WBGO Blog
  • Herbie Hancock Keeps the Spotlight

    February 29, 2008. Posted by Joshua Jackson.

    I don't really care so much about why Herbie Hancock won a Grammy. All of the bloggers from the indie rock camp should get over it, which, I'm sure, they have by now (it's just the Grammys, folks...). I'm just happy that jazz gets any attention from television. On that note, check out CBS Sunday Morning this weekend. Correspondent Rita Braver visits Herbie Hancock at home. What she discovers about Herbie is as interesting as you can imagine from someone as interesting as Herbie Hancock. Jazz people already know this. Now, folks who watch TV before church service can get an insider portrait of the recent GRAMMY Album of The Year winner. And how many of us have ever been inside Herbie's pad, anyway?
    And tomorrow, The Harvard Foundation (for Intercultural and Race Relations) of Harvard University will name Herbie Hancock 2008 Artist of the Year at their annual Cultural Rhythms ceremony. Cool.
    -Josh

  • Randy Weston Talks Jazz, Africa, and more...

    February 29, 2008. Posted by Angelika Beener.

    Add new comment | Filed under: Jazz Alive

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    I've been hosting a new podcast with our News department entitled, We Insist!: Jazz Speaks Out.

    It's a 4-part series that discusses jazz in terms of social political advancement and expression in Black culture.
    We launched it for Black History Month, but it's so much broader than that, and has really become a wonderful experience for me.
    I've interviewed some of my favorite musicians, and favorite people, for that matter.  It's been completely eye-opening for me as well.
    I'm a self-professed "jazz nerd" as some would say.  I simply say a lover and appreciator and a part of the culture (but that's a lot wordier, LOL).
    With all of that said, working on this has been a huge life lesson for me, and I'm discovering so many new ideas and concepts.  And I'm pleased that we're sharing it with all of you!

    Last week, I interviewed the great Randy Weston at his home.  David Cruz, our producer, and I hopped on the train to head to BK (that's Brooklyn, for non-natives) to talk to the man himself.  What an amazing experience.  First of all, when I stepped into Weston's home, it was almost like going to Africa.  His home just FELT like the motherland - and he and his wife have the warmest spirit.  We sat at the piano and talked about Uhuru Afrika, a wonderful piece of work that was one of the earliest intergrations of African and African-American music.  He talked about his first trip to Africa and what led him there, the amazing roster of musicians that were a part of Uhuru Africa, and why Africa is not far at all from Jazz, and how it's really quite central.  I won't give it all away - you'll have to check it out for yourselves.  And please - feel free to send emails with your thoughts, and even input on some albums you think are relevant to the program to weinsist@wbgo.org

    Look for the Randy Weston episode soon.  Before that, Grammy-winning trumpeter Terence Blanchard calls in to discuss Miles Davis' A Tribute to Jack Johnson.
    You don't want to miss it...

  • Digging on Dexter

    February 27, 2008. Posted by Joshua Jackson.

    It's the birthday of saxophonist Dexter Gordon, who holds a special place in the hearts of many people at WBGO. Perhaps no one here knew him better than our station mother, Dorthaan Kirk. Here's a story she just told me:

    I met Dexter when I was touring Europe with Rahsaan Roland Kirk's band. Rahsaan loved Dexter, so I knew the name and the music before I ever met him. Anyway, we had some time off, so we went to Copenhagen. We saw an early concert at Tivoli Gardens with the Basie Band, then we joined some of Basie's guys and headed for the Club Montmartre. Copenhagen was Dexter's home, and he played that club all the time.
    I remember so much about that evening. Dexter was wearing a blue jean suit. It was definitely the 70s! At the end of the night, it's 3 or 4am, and all of the musicians are at the bar. I'm keeping to myself, mostly, while all the guys are carrying on. Long, tall, and handsome as can be, Dexter walks out of the kitchen, comes right up to me, and says, "Who are you?" I was practically speechless, which you know never happens...
    From that night on, Dexter always called me "Miss Rahsaan." I sure do miss him.

    Here's Dexter playing Sonny Stitt's "Loose Walk" in Amsterdam, with a Swiss trio - George Gruntz piano, Guy Pederson bass and drummer Daniel Humair: