WBGO Blog
  • Bourne's Montreal: Zappa, Meet Zappa

    August 7, 2014. Posted by Michael Bourne.

    I first encountered Dweezil Zappa, who played FIJM at Montreal’s Metropole this year, in the womb.

    I met his father, Frank Zappa, on the 4th of July, 1969, in Indianapolis at a Holiday Inn.  I was interviewing Frank for a cover story in Down Beat.  Frank's wife Gail was great with child.  Dweezil.

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    I was nuts about Frank's uniquely jazzy/rocky/funny theatrical music, and I hung with The Mothers of Invention variously on the road from '69 into the 80's.

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    I'd never heard  Dweezil playing his father's classics until Montreal, and I was singing along from the jump.  "Call Any Vegetable."  "Suzy Creamcheese."  Mostly songs from the early Mothers albums and some of the best of Frank's  satiric ("I Am The Slime," about television) and surreal ("Montana," about dental floss) classics.

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    Dweezil's band was loudly orchestrated, almost as if the living albums with the volume turned up, and all in the band are virtuosic enough to whip it out — especially singer and saxophonist Scheila Gonzalez, whose animated  presence on stage reminded me of Frank's sexy (and very musical) Ruth Underwood.

    Except that he didn't play extended concerto-like improvs, Dweezil's guitar chops sounded very like his dad's.

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    I missed every other gig that night.  "Zappa Plays Zappa" was so cool I was flooded with great memories — and the contact high with all the other older Zappaholics in the crowd was quite bulbous.

  • Bourne's Montreal: The Best Of The Rest

    August 6, 2014. Posted by Tim Wilkins.

    I enjoyed Montreal for 12 days. And of the festival's more than 800 concerts, I attended all or most of 40. That's not even 5 percent of the Festival International du JAZZ de Montreal. That's how big it is.

    Here's (some of) what else I enjoyed at FIJM 2014. At Gesu:

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    Photo by Denis Alix

    Gamak, the intensely (and very differently swinging) Indo-jazz of alto saxist Rudresh Mahanthappa.

    Now This,  the lyrical almost-dreamscapes of pianist Marc Copland, bassist Gary Peacock, and kaleidoscopic drummer Joey Baron.

    Photo by Frederique Menard-Aubin
    Photo by Frederique Menard-Aubin

    Dr. Lonnie Smith with his octet.  Playing 4 (or was it 5? or more?) keyboards.  He's one of the best (and one of the last) of the McDuff/McGriff/Smith generation on the Hammond B3.   He played like a tidal wave.  Or like a baby's whisper.  He played tunes, but really much more as if a sculptor of grooves.  He blew the roof off the Jesus.

    At L'Astral:

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis

    Some of the best (often world-class) "locals" played the 6PM gig at L'Astral in the Maison du Festival, including pianist Vincent Rehel, trumpeter Jacques Kuba Seguin, and the lively kids-play-Pops group Misses Satchmo.

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis

    Guy Belanger is a helluva harmonicat.  Comes from blues essentially, but he erases all the lines between blues, jazz, and whatever other genres get too often boxed.  On even what looks like a dimestore harmonica from his pocket, he can sound orchestral.

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis

    Honored this year with the Oscar Peterson Award for a Canadian musician, trumpeter Ron DiLauro played Kind of Bluealmost note-for-note.

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis

    Usually when a great (and frequently Miles Davis) album is performed, I feel that I'd rather listen again to the actual album — but Ron's sound is so exquisite (especially through the mute on "Flamenco Sketches" and "Blue In Green") that the masterpiece of Miles et al came alive again.

    So many good players on the Montreal scene never get heard much (if at all) below the 49th Parallel, and some of them (like Ron DiLauro) have played for decades with Vic Vogel.  Sorry that I missed his big band.  He's the only musician who's played all 35 years of FIM.

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  • Gregory Porter: Newport Jazz 2014

    August 6, 2014. Posted by WBGO.

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    (Image Credit: Adam Kissick for NPR)

    The commanding singer Gregory Porter likes a good aqueous metaphor. He named his first album Water and led off with the title track. Then he called his latest album Liquid Spirit, which he released following last year's ecstatic Newport show. (He sang that title track, too, with its bouncy hand-clap exhortations.)

    Porter returned to Newport this year on the festival's main stage, delivering a triumphant set that spanned his whole repertoire. And, appropriately enough, he cut through day-long rain showers during his performance on Saturday, August 2.

    Set List

    • "Water"
    • "On My Way To Harlem"
    • "No Love Dying"
    • "Liquid Spirit"
    • "Wolfcry"
    • "Work Song"
    • "(I Love You) For Sentimental Reasons"/"You Send Me"
    • "1960 What?"

    Personnel

    Gregory Porter, voice; Tivon Pennicott, tenor saxophone; Chip Crawford, piano; Aaron James, bass; Emanuel Harrold, drums

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