jazz Alive
    Monk in Motion: The Next Face of Jazz presents the Winner of the 2015 Thelonious Monk International Jazz Competition (vocalist) - Jazzmeia Horn.
    Jazzmeia Horn
    Jazzmeia Horn

    By age 23, Jazzmeia “Jazz” Horn has earned a reputation in New York City as a dynamic musician with a soulful sound. Jazzmeia is a passionate vocalist and continues to receive accolades from top critics and musicians alike, earning her comparisons to classic vocalists like Betty Carter, Sarah Vaughan, and Nancy Wilson. With the ambition to pursue a solo career, Jazzmeia moved to New York City in the summer of 2009 to study at The New School for Jazz and Contemporary Music. Shortly after, she had her first live radio appearance with Junior Mance on WBGO 88.3 FM in Newark, NJ. Jazzmeia was awarded “The Rising Star Award” in the 2012 Sarah Vaughan International Vocal Competition held at NJPAC. In 2013, she was selected into The Betty Carter Jazz Ahead Program held at The Kennedy Center in Washington DC. Later that year, she won First Place Prize in the Sarah Vaughan International Vocal Competition, hosted by WBGO and Jazz Roots.


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  • WBGO Congratulates the 2016 Grammy Winners!

    February 16, 2016. Posted by Nicole Sweeney.

    Add new comment | Filed under: Jazz Alive

    WBGO celebrates the 2016 Grammy Award winners that call 88.3FM WBGO home!

    Tony Bennett & Bill Charlap Photo by: Alberto E. Rodriguez
    Tony Bennett & Bill Charlap Photo by: Alberto E. Rodriguez

    Tony Bennett & Bill Charlap won Best Traditional Pop Vocal Album for their album: The Silver Lining: The Songs of Jerome Kern. Tony Bennett recently talked with WBGO Afternoon Jazz Host Michael Bourne about his Bel Canto training, love of Art Tatum & more. Listen here!

    Drummer Antonio Sanchez won Score Soundtrack for Visual Media: Birdman -WBGO's "The Checkout" highlighted a 2012 concert featuring Antonio Sanchez. Listen here!

    Best Tropical Latin Album: Rubén Blades With Roberto Delgado & Orchestra, Son De Panamá

    Béla Fleck & Abigail Washburn won for Best Folk Album: , Béla Fleck and Abigail Washburn-WBGO's Morning Jazz Show host Gary Walker talks with Bela Fleck about music & more. Listen here!

    Best World Album: Angélique Kidjo, Sings

    Eliane Elias wins Best Latin Jazz Album: , Made in Brazil -Revisit Eliane Elias playing the music of Bill Evans at a live WBGO Broadcast here!

    Best Jazz Instrumental Album: John Scofield, Past Present

    Christian McBride wins Best Improvised Jazz Solo: Christian McBride, Cherokee- The host of Jazz Night in America was recently featured as JNIA  and follows him around his hometown of Philadelphia. Check it out here!

    Cecile McLorin Salvant wins Best Jazz Vocal Album:, For One to Love - We loved having Cecile as a guest on the WBGO "Checkout". Listen here!

    Maria Schneider wins Best Arrangement, Instruments and Vocals: "Sue (Or In A Season Of Crime)” (David Bowie album) AND Best Large Jazz Ensemble Album: The Thompson Fields - WBGO's Gary Walker talks with Maria about this Grammy Award winning album! Listen here!

    Arturo O'Farrill and the Afro Latin Jazz Orchestra win Best Instrumental Composition: , "The Afro Latin Jazz Suite” - WBGO recently had Arturo O'Farrill and his boss level septet live in the WBGO studios! Listen here!

    Best Blues Album: Buddy Guy, Born to Play Guitar

    Best Regional Roots Music Album: Jon Cleary, Go Go Juice

  • Toshiko Akiyoshi's Jazz Orchestra Brought The Club To Concert Halls

    February 16, 2016. Posted by David Tallacksen.

    Toshiko Akiyoshi developed a reputation as a fierce bebop player. But she says she wasn't completely accepted in the jazz world as a woman and an Asian. (Image Credit: Courtesy of the artist)

    Pianist Toshiko Akiyoshi was the first Japanese musician to become popular with jazz fans in the U.S. Oscar Peterson demanded that his label record her; Charles Mingus hired her for his band. Then she went on to form her own acclaimed Jazz Orchestra. On Tuesday afternoon, Akiyoshi reassembled that group for a rare performance at the Appel Room at Jazz at Lincoln Center's Frederick P. Rose Hall.

    Back at the grand piano in her Upper West Side brownstone, 86-year-old Toshiko Akiyoshi says the occasion for her orchestra's reunion is to celebrate two milestones — when she started her professional career, and when she moved to the U.S.

    "It's very easy to remember, because I started in '46, so it will be the 70th anniversary," Akiyoshi says. "I came to this country in '56, so it will be the 60th anniversary in this country."

    Akiyoshi put together her first Jazz Orchestra in Los Angeles in 1973 with her husband, saxophonist Lew Tabackin — he was playing with the Tonight Show band, and helped fill her 16-piece orchestra with some of the best studio musicians in town. Akiyoshi says all of the sax players could also play flute and clarinet; that led to her signature style.

    "The saxophone players — if you wanted to be studio player, you had to double everything. So I thought, 'Maybe I can write a woodwind section.' And it became one of my trademarks."

    Along with the texture of woodwinds, the Toshiko Akiyoshi Big Band is distinctive in its use of Japanese instruments and themes.

    A few years after the band was formed, the musicians performed in Minneapolis, where a University of Minnesota student named Maria Schneider heard them play.

    "That concert was so powerful for me," Schneider says. "The music was so beautiful, and there was something about it being displayed in that concert hall — and her conducting and her playing — just the whole took me, and it made me all of a sudden ask the question, 'Wow, could I do that?'"

    Schneider is composing for and leading her own jazz orchestra. She says Akiyoshi helped pave the way.

    "It wasn't that she was a woman," Schneider says, "but it was that somebody was doing jazz that was infused with classical — it was concert music."

    Akiyoshi studied classical piano in Manchuria, China, where she was born in 1929. At the end of WWII, her family was forced to return to occupied Japan.

    "We came back and my parents lost everything," Akiyoshi says. "I could not hope to get the piano. And it was during occupation time. And [there were] many clubs: There was the officer's club, NCO club, the Sergeant's Club, and they all need musicians. On top of that, the Japanese wanted to dance, too, and there wasn't that many musicians. So I was hired immediately."

    Akiyoshi was a teenager. She studied jazz and began to perform in small combos. In 1952, pianist Oscar Peterson heard her in a Tokyo nightclub, and he persuaded the head of Verve Records to record her.

    Akiyoshi came to the U.S. to study at what was then called the Berklee School of Music in Boston. She was the first Japanese musician at the school. She moved to New York and developed a reputation as a fierce bebop player, but she says she wasn't completely accepted in the jazz world as a woman and an Asian.

    "In those days, 'Japanese play jazz, really?' And when it come to girl — 'Really, really?' kind of thing."

    Her husband, Lew Tabackin, says she continued to face discrimination, but he says they have no regrets.

    "I think we did pretty well, considering we had a band for 30 years," Tabackin says. "We did some really great things. You know, we made a contribution. How many people can actually feel that they've made a contribution?"

    Toshiko Akiyoshi disbanded her orchestra in 2003 to focus on her first love — and, at 74, to try to get better.

    "I started missing piano," Akiyoshi says. "Because I started as a pianist, and all my writing come from my experience as a player. So 30 years I say maybe I stop, disband it. Maybe I try to concentrate on playing piano. Maybe I'll be able to play just as good as before. I can at least try."

    Akiyoshi says she hopes she's given something back to jazz, which she says has been very kind to her.

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