May 13, 2010. Posted by Brandy Wood.
On Thursday, May 27 at 8 p.m., WBGO will simulcast a call-in program with New Jersey Governor, Chris Christie. Christie - On The Line, hosted by Emmy Award-winning Steve Adubato, will run one hour without interruption.
If you would like to submit a question in advance, please identify yourself as a WBGO listener and email firstname.lastname@example.org.
© 2010 WBGO
May 10, 2010. Posted by Joshua Jackson.L-R: Actual New York chefs Tom Colicchio, Eric Rispert, Wylie Dufresne, David Chang crash the fictional New Orleans restaurant of Janette Desautel. (Image Credit: Paul Schiraldi/HBO)
So you know when, in episode five of Treme, those four big-time chefs come in from New York to eat at Janette's restaurant? She makes a point not to "out New York" them, but still hits them with artful Southern cooking: sweet potato andouille shrimp soup, rabbit kidneys wrapped in bacon lardons, crawfish and grits, lamb, etc. Janette impresses those guys, and they seem loose and relaxed. It seems to me to be saying something to the effect of "we do it our own way here" — but still at a very high level, objectively speaking.
Well-stated. Negotiating the line between New Orleans and New York has its rewards, whether you're a big chief, a big chef, or Louis Armstrong. Negotiating your way through a plate of grits and grillades versus a pastrami sandwich is helpful to understand the difference.
Oh, hello again Josh Jackson of WBGO. You know, I can see a theoretical parallel scene in my head: Delmond is going to show up in a later episode with a bunch of New York jazz musicians, and they're going to be really impressed with the local talent.
They should be. Connecting to the music of New Orleans can be a powerful experience. On that note ...
© 2010 WBGO
May 6, 2010. Posted by Becca Pulliam.
This weekend marks 100 years since the birth in Atlanta of Mary Lou Williams (1910-1981), one of the greatest musicians and first women in jazz. Creative, profound, productive from her teens in Kansas City through her teaching at Duke University, her life inspired Duke Ellington to write “Mary Lou Williams is perpetually contemporary. Her music retains a standard of quality that is timeless. She is like Soul on Soul.”
The Institute of Jazz Studies website is your quickest way to learn about her, just a click away. The online exhibit is thorough and beautifully done. Plan to spend at least 15 minutes with this multimedia biography. It comes from material in the Mary Lou Williams Collection (she was a saver and left everything to the IJS).
This Sunday at 6pm, JazzSet with Dee Dee Bridgewater features MLW in performances from more than 30 years ago, as she rocked the houses at the Universities of Michigan and Wisconsin. She tells and plays the history of jazz from spirituals through ragtime, blues, the “swingin left hand” a/k/a stride, and modern sounds. Only MLW could say "This music doesn't have anything to do with New Orleans or Africa. It's American music." And then she chuckles. Ronnie Boykins (1935-1980, veteran of the Sun Ra Arkestra) is on bass, Charli Persip on drums. (At Jazz Standard Tues night, when Mulgrew Miller played “Ev'ry Day I Have the Blues,” he paralleled MLW's Basie-like treatment of “Bag’s Groove” that closes the JazzSet.) Rebroadcast Wednesday at 6:30 or on demand any time.
© 2010 WBGO